Yin Jun said: "I do this company, the most important thing is to make comics, just like Huang Yulang Yulang and their comic books. Pen Fun Pavilion www.biquge.info"

Fortunately, Wei Xiaofan has lived in Xiangjiang for so many years, and there are many guys in Xingji Tea Restaurant who like to read comics, so Wei Xiaofan can distinguish comic books from villain books.

Wei Xiaofan himself doesn't like to read comics, his favorite thing is to learn opera and listen to opera, or just to find his brothers to eat and drink for a while, everyone chats about the world, and he is not at ease.

But Wei Xiaofan also knows that drawing comic books in Xiangjiang is a very lucrative business.

For example, Huang Yulang, who Yin Jun said just now, began to drop out of school to draw comics at the age of 14, and also founded a comic daily newspaper, made a publishing house, and drew a series of works such as "Little Silly Fairy", "Little Demon God", "Little Snake King" and so on, and so on for 6 years, he reached a peak in terms of skill and thinking, so at the age of 20, that is, in 1970, Huang Yulang founded the "Diamond Publishing House" and officially published his pinnacle work - "Little Rogue Hooligans".

Of course, everyone doesn't know about "Little Rascals", but if you change its name after saying it, everyone will know it.

It was renamed as a name

"Dragon Tiger Gate".

That's right, it's Huang Yulang's masterpiece, the original movie that will be performed by Yong Zidan and Nicholas Tse in the future.

Although "Dragon Tiger Gate" is not Huang Yulang's most profitable comic, it is the comic that he has made a living, and it is also the comic that made him rich.

Many people are scolding Oda for these people for being too procrastinating, but they don't know that Huang Yulang is the ancestor of procrastination, his "Dragon and Tiger Gate" started in 70 years and didn't end in 2020, how many years did you calculate how many years he dragged on?

Compared with Huang Yulang, those authors in Japan are completely ashamed, okay?

Of course, Huang Yulang is very lucky and talented, and later he created series such as "The Legend of the Son of Heaven" and "Divine Soldier Xuanqi", all of which are huge in scale, although they have basically collapsed a lot in the back, but his imagination and creativity are very good.

And his three famous girlfriends or wives are even more enviable, including the 16-year-old little lychee, Li Zhi, who has not yet become a big beauty lily, was picked by this old x wolf at the age of 16, which really made countless people amazed and gritted their teeth.

Throughout the 70s, it was the decisive battle between Huang Yulang and Shangqi Xiaobao, that is, the decisive battle between "Dragon and Tiger Gate" and "Li Xiaolong", which made the audience addicted.

It is said that these two people earn more than 10 million yuan a year, and they are also a hot topic of discussion among newspapers and comic book lovers, and Wei Xiaofan also knows it, so he doesn't think it's a joke.

But if this matter was to be replaced by Yin Jun, Wei Xiaofan felt that he was putting the cart before the horse.

It's very simple, if you want to make a career, how good it is for Yin Jun to be a gold medal screenwriter, which has not only opened up the market, but has also been praised by the public, and the price has also been raised, whether it is a TV series or a movie, it is easy to have an income of millions of a script, and if it is done well, it is easy to earn more than 5 million yuan from a script.

Writing two or three scripts can be worth a year of hard work for Huang Yulang and Shangqi Xiaobao, and drawing comics has to work almost every day, otherwise there will be no way to publish one issue a week, which is very restrictive, and it feels like the gains outweigh the losses.

"You make comics, in terms of input and output, it's disproportionate. Wei Xiaofan immediately pointed out what he thought of.

"Oh, you're mistaken, it's not that I want to paint myself. Yin Jun smiled and shook his hand, "I plan to come up with stories and ideas, and then find a special artist to draw them, and finally publish comic weekly magazines in Xiangjiang, Baodao, Japan and South Korea and other countries and regions." ”

When Wei Xiaofan heard this, he immediately understood.

This is Yin Jun telling the story, and the painter is responsible for drawing the story into a comic and then publishing it.

"Have you found a painter then?" asked Wei Xiaofan.

"Not yet, that's where I need your help. Yin Jun said, "Brother Wei, after you go back and settle down, help me go to Huhai, I want to dig up the painters of Huhai Art Film Studio!"

"Big digging and special digging?" Wei Xiaofan was stunned, "Do you need so much? And those painters are all employees of state-owned units, right? They can come to your private company? It's not realistic, right?"

People who have not experienced the sixties, seventies and eighties in the mainland will not be able to appreciate the powerful magic of "employees of state-owned units."

