During the audition process, Hugo didn't really want to make a preset, because it was easy to make a mistake. For example, Hugo thought that Steven and Spielberg's current work was clearly "Schindler's List" and then he performed according to his own preconceived notions, but Steven said that he was looking for actors for "Jurassic Park", which means that the audition failed.

Therefore, Hugo's advanced consciousness is actually a double-edged sword at this moment.

But what could Hugo do? Because the information given by Steven is too limited, he can't find a point to borrow, and it is difficult to substitute the love xù into the role of 'color', so naturally he can't present a 'fine' performance. Looking at the key points of the information just given by Steven, the character "color" of "a devil who is not completely dark in his heart...... is actually equivalent to no restraint, it can be the future killer TS00 in "Terminator", or the annoying brother Charlie in "Rain Man", or the confident, proud but upright iceman in "Top Gun", and the famous Professor Snape in the "Harry and Both" series.

In other words, the key message given by Steven is equal to nothing, because the "devil ...... who is not completely dark in his heart" can be understood in countless ways, and there can be countless ways to interpret it. Hugo has not yet developed his own acting style, so he needs to use plot and characters as a foothold when performing, and then start acting.

For example, the character of Sam in "Sleepless in Seattle", Hugo relied on his advanced consciousness to integrate and digest his understanding of widowhood with Tom and Hanks's version of Sam, and then impressed Nora during the audition process, because this is suitable for the story of the character 'color'.

Therefore, Hugo's mind involuntarily came up with the proposal of "Schindler's List".

In fact, it is no secret that Steven has been preparing "Schindler's List" in recent months, and at this point in time, he will audition for actors, apparently around this huge book. So Hugo's speculation is based on a well-founded source.

According to Steven's description just now, the role he is looking for at now should not be the actor Oscar Schindler, but the first supporting actor A'mon' Goss.

A'Mon' was a German SS officer stationed in Poland and was the top administrator of the Prashov concentration camp. "Schindler's List" is a real story in history, and A'mon' is also a real one, a demon in the eyes of the Jews, who takes pleasure in killing people and is bloodthirsty for 'sex', who has slaughtered more than 500 Jews with his own hands just for fun, and every time he kills or orders his subordinates to kill, his face will 'show' a satisfied look'. The existence of 'mon' is Satan to the concentration camp, and even a single look can make Jews tremble.

And after writing it into the movie script, the role of A'mon' has been polished. The demonic image of Ah 'Meng' still hasn't changed, he is moody, has an eccentric temper, and kills people into 'sex', but the script also gives Ah 'Meng' more intricate inner one, fii moves, he falls in love with a Jewish 'girl', which makes Ah 'Meng' fall into a process of self-struggle and self-denial, which is what Steven just said "The heart is not completely dark.........

Steven's description of A'Mon' in this way is not necessarily to glorify this character', he only intended to follow the core consciousness of the film, that is, everyone has a warmth in their hearts, and the warmth of Oscar Schindler overcame his greedy nature as a businessman and became the savior of the Jews: while the warmth of A'Mon' and Goss was suppressed by the dark banner of the German Nazis to the end, and A'Mon' was finally hanged after the war.

But it is this unexpected depiction, coupled with the British actor Ralph Fiennes. Fiennes) gave the horn "color" a terrifying charm, and actually made the horn "color" of A'mon win a lot of praise. Ralph's most famous character is "The English Patient". e) The actor with a look and Voldemort in the "Harry and Both" series, and in fact, Ralph's "fascinated" and mixed classical temperament makes him sometimes crazy and sometimes elegant, sometimes funny and sometimes melancholy, and has become a member of the British class that cannot be ignored.

Hugo does not have any sense of rejection for playing a supporting actor and being an evil character, just like the supporting actor in "Smelling the Fragrance and Knowing the 'Female'", in fact, many times playing the supporting role of the villain is a kind of exercise for himself, such as the Joker in "The Dark Knight" and Loki in "Thor".

A successful villain can even be said to be the soul of the whole story, because the development of the plot and the rise of the 'tide' are all driven by the villain: a successful villain must not only bring out the tall and complete image of the messenger of justice, but also show the most evil and true essence of human 'nature': a charismatic villain can resonate with people more than the image of justice.

It is no exaggeration to say that many movies have lost most of their appeal because of the weakness of the villain's character', and vice versa, and many classic movies have gone down in history thanks to the brilliance of the villain's 'color'.

