The absurd news about "Hugo's suicide" was quickly clarified, and after Hugo turned to leave, the reporters also asked many crew members to verify, including a nearby Qiē resident, and the results all showed the fact that the all-night party of the "Sleepless in Seattle" crew the night before was very pleasant, and there were no problems, let alone any suicide.

As a result, the fabricated news of the "National Enquirer" was once again laughed at and generous, but this has long been accustomed to the "National Inquirer".

This time, the ridiculous rumors came and went quickly, and soon disappeared into the news torrent, but many people remembered the movie "Sleepless in Seattle", and I don't know if it was an unexpected gain. As for the exploration of reporters, Hugo has not paid more attention to it, because for this period of time, Hugo has been thinking carefully about his acting experience, combining his life experience with the experience of horning, so as to deliver a more realistic and vivid performance. This is what Hugo values the most.

In fact, before that, Hugo's performance was more about pondering the horn 'color', and carving the details such as guò's expression, eyes, voice, intonation, movements, and gestures to make the image of the horn 'color' three-dimensional. But that night, when Sam's true feelings were revealed, Hugo ignored these details because of the inner emotional conflict, on the contrary, he was more from Sam's psychological and emotional perspective, savoring the bitterness, depression, and sadness, and all the performances were presented naturally, he did not pay attention to how his eyes were expressed, how his expression was portrayed, and how his tone should be adjusted, but just followed his feelings, and naturally presented a real feeling.

The performance presented in this way is very natural, although it lacks strength, but the infection of the love xù is very in place, which can make the emotions of the horn 'color' resonate with the audience.

So, how can you combine emotion and skill to make the performance more three-dimensional?

In fact, every type of movie is a very test of acting skills, not only drama movies need acting skills, comedy, action, horror and other genre films also need acting skills, to take the simplest example, the protagonist in "Transformers" is constantly running, frightened, it seems that there is no need for acting, but in fact, how to show the true feelings of the horn 'color' on the camera, this is acting. It's just that action movies, horror movies, and comedy movies leave relatively little room for performance

Old actors like Tom Hanks and Meryl Streep, even romance movies and comedy movies, can also give eye-catching performances, because they can integrate their performances into the character 'color', and then integrate their personality charm with the character 'color', pass on the guò storyline and infect the audience.

Hugo's performance in the film "Sleepless in Seattle" seems to have vaguely 'touched' to such a level in history, but it is still unclear. This made Hugo realize that such a performance process is also precious, perhaps it is the road to further improve his acting skills, so Hugo cherishes the opportunity to perform in every scene, and carefully ponders the emotional changes of Sam's role.

Fortunately, Hugo's inner scruples have completely disappeared, so the acting process has gradually become a process of enjoyment, and Hugo can put aside those superfluous factors and devote himself to the study of acting, which is the best news.

It's a pity that Hugo seems to be a long way from that level, not to mention the combination of emotion and skill, connecting Guò's own psychological and emotional perspective to present the angle of 'color', Hugo is not sure of it, and often 'sex' is too violent, which will make the performance presented in the camera slightly exaggerated.

It is necessary to exert too much force on a theatrical stage like Broadway, because the stage is limited in scope, but the audience is very seating, and the actors have to infect the audience with slightly exaggerated and magnified performances. But when the same situation appears in front of the movie and TV cameras, it will become pretentious. Therefore, it is very important to control the power.

How to control one's emotions and find a balance between oneself and the horn 'color' has become Hugo's biggest issue at present. The filming of "Sleepless in Seattle" turned into a very enjoyable experience for Hugo, who was trying to use his abilities to create a very different image of Sam from Tom Hanks's mature and steady mind.

Joseph looked at Hugo, who was fully engaged in the performance, and his inner worries were finally completely relaxed, and he could feel that the Hugo he was familiar with was back again. This couldn't be better news. And Hugo actually found a new breakthrough in his acting skills in the movie "Sleepless in Seattle", which was even more unexpected, so that Joseph's heavy mood finally cleared up after the rain and the sky. Perhaps, the act of diving that night was indeed a wise choice.

The crew was running at high speed, and the Seattle scene soon came to an end in the first week of March, leaving only one scene where Anne came to Seattle to look for Sam, which was the first direct contact between Anne and Sam, but Anne mistakenly thought that Sam's best friend was his date, so she just took a photo and backed down. But the moment Sam saw Annie, he had a special feeling for her, and the magic of love at first sight seemed to be generated between the two of them, but unfortunately, Sam was not able to grasp it.

At this time, Meg Ryan finally ended the filming of "Ruthless Earth and Love", and rushed to the crew.

