Tang Shuxuan called Yin Jun after five days and agreed to translate the two books "Jurassic Park" and "The Da Vinci Code" for Yin Jun. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

Yin Jun also formally prepared a contract for Tang Shuxuan, on which Tang Shuxuan's due permissions were written, the most important thing was a remuneration of 50,000 Hong Kong dollars, plus a 10% royalty share after publication.

And the rights and interests of the rest of the film and television and peripheral works, Tang Shuxuan is gone.

At the same time, Tang Shuxuan also had to undertake the task of going to the United States to find a publishing company to publish.

Tang Shuxuan is a smart person and a director, looking at Yin Jun's contract, he sighed a little, this kid is obviously going for the adaptation of future movies and TV series.

She has been reading two books these few nights, and the more she reads, the more she can feel that what is written in these two books can basically be transformed into a good movie story.

Tang Shuxuan even fantasized about these two stories in his mind, and at the same time, he expressed his admiration for Yin Jun's imaginative stories and rigorous writing style.

This is also the reason why she is willing to translate these two books for Yin Jun.

It can be seen that Yin Jun's two books are not just based on imagination at all, Yin Jun must have also referred to a large number of books, and synthesized a lot of materials, so that he could combine all these knowledge about theology, cryptography, biology, medicine, physics, etc., and write two books and two good books completely.

Tang Shuxuan appreciates such a writing attitude very much.

She is also a little looking forward to waiting until she finishes translating the novel and releases it in the United States, and after being seen by the film director, she will make a movie.

According to her current estimation and conjecture, the two books are adapted into movies, and the results should not be bad.

Especially "Jurassic Park", if it is made well, I am afraid it can reach a box office of hundreds of millions of dollars!

Relatively speaking, Tang Shuxuan did not have any dissatisfaction with Yin Jun's tight control of the copyright of peripheral rights and interests such as film and television.

This book was originally written by Yin Jun, and he just translated it according to the text, at most to beautify the structure of the book, how could he enjoy so many rights and interests?

Besides, Yin Jun is also very generous, the translation fee of 50,000 for two books is already equivalent to half of Tang Shuxuan's income as a director, and then there is 10% royalty rights, if it goes well, 180,000 yuan is not a problem at all, which is enough.

Tang Shuxuan has never been a discontented woman, otherwise she would not have withdrawn from the Xiangjiang film industry so happily.

Since he likes these two books very much, and Yin Jun pays him very well, he naturally wants to complete the task of translating.

As for finding a company to publish, this is even simpler, there are so many publishing houses in the United States that as long as they are not blind, it is impossible for them not to publish two books, "Jurassic Park" and "The Da Vinci Code".

Tang Shuxuan will go back to the United States in March, plus a translator or something, one after another, and there will be news in May or June.

Let's not mention Tang Shuxuan's side for the time being.

In the past two days, Yin Jun has been entangled by Liu Tianci.

The reason is naturally very simple, that is, about the script for Jiashi.

In September last year, Yin Jun gave Jiashi a total of three scripts, namely "Falcon", "Shen Shengyi" and "Man in the Net".

Among them, 40 episodes of "Falcon" were broadcast in early January, and "People in the Net" and "Shen Shengyi" were also broadcast in early January.

It's already early February, and "People in the Net" and "Shen Shengyi" are both 80 episodes, which means that by the end of March at the latest, Yin Jun's script for Jiashi will be completely broadcast.

If Yin Jun didn't give Jiashi the script again, Jiashi would be dumbfounded all of a sudden, and he couldn't find the way forward at all.

Be.

At the beginning of January, after Jiashi achieved a historic victory, the 10 o'clock file has the right to play TV series or variety shows independently.

Then Jiashi did let the producers in the station work hard to make TV series, ready to try the water during this time period.

Even if it can't shake the strong position of "Happy Tonight", it is still a litmus test.

If you can grab 20% of the ratings at 10 o'clock, it will definitely be a very good result, and it is not impossible to adjust to 7 o'clock in the future.

From this time period on, in fact, Jiashi gradually wants to get rid of Yin Jun's huge influence, although they don't all rely on Yin Jun, but they hope that half of them can rely on themselves, otherwise it will definitely be a disaster if they all rely on a screenwriter who is not their own.

Just look at the way Li's face is dying now.

But good producers, good screenwriters, and good scripts are not so easy to get.

Not to mention that before New Year's Day, Xu Ke, the most promising new generation of cutting-edge producers of Jiashi, had left Jiashi and defected to Wu Siyuan's film company.

Now in Jiashi, there are three or five of the best producers, and the top one is only Xiao Sheng.

As for the screenwriter......

Ahem, let's not mention it.

So Jiashi had no way to find that they still needed Yin Jun's strong support, at least in the last two or three years, before they had trained enough excellent screenwriters and producers, they couldn't get rid of Yin Jun's influence.

Besides, even if they can already make a TV series on their own, they must work closely with Yin Jun.

Otherwise, Yin Jun turned around and went to wireless, and wrote a few good scripts for wireless, and Jiashi would not have to kneel directly?

With such an idea, Liu Tianci and Shi Shaoming were looking for Yin Jun before the Spring Festival, expecting him to come up with a few more scripts.

Except for the annual drama promised to Xiao Sheng, which is basically a certainty, none of the rest of the scripts have been promised.

