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Is "Speed of Life and Death" really qualified to challenge the classics in film history? After the film is fully released, the market will give an answer.

So, is the "speed of life and death" really qualified to form a confrontation with the "true lie"? The answer is about to be revealed in five weeks' time, but with some time before the release of "True Lies", people are clearly more enthusiastic about the "wolf" vs. "life and death" showdown that will be staged next week, and it seems that the "wolf" crew is already feeling the endless pressure.

From here, it can be seen that this film review of the "Los Angeles Times" is not only full of praise for "the speed of life and death", but also pushes the "speed of life and death" to the forefront, making this action movie, which was ignored by the film market because of its low investment, instantly attract countless attention. The entire public opinion momentum has reached a new high, making the scorching heat of summer truly descend on the North American film market.

In fact, "Speed of Life and Death" does have this capital, because in addition to the "San Francisco Chronicle" and "Los Angeles Times", the first batch of film reviews have also sent praise to this film, and along with the popularity of the premiere, "Speed of Life and Death" has been pushed to the throne of the most anticipated and noteworthy movie in the summer of 1994 so far!

The name of the "New York Times" also appeared in the first list of media to comment, first "Schindler's List", then "vulgar", and now "the speed of life and death", which can be seen that the "New York Times" seems to pay more and more attention to Hugo's work, and only insiders can know a little about it.

"As an action movie, the story framework and narrative skills of 'Life and Death', coupled with tense action scenes, are enough to embarrass many works of the same genre that are known as 'classics', and they can definitely be called real classics that make people shine!

The movie lasts for nearly two hours, and the audience feels as if they have taken a high-rise elevator, taken an ordinary bus, and been hijacked on the subway.

Although the murderer was exposed at the beginning and lost some of the suspense, the subsequent plots are interlocking, and after a crisis, another difficulty appears, step by step to eliminate the difficulties and then move towards the final goal with difficulty, and the layers of story frameworks and crises make the whole story look simple but complex, twists and turns, and colorful. The whole movie takes the word 'speed' to the extreme, from the elevator to the bus to the subway, all the keywords are combined with speed, pushing the movie to **, and the thrilling action scenes are even more exciting, making the whole viewing process full of adrenaline.

In addition to the gripping plot development and the thrilling action scenes, the actor factor is a highlight. Hugo-Lancaster, who has a round size, and Sandra Brock, who has a little coquettishness among the ladies, is a match made in heaven and pleasing to the eye.