Looking at Meg in front of him, Hugo couldn't help but sigh. In fact, it was already the 21st century when Hugo began to get in touch with movies a lot, and the speed of Meg's decline at that time was very strict, and the frequent ascension of the new generation of 'actress' stars almost made this smash hit American sweetheart drown in countless fresh 'meat', and Hugo's deepest impression of Meg has been stuck in a bad comedy movie in 2008.

&om，s。 new。 "Boyfriend)" is a comedy film that you can forget when you see Meg and the fading forever Latin lover Antonio Banderas (aoni0. banderas), and Tom Hanks' son, Colin Hanks (. Hanks) plays Meg's son. In this movie, Antonio gets older and more attractive, and Colin has a handsome demeanor that his father did not have when he was young, but Meg is old after all, and Meg, who was forty-eight years old in 2008, is old, which makes people sigh, and can only sigh that the years are always much gentler to men.

But today, Hugo saw Meg, who was only thirty-two years old, in the period of being a "fine" actor, with long golden "color" waterfall-like hair, a pair of smiling eyes with a playful little "woman" posture, ruddy "lips" and a big grin, like a sweet macaron, "color" colorful and sweet and lovely, just a glance, people like her. Although Meg is not the kind of 'glamorous' beauty, her sweet smile is beautiful to the heart, with the kindness of the 'girl' next door, and a smile comparable to 'milk', which is really something that people have to like.

American audiences have always had an inseparable attachment to sweethearts, from the silent film era to Mary. pickford) to Audrey Hepburn. Hepburon) to Goldihan (Goldie. nawn), and then in the 90s when Meg Ryan and Julia Roberts joined forces to dominate, the sweetheart beauty 'girl' has always had an irreplaceable and important position in the hearts of American audiences, even in the long history of films, American sweethearts and British roses have a very glorious page.

Meg is known as the "Honey Queen." "When she smiled, the whole world was drunk......" became the best footnote to her, and today Hugo really felt Meg's sweetheart charm.

Hugo had met Julia at a luncheon at an international innovation management company before, and Julia was known as a big-mouthed beauty 'girl', with a hearty smile and absolute affinity, becoming the most iconic 'sexual' beauty 'girl' in Hollywood. Compared with Julia, Meg's smile is sweeter, with a little 'female' playfulness and coquettishness, and at the same time there is a pleasant mood, just like a 'spring' breeze.

Hugo couldn't help but sigh again, the years are always much gentler to men, but the demeanor of 'women' is so dazzling when they are in their prime. The image of Meg in "Special Assignment of Agents" gradually faded in his mind, while the image of Meg in "Sleepless in Seattle" gradually became clear in his mind.

"Good afternoon, Meg, it's a pleasure to meet you." Hugo took the initiative to extend his right hand.

"Nice to meet you, Hugo." Meg held Hugo's right hand, with a big smile on her face, and her rosy 'lips' were like a layer of honey, sparkling in the sunshine of Seattle, "I'm sorry I'm so late and missed almost half of the filming, I'm really sorry." ”

Hugo smiled and shook his head, "It's okay, because I will also be absent from the second half of the filming, and I am here to ask for your forgiveness first." "The crew will then go to Chicago and New York to shoot the rest of Hugo's scenes, and then Hugo will take the lead, and then the crew will move to Baltimore to shoot Meg's part. That's why Hugo said this.

"Oh, that's fair." Meg was stunned, but then said with a smile, "Then I hope that our cooperation during this period of time can be smooth." ”

"If you're not tired." Hugo said thoughtfully. Meg has just come over from another crew and is about to devote herself to the filming of another film, which is not an easy task, even if the acting skills are 'colorful', constantly changing back and forth between different roles and 'colors', it is not so easy.

Meg was visibly happy to hear Hugo's words, "I think our cooperation will be very pleasant." These words made Nora, who was standing on the side, also 'show' a smile, but Meg noticed that the little pot friend who had been standing next to Hugo and holding Hugo's left hand did not 'show' a smile, she immediately looked at the little pot friend, "Hey, this should be the biggest hero of our movie, Hugo, aren't you going to introduce it to me?"

Jonah, played by Rose, is the beginning of Sam and Annie's communication, and without Jonah calling the radio, there would be no rest story. So Meg's words are certainly not wrong.

Hugo gently 'rubbed' Rose's head and said lovingly, "This is my son, Jonah. Jonah, wouldn't you mind saying hello to Annie?"

Rose then 'revealed' a big smile, "Hello, Annie, are you going to be my new mother?"

This fairy tale immediately made everyone around laugh.