"&Ernst's words make sense, Hugo doesn't know what the other actors are like, as far as he is concerned, he wants to inject his own ideas into the character and understand the character in his own way, so in the process of filming, he will produce countless characters, and while helping himself perform, it is actually a supplement and extension of the script.

It is most obvious that although Hugo passed by the script, he did come up with many ideas for the script, and communicated with Frank and Delabant. Later, during the filming of "", "", Hugo had his own communication with the script during the performance.

Before this, Hugo didn't really have much idea about the work of screenwriting, but today, after being reminded by Ernst, Hugo found that he was still bound by preconceived notions.

Originally, Hugo thought that screenwriting was not an easy task, and he had countless films in his mind, to give the simplest example, he had seen several films at the 86th Oscars in 2014, "(12. years。 a。 slave)", "gravity", "(dallas. buyers。 club)”、“(ameri。 hustle)" and so on, but the problem is that just because he's seen movies doesn't mean he can record them, which is the same as musical swordsmanship.

A movie script is composed of many aspects such as story framework, ideological connotation, characters, line dialogues, etc., Hugo can remember the story framework, and even remember the characters, but the ideological connotation is the part that cannot be plagiarized, and the line dialogue is the soul essence of many scripts.

For example, "", this script condenses Quentin Tarantino's thoughts on American folklore, art, music, streets, gangsters and other aspects of culture, and many seemingly meaningless lines and dialogues are all important factors in the composition of this classic script.

It is impossible for Hugo to reproduce, even if he has seen "" many times.

In addition, in Hugo's view, the script, like music, is not only a story or a melody, but also a strong personal imprint of the sword author's thoughts on life, society, precipitation, personal experience, outlook on life and values, etc., will be projected in the work.

In fact, this is true of all arts, including painting, architecture, etc., which is why many psychological works will use guò works of art to analyze the psychological state of the sword artist at that time.

Maybe Hugo can plagiarize, maybe the world's most clever imitator can confuse the real with the fake, but it is difficult to paint the skin of the tiger, and the core of the true value of art is the soul of the sword author, which can never be copied.

Therefore, Hugo has always insisted on making music with his sword, creating glory to death; Similarly, Hugo has never "plagiarized" the script, even if he thought about it, but he couldn't memorize so many lines of dialogue.

But now inspired by Ernst, Hugo found that he had forgotten about it, he could make his own script like a sword making music, he had ten years of difficult experience like underground rock, he had an incredible experience of traveling through time and space, he had the experience of brave struggle from the trough to the peak, he was in the professional ...... Although he was not yet thirty years old, he had experiences that many people would not have experienced in their lifetimes.

Hugo had a lot of brilliant ideas in his head, and maybe he didn't need to copy someone else's path, he could have written his own script with a sword. It's a whole new exploration, full of unknown pleasures, as if he starred in "", his role as Amon Igos was branded as "Hugo Lancaster", and it turned out to be a success; So what would it look like if he were to write the script for Schindler's List? Is it to copy the classics, or to destroy them, or to surpass them?

This is the same challenge as music, sword work, and acting skills.

But the question is, is Hugo interested in writing a screenplay? Hugo couldn't help but feel a little playful.

Recently, he has read a lot of scripts and is dazzled, among which the closest script to the performance is "Interview with the Vampire at Night", but in fact, the script of "Interview with the Vampire" actually has many regrets, the most direct is that the plot of the story is slightly fragmented, the whole story explores the theme of eternal life and loneliness and does not dig further, and the character of Lester has not been able to give more details to outline.

Except for "Interview with the Vampire at Night", Hugo's other scripts that he has read recently are still lacking, and there are never works that make Hugo's eyes shine. But in fact, 1995 still had a lot of great works, and although it wasn't as star-studded as l994, it was still a very luxurious vintage. It is indeed a pity that Hugo has not been exposed to a script worthy of his heart's content.

So, what if Hugo himself wrote a script? Maybe there's nothing to lose by trying and seeing.

