Chapter 1199: Fighting Ye Lanyu 4 Again: Return Together

Although the challenge is only a matter of two people, it still has a best-of-three rule.

Of course, if one side wins the first two games in a row, the third game can be automatically omitted. For example, a few days ago, Feng Xingying challenged Ye Lanyu's chess match, which was like this.

As the winner, Feng Xingying can interview for Ye Lanyu's level achievements in chess, and as a loser, Ye Lanyu will automatically be demoted by one level, and his chess skills will be downgraded from the original ground level to the Xuan level, and he will not be allowed to participate in the promotion assessment within one year.

Originally, Ye Lanyu had a total of three prefecture-level certifications: literature, chess, and piano, but now there are only two left.

If she loses to Qin Ying today, her piano skills will also be automatically relegated, and she will only be eligible to participate in the promotion assessment in the second year.

None of this is the point, the point is - shame!

Ye Lanyu was a celebrity in Qinghuang Town, and she couldn't stand being humiliated again and again.

This time, no matter what means are used, she must win!

As Ye Lanyu explained: "Within the rules, why not?"

She didn't really have to explain, it would have been better if she had continued to be cold and silent. She explained that it is a manifestation of a weak heart, and it will still be true after all.

The second game, open!

Qin Mo was even more nervous than Feng Xingying.

He is not afraid of Feng Xingying's loss, and winning or losing is not important to him.

But he was a little uneasy in his heart, he always felt that although Feng Xingying was a cute little slippery head on the surface, she was very arrogant, and she loved to joke and prank, but in her bones, she was actually a very stubborn and sensitive person.

Last time Ye Lanyu offended Feng Xingying, she fought with her chess skills, after all, before the competition, Feng Xingying didn't know that she would definitely win. She's just, giving it her all.

The object of Ye Lanyu's offense today is Qin Mo, she openly provoked Qin Mo among the students, this matter is a really big deal for Feng Xingying.

With Feng Xingying's concern for Qin Mo, how could he spare Ye Lanyu lightly?

In this case, what should she do if she lacks spiritual power?

Qin Mo was very anxious.

He always felt that Feng Xingying's eyes were a little crazy, which made him frightened and jealous.

The second game was themed "confrontation", and the tunes chosen by the two were all high-pitched tunes.

Ye Lanyu directly chose the drum song during the battle, the fierce rhythm and high scale hit the hearts of the people, ignited the fire of war in the hearts of the people, and deducted three words from the bottom of the people's hearts: war, war, war!

Ye Lanyu's selection of songs is very successful, and this song is indeed suitable for urging with spiritual power, and the strength of her spiritual dignity is poured into the notes, as if igniting a military soul.

Choice is also the meaning of paying tribute to the opponent, because only the opponent who is valued and recognized is eligible to enjoy the baptism of fire.

On the other hand, Feng Xingying, the tune she chose was a strange tune that no one had heard before, and it was not even suitable for playing on the guqin.

But this does not affect, Feng Xingying's rhythm is also shocking, she is not walking in the battlefield style, but in the personal style, there is a lot of pathos of "the wind is sluggish and the water is cold, and the strong man is gone" pathos, with a sense of despair that will be born after death.

If the theme of Ye Lanyu is war, then the theme of the star shadow is to die together.

Such a decisive appeal bursts out from the slender strings little by little.

Feng Xingying's speed of sound is much slower than Ye Lanyu's, because she is self-aware, and most of her spiritual power has to be used to fight against Ye Lanyu, which is not enough to support a scale that is too fast.

And the pathos of this piece does not need to be rendered by too fast a rhythm, it pursues "solemnity".