Chapter 533: Ingenuity
Yin Jun has been busy in the past two days, and Hu Yi has not rested. Pen | fun | pavilion www. biquge。 info
He had studied and worked at Toei Animation before, so he was very familiar with it.
This time, in addition to wanting to take away dozens of professionals, he also wanted to communicate more, so that Toei Animation could sell some instruments and equipment that were not sold to the outside world to Kirin Culture.
Osamu Tezuka invented an animation camera that can speed up the production of animations tenfold or dozens of times.
However, when it comes to the level of exquisiteness of the animation, this kind of animation is still not as fine as the large-scale hand-drawn production of Toei Animation.
In Japan, and even in the world, Toei Animation's animation production level is one of the best.
It's also easy to understand.
"One Piece" is so famous, but the production level of each episode of its animation can be compared with "Your Name. Is it the same?
It's a completely different concept, okay!
The animation produced by catching up with the speed is far from being comparable to the animation made by one or two years, three or five years of meticulous work.
On the one hand, Yin Jun wants to make an animation with one episode a week, but on the other hand, he is thinking about Miyazaki's future animations, as well as Disney's classic animations, as well as the animations of Blue Sky Studios, Pixar, Illumination Entertainment and other companies.
These later animations, even if computers are popularized on a large scale and technology is improved, it is not unusual for hundreds of people to make one in two or three years.
Yin Jun hopes that in his Kirin culture, there will also be such a group of meticulously crafted animation masters, who will show those classic animations of the previous life to the world in the way of Chinese production.
Therefore, it is not only necessary to find a master to help with the production so that their people can learn, but also need their equipment to cooperate, so that they can make an animation similar to Toei Animation more perfectly.
Doing such a job as an animated film is very tedious and very boring, and with a little impetuousness, I'm afraid it's not so easy to do, and I can't make a good animated movie.
This is also why in the future of China, in terms of cartoons, there will be no achievements at all.
When it is mentioned by foreigners, it is still talking about "Havoc in Heaven" and "Little Tadpole Looking for Mother" decades ago.
This is the glory of the predecessors, but also the shame of the juniors.
In this way, why is it the reason why people are so happy and happy after "The Return of the Great Sage" was born later.
It's a pity that even with "The Return of the Great Sage", which can be used as a fig leaf, in the next few years, Chinese filmmakers still can't make more good animated films.
The reason is very simple, it will take an animated film to be released in a year or two at the earliest, and the cost is very huge, and you don't even know if it will work.
But those comedy movies are different from romance movies, two months of filming is considered long, three months of production is considered long, and it is considered late to be released within half a year, you say that it takes me five or six months to make a movie that everyone likes to make money, why bother with those animated films that are not sure of the box office?
Therefore, as long as their impetuous mentality is not removed, basically within ten years, it will be impossible for Huaguo to shoot films like "Zootopia", "Frozen", and "Your Name". and other classic animated movies like this come out.
In this life, what will the future of China look like, Yin Jun doesn't know.
Perhaps it will still enter the era of impetuousness of the whole people because of economic development.
But at least in Xiangjiang, in Yin Jun's company, those who should do things calmly will not be impetuous.
To put it mildly, it takes ingenuity.
For example, in the animation production department, Yin Jun will not give them any pressure on profitability at all, you can concentrate on me to study the technology and produce the animation well, and that's it.
As for making money or not, that's not your business.
Well, yes.
This is Yin Jun's ideal for the animation department, or at least the direction he strives for.
Once you have ideas, you need people who turn them into reality.
No matter how good the Japanese are and how conscientious and responsible they are, they are all outsiders, and they can't always trust Yin Jun.
If his group becomes stronger in the future, then Yin Jun doesn't mind recruiting some Japanese experts to serve him, but now belongs to the era of technological development, so he can't rely on others.
In this era, it is not the era when the animation industry in China is blooming, and there are only a few schools that cultivate animation talents and those who cultivate comic talents.
Yin Jun had no choice but to ask Huhai Fine Arts Film Studio to help him recruit animation talents, so that the two art universities that had already cooperated could find more suitable art students.
If it is according to Yin Jun's long-term planning, 500 animation talents are not too many, and even 1,000 artists are not too many.
After 2000, the number of people had to increase further, and it was no problem to double it again.