"Yes, yes...... Why not?" Hugo's chaotic thoughts flashed through his mind, he nodded his chin slightly, and said in a long ending, and then he looked at Ernst, whose eyes flashed with excitement made Ernst a little uneasy, and involuntarily avoided his gaze, which made Hugo laugh, "So, Ernst, tell me, do you really think I can try the script of the sword?"

Ernst was stunned and looked up, "What, you're interested?" But a smile appeared in his eyes.

Hugo shrugged his shoulders, "I won't say that, but I think if it can help me break through in acting, or if I can make a script that suits my heart, maybe it's worth trying." Hugo has a clear idea of this, even if he wants to try, screenwriters can only be regarded as amateur jobs, and his current main job as an actor and singer is already busy enough, he will not toss himself.

But Ernst didn't care, and immediately said with gusto, "If you're just starting out, maybe writing a skit would be a good choice." Ernst even had some eyebrows fluttering, and the whole person was completely renewed, and the kind of joy that radiated from the depths of his heart opened Hugo's eyes.

In fact, even if Hugo doesn't write a script, it is a good attempt to make Ernst rediscover his purpose in life.

"I told you, in fact, the script is not as difficult as you imagined, you set a goal for yourself, do you want to tell a good story, or tell the experience of a character, grasp the core and then start to conceive." Without waiting for Hugo to respond, Ernst gushed out, "It's like 'the speed of life and death', you want to tell a story about ...... Well, for example, the story of a bank robbery, then you conceive the beginning and end of the whole story, and then divide the story into several parts: the beginning, the process, the **, and the ending, and then the plot is conceived one by one, and a script is considered complete. ”

Hugo understood all these truths, he had seen thousands of movies anyway, and there was naturally no shortage of basic knowledge, but he did not interrupt Ernst, and still listened with relish.

"Or you can talk about a theme, like growth, and then the core characters are a few people, what they were in the beginning, what kind of things they went through, which led to a change in the heart, and how intense this change was." Ernst exalted, "Maybe you can go and see 'Srand.'" by), the script I remember having in my bookcase. ”

Ernst stood up again, walked briskly to the bookshelf, rummaged through it for a while, and then found a script and handed it to Hugo. Hugo took the script of "Walk with Me" and nodded with a smile, "Maybe it's a good choice for me to start writing a script from a one-act play." ”

"Do you mean focusing on one person?" Ernst asked with great interest, and inadvertently, he sat down in the front half of the sofa, leaned forward slightly, and looked at Hugo excitedly.

Hugo originally just had a vague idea, he knew that he was not from a professional background, and he could be said to be a complete layman in the writing of the script, so he felt that the simplest scene like a one-act play might be a good start, but now looking at Ernst's expression, he couldn't help but think about it, and then he said, "No, I mean, to tell a theme, such as love, maybe the camera will lock on two people, telling two people from meeting, to the budding of love, and then to the progress ......."

"You mean something like 'When Harry Met Sally'?" Ernst interrupted Hugo.

But Hugo shook his head, and his thoughts gradually became clearer, "It's not a one-act play, it's about the progress and changes of a love." I mean, maybe it's just time for ...... Uh, one night? You know, two people meet unexpectedly, they are just strangers, but they go to a bar or a café and chat, and the eye touch, the collision of thoughts, burst into sparks, and then fall in love, and love develops, but when it comes to dawn, uh, maybe ...... Maybe they separated, but this kind of passing by has become the most gorgeous moment in memory, such a story. ”

Hugo's mind was about his first date with Charlize, so clear, but when the words were finished, "before sunrise." sunrise)" quietly emerged, making the smile on the corner of Hugo's mouth a little more helpless.

Unaware of this detail, Ernst focused all his attention on the story told by Hugo, and marveled, "It's a brilliant idea, but it's not an easy work to complete." You see, you're envisioning a one-act play, maybe just two actors, and their dialogue, their communication, their spark will be the key to the quality of the work. It's also an idea to maximize the charm of the script, which is really good!"

After finishing speaking, Ernst looked at Hugo excitedly, "How about it, are you going to make this script sword?" (To be continued.) If you like this work, you are welcome to come to Kazakhstan to read and vote for the work to vote for the monthly ticket. Your support is the biggest motivation for me to continue creating! ）.