Therefore, if it is really the horn of 'Meng', Hugo does not have any obstacles. But the problem is that whether it is "Smelling the Fragrance and Knowing the 'Woman'", "Yihai Xiongfeng" or "Seattle Sleepless" Hugo's character 'color' is not too distinct, so when he replaces the original actor, it is more of a challenge and transcendence of himself: but this time in "Schindler's List" Mont', Ralph's performance is out of the color even if it can't be said to be famous, so Hugo not only has to challenge himself, but also surpass Ralph's classics without anyone knowing, which is a competition in Hugo's own heart.

The challenge is unimaginable.

When Hugo realized that the role of his audition was most likely not Oscar-Schindler but A'mon' Goss, Hugo's inner tension surged again in an instant, and his first reaction was: Can I do it? It's not self-denial, but it's self-questioning.

Compared with the righteous Schindler, the difficulty of playing a Nazi officer is obviously more difficult, in Hugo's opinion: playing Schindler is probably much more certain for him - of course, Schindler's role 'color' is more than forty years old, this is Hugo's disadvantage, no wonder Steven didn't think about letting Hugo try this role 'color'. About thirty years old, A'mon' and Gos, this is within Hugo's 'shooting' range.

Can I do it?

This is the third time that Hugo has an uncertain love affair before the audition after "The End of the World" and "Sleepless in Seattle", and the previous two times, one ended without starting, and the other time he successfully got the horn "color" and completed his shooting task "colorfully".

Hugo's inner doubts had just surged, and then he realized: actors must constantly seek self-challenge and self-breakthrough, otherwise they can just be a 'flower' vase with peace of mind, because acting skills are the professional skills of actors, if you don't advance, you will retreat, and you will never be able to make progress if you stick to a corner. He has always been very clear about this idea, and he said the same to Steven just now, so now, it is time to put it into action, and his mouth is full of "flowers" and "messy" falls, and he always knows the result only after trying.

Soon, Hugo's unyielding self-confidence shattered all doubts, and he took a deep breath and was ready to push the limits. He will do his best to meet this challenge, and getting Steven's approval is the goal, even if he fails in the end, he can seek different acting experience from this attempt, and maybe he can give himself a little more to his understanding of acting.

So, what is the special "color" of the horn "color" of A'mon' and Gos? Although Hugo didn't want to presuppose, he had to, and he had to take it all.

In fact, "Schindler's List" does not have many fragments of the description of A'Mon', but it can still sketch the image of this Nazi officer, evil, cruel, impulsive, violent, restless, greedy, he is like a scythe in his hand, looking at the Jews in the concentration camp like a herd of lifeless sheep, he even uses the Jews as a target for his 'shooting' practice.

But it was such a terrible devil's nightmare for all the Jews in the whole concentration camp, and he fell in love with his Jewish 'maid' Helen, the Nazis and the Jews, two groups that were incompatible, so he struggled, on the one hand he wanted to take Helen by force, and in an unreasonable way he expressed his ownership of Helen: on the other hand he wanted to give it. The woman shelters and hides Helen and wants to pamper Helen as a man: but in fact, the status of a Nazi officer makes this relationship taboo.

Hugo's deepest impression of the horn of "Amo" is the eyes, which are a kind of intricate and infinite charm of the eyes, Ralph gave the horn "color" soul of "Amon"!

Hugo agrees with this approach, because after careful analysis of the character of "Mon", you will find that he is the kind of man who is cold on the outside and hot on the inside, and the brutality of his appearance is his armament, the armor that hides his inner weakness, and he does not allow himself to 'show' his weaknesses, so he becomes more and more brutal and cruel. In fact, A'Mon' is a staunch anti-Semite, which is also the reason for his rapid promotion, and it is such a Nazi who gave birth to Jews at the beginning, but he fell in love with "brutes", this strong contrast almost made A'Mon' feel painful and 'desired', so his inner churning and entanglement evolved into even more brutal and ferocious.

Therefore, the role of 'Meng' is not suitable for too many delicate performances, because he needs armor to hide himself, which makes his eyes the only window.

Hugo knows that in fact, the so-called eyes are mental activities, and at the same time, they are also a kind of temperament, and the intricate thoughts in the heart will come out through the eyes and the temperament of the whole person. So, how should he express the horn of 'Meng'? Even if he wanted to learn from Ralph Fiennes, it would not be so easy to figure out, not to mention that Steven didn't give him much time to think and didn't give him enough timetable.

Hugo can even hear the sound of the second hand walking fast in his ears, the pressure is invisibly pressing down from his shoulders, Hugo knows that there is only one chance, and he must go all out to have a chance of success, but maybe it is such a one percent chance, he will never give up!