Some people may say, even if it is Disney, Pixar, Blue Sky Studios, etc., it is not as exaggerated as you, people are generally two or three hundred, Pixar is only more than 600 people, and Disney does not have more than 1,000 people!
But Yin Jun's animation department is different from them.
They all come one project at a time, and only come to the second after completing one.
Yin Jun has so many excellent animated movies in his mind, so many comic animation books, how can he do it slowly?
At least two or three projects are started together, and three or five projects are prepared together.
In this way, doubling the number of people is considered small, and tripling is normal.
With so many people working together, the company's animation projects are well prepared, started very quickly, and work more efficiently.
But correspondingly, the company's operating costs will also increase dramatically.
In the future, several super excellent special effects companies in Hollywood will be ruined by the large number of people and the excessive expenditure.
Fortunately, Yin Jun has hundreds of excellent animated film projects in his hands, and there are more than a dozen super series movies that can last for 30 years, which can ensure that in 50 years, so many staff will not become a heavy burden.
Of course, the entire Asian market behind the teenager, especially the Chinese domestic market after the opening up, is also one of Yin Jun's biggest dependences.
The super market with a population of 1.5 billion will definitely be more powerful than the American market in the future!
This is something that has been recognized globally since 2015.
Haven't you seen that since "Avatar", all the Asian villains in the United States have quietly become North Koreans?
Several movies that were not popular in the United States turned out to be a big hit at the box office in China, and Americans were stunned.
"Transformers 4" and "Fast and Thrill 7", aren't they typical examples?
Even foreigners are so optimistic about the Chinese domestic market, and Yin Jun has no reason not to be optimistic about it.
He remembered, "Your Name. counterattacked all the way, and under the not-so-good schedule and not many screens, it directly cut a super high box office of 577 million!
In the future, I will make my own animated films, and it will not be worse than Japan and the United States!
In order to achieve this goal, he has to recruit and train more talents!
Regardless of the fact that every employee is full of patience and ingenuity, as long as there is such a leader among the hundred, Yin Jun feels that his hard work is not in vain!
……
Because the "Goddess of the Toilet" album is about to be released, Teresa Teng has also begun to be busy as expected.
In the next 15 days or so, that is, two weeks before the album is released, Teresa Teng will go to various parts of Japan to promote and sign sales, so that fans can buy more enthusiastically.
For such a means of publicity, it is not the first time for Teresa Teng, but this time, Yin Jun asked her to do two signing and singing shows a day at most, and she was not allowed to run two cities a day, which made Teresa Teng's heart sweet.
Women are like this, there is such a thing as reason, and they basically have nothing to do with it.
Deng Lijun didn't think much about it, and directly agreed to Yin Jun's request, which made Polygram cry and laugh, so she could only remake the plan.
No way.
Who called Teresa Teng the biggest big name?
They had to accommodate her.
When Yin Jun took the time, he wrote two songs for Matsuda Seiko.
Although Seiko Matsuda's best songs were given to Teresa Teng by Yin Jun for this album, but because she was one of the most famous super divas in Japan in the 80s, Yin Jun can still remember her other songs that are not so classic.
said that it was "not too classic", but it was actually related to Yin Jun's 40 years of experience.
Compared to this era, these two songs are enough to put Seiko Matsuda on the pinnacle of his musical life.
As for whether it can be stabilized, it is not Yin Jun's business, but Yin Jun thinks that this woman sings very smartly, is also full of fighting spirit, and has Polygram behind her support, so it will definitely not be bad.
It's a temperamental woman like Akina Nakamori, if she doesn't become popular, it will be a disaster.
Holding the two songs written by Yin Jun, Matsuda Seiko bowed and thanked Teresa Teng vigorously, and kept saying that he must invite Mr. Jun to dinner to express his gratitude.
Even Miura Hui'an was shocked and asked Mr. Jun if he could write another song for several singers of Polygram, the price was negotiable!
Huian Miura, who has been a musician for more than 20 years, knows that sometimes, a song can make a singer.
If it is Mr. Jun's song, there is a good chance that it will give a singer three years of influence, so it will be very advantageous for PolyGram's operation.
That's why he cheekily wanted to find Deng Lijun to beg Yin Jun.
Seeing that the queen of heaven's sister was soft-hearted again, Yin Juncai reminded her that the song can't be written, but when you want to leave, don't you send the song out more favorably?
Deng Lijun suddenly realized.
Sure enough, compared to the smart and sophisticated, I am much worse than the little villain~~