Liu Tianci has come to implement this matter in the past few days.

Yin Jun knows Jiashi's careful thinking well.

If you don't have your own ideas, then Jiashi is too incompetent.

So Yin Jun didn't care about their small movements at all.

Besides, is a good script something that you can make if you want to do it?

That's too much to think of yourself, right?

But Yin Jun didn't think about not helping Jiashi.

Just as Jiashi will be unstable without Yin Jun, Yin Jun also believes that Jiashi does not have its own script, and it is very likely that it will not be able to continue to stabilize its position in the past two years.

Therefore, Yin Jun prepared several scripts for them early.

The first one, of course, is the epoch-making "Shanghai Sea".

The classic combination of Zhou Yunfa, Zhao Yazhi, Lu Liangwei and Liu Ji is the first element of performing "Shanghai, Sea, Beach" well.

And the script adapted and perfected by Yin Jun is an indispensable success factor.

Finally, coupled with the strong support of Jiashi, with a top gold medal producer like Xiao Sheng to produce, it will naturally ensure that "Shanghai, Sea, Beach" is even better than the previous life.

The second one is called "The King of a Thousand Kings".

In the minds of the audience in the 80s, this is definitely a classic among the classics.

Nicholas Tse's father, Xie Xian, why is he called the fourth brother?

The reason is that he starred in Luo Sihai in this TV series, and Luo Sihai in this is called the fourth brother, because Xie Xian acted too well, so he will be Xie Si Ge in the future.

"The King of a Thousand Kings" is also the first time Wang Jing has written a script alone, of course, it is the script of the first gambling film he wrote, and it is the first script in Xiangjiang that specializes in gambling.

Since then, this guy has had a great interest in gambling, and has written several TV series scripts about thousands of arts along the way, and when he arrived in the film industry, the "God of Gamblers" that made Zhou Runfa a god is also Wang Fatzi's god work.

Because the theme of "The King of a Thousand Kings" is very special, and the people of Xiangjiang definitely like gambling, this theme has been popular since "The King of a Thousand Kings", and has become a long-lasting theme in Xiangjiang TV dramas.

For example, ATV's "The Winner is King" trilogy starring Chen Tingwei and Zeng Huanqian in the 90s continued this style and was also one of ATV's most classic TV episodes in the 90s.

The third script is "The Stars Know My Heart".

This original film was made by Baodao, and I believe that many people born in the 80s will have memories.

It is no exaggeration to say that this film is a typical "tear gas", crying to death, but constantly willing to accept the destruction...... Such a typical memory is already a life impression of people in the 70s and 80s.

At that time, the mother and five children in it were all popular all over Asia, although in the end, only the cutest and cutest fifth "Xiao Binbin" was the one who made us the most memorable, but on the whole, this film is a classic treasure island TV series that has caused a sensation in Asia, and it is definitely not an exaggeration.

A company can't always be a model when it comes to making TV dramas.

If wireless has been just doing costume dramas, where can Jiashi, Li's and ATV be cornered?

On the one hand, they are holding Jinyong drama and Gulong drama as weapons, and on the other side, there are urban boutiques such as "Shang.Hai.Beach", "Thousands of Rivers, Thousands of Mountains", "Senior Brother Xinzha", "My Kindness" and so on.

So Yin Jun added this treasure island TV series that was supposed to be broadcast in 1983.

At the beginning of the year, Yin Jun was ready to give only these three.

It's not that Yin Jun is unwilling to give, but if he gives too many TV series at one time, it will inevitably seem too worthless.

Yin Jun is willing to Jiashi's re-emergence, but Jiashi is too powerful, but it is not in Yin Jun's interests, which will make it more difficult for him to acquire.

Besides, Jiashi is also willing to rush by himself, so let them try it themselves, anyway, with Yin Jun, they can't be as pitiful as Li.

The current beauty is just a pool of stagnant water!

After Liu Tianci called for a few days in a row, Yin Jun gave him these three TV series.

After getting his hands on it, Liu Tianci didn't go back to the company directly, but took it there and looked at it himself.

It's an afternoon.

After he got Jiashi back, the senior executives of Jiashi also discussed while reading the script, and stayed up all night.

The next morning, Liang Shuyi called and agreed with Yin Jun's asking price.

"Shang.Hai.Tan", 60 episodes, 15,000 episodes, 15% of the foreign port.

"The King of a Thousand Kings" has 60 episodes, 15,000 episodes, and 12% of the foreign port.

"The Stars Know My Heart" 60 episodes, 15,000 episodes, 12% of the foreign port.

This price is actually not high at all compared to the price of Yin Jun's current drama itself.

With "Wulin Gaiden" and "Bao Qingtian" as the foundation, and "Chu Liuxiang" rushing out of the sky, it is simply impossible to get Yin Jun's script cheaply.

In addition, now Yin Jun has also begun to work on movie scripts, and his income is very high.

wanted to compete with the film company for Yin Jun's script, Jiashi could only choose to increase the price.

Yin Jun has a friendship with them, but the market price is the market price, and everyone must respect the principle of cooperation in order to cooperate for a long time.

(I was going to take a break today, but I didn't ask for a monthly pass, and the old man smashed more than 100 of them, how embarrassing is this? )