Countless people, just to enter state-run units and factories, are trying their best to just have an iron rice bowl.

Even after the reform, reform, and liberalization, many people refused all changes for the sake of this job of "government protection for life," and they had to die in state-owned enterprises.

What do you say that you can earn 1,000 yuan a month in Xiangjiang, but they don't even look at it, preferring to receive dozens of yuan in a salary in a state-owned enterprise.

Because many people, including their parents and elders, have been like this all their lives, they have become accustomed to this kind of life, so they are not willing to change it.

It was only in the mid-90s that after the iron-fisted government boss directly brandished a big knife and cut off thousands of state-owned factories that had serious losses and could no longer innovate and compete, tens of millions of workers reluctantly turned to society and began a difficult but necessary re-entrepreneurship.

Then, after 2000, when college students were not allotted, most of the state-owned enterprises were in recession, but private enterprises were more and more prosperous, this situation changed again.

It's just that this time it's much more gentle, because it's the young people who have never worked to choose, which is better than their elders, who work hard in a fixed environment for half their lives, and finally have to leave their jobs and find another way to make a living.

It's not the 90s, it's only 79 years, so the aura of the workers of the state-owned factories is even more fierce and precious, and it is even more difficult to dig them up than to climb to the sky.

But Yin Jun didn't think so.

If it was somewhere else, Yin Jun wouldn't try it, and he didn't want to try it.

But the elites of Huhai Fine Arts Film Studio, he has dug up!

"Havoc in the Heavenly Palace", "Little Tadpole Looking for Mother", "Three Monks", "Hulu Brothers", "Baolian Lantern" and other classics are simply the pinnacle of handmade animation.

These are all painted by the masters inside one by one.

The ink animation they drew was simply the pinnacle that could not be surpassed in decades.

Even Osamu Tezuka, the god of Japanese comics, felt that he should draw manga after reading the works of the old man.

It can be said that the painting masters in the Huhai Art Film Studio in this era will be regarded as a treasure by the Japanese comic industry, and if they are served in the whole pot, Yin Jun dares to directly call Disney animation without 3D animation to close the door!

Even if they are the apprentices and grandchildren of these masters, won't they be responsible for a lot of Japanese anime drawing work and anime production work in the future?

Although in the end, it was the Japanese who made the most money who held the copyright, but at least 60% of the success in it came from the painters of the Huhai Fine Arts Film Studio.

Huhai Fine Arts Film Studio has gone from glory to loneliness, in fact, the trajectory of the whole state-owned enterprise is the same.

They all have the best talents and resources in this country, but because they can't open their minds, they can't connect with the world, and they are bound by too rigid systems and development ideas, and then they are beaten to the ground in the competition of more flexible foreign enterprises or private enterprises.

Of course, there are also people who are poached by the high salaries of Americans and go to the United States to animate for American Disney...... For example, in "Mulan", most of the animators and artists are the elites of Huhai Fine Arts Film Studio.

In Yin Jun's view, it is a huge waste for such a good talent base to be wasted like this!

Therefore, Yin Jun must dig up their talents and let them "repeat" the path of their apprentices and grandchildren - to be excellent comics and animation painters.

In this way, not only can they have a good income, but they can really live a good life by relying on their skills, but they can also make Yin Jun's comic weekly career prosperous, from dominating Asia to dominating the world!

Even the successful experience of these people will attract more talents to enter the comic and animation market and contribute more and more to the industry.

Even when Japanese comics occupy the computer screens of Chinese young people, there are original comic companies such as "Youqi" who are working hard, which proves that there are always people who stick to their own hearts, and there are people who create comics that belong to Chinese people.

If in this life, through Yin Jun's success, enough talents are attracted to enter this industry, why can't the animation industry become a new industry that makes a lot of money?

The anime industry is an important income-generating industry in Japan, with a population of only 150 million, and more than 2 million people working in anime-related industries.

More importantly, the animation industry is also constantly exporting Japanese culture, so that the world will know and understand Japanese culture, which is a huge benefit for the overall image of Japan.

If China did the same, how much less misunderstood and hostile Westerners would have towards us?

This alone is already the driving force for Yin Jun to work hard in the animation industry.

Of course, the anime industry is not as simple as others think, it is definitely an important gold mine industry that many people overlook!

First the manga, then the anime, then the live-action movie...... Coupled with the development of a peripheral industry, what a huge industrial chain is this?

Think of Transformers!

It has created an industrial chain worth hundreds of billions of dollars, and it will continue to create wealth in the future!

It's just an anime!

If there are more anime like this, it will be a great way to make a name for yourself and make money! )