Hugo's performance has ended, he has already sat in the car, this one has been filmed just now, but the scene is still silent, since the scene of the gunshot, it has been a little terrifyingly quiet. As a last resort, the dragon who played the driver drove the car out, and staggered five yards before he heard Steven's voice coming from behind, "Card!"

This voice quickly broke the tension of the scene, and Hugo had just gotten up from the sub-seat when he saw four or five people suddenly coming out of the staff area, and the one at the front was the grumpy Ben Kingsley, "You dog." Mother. Raised! If I don't kill you today, I'm a dog!"

Hugo was naturally inexplicable when he saw this scene, he didn't understand what was happening, he just stood on the car and threw suspicious eyes in Steven's direction, and then saw these people running in his direction, this Hugo was startled, "Could it be that I did something wrong?"

Fortunately, before these people arrived at Hugo's car, they were stopped by a group of staff who swarmed in, and then they heard someone say, "That's Hugo, that's Hugo, that's Lancaster!" This voice persuaded a few impulsive people.

Ben Yi Kingsley straightened his slightly messy hair, then raised 9 to look at Hugo standing in the car, and pondered for a while, before he said indignantly, "You just played so annoying!" I can't wait to kill you!"

Hugo was scolded by others, but he always felt that the taste of the words seemed to be very right, Hugo frowned and looked at Ben, and asked suspiciously, "Uh...... Should I take that as a compliment?"

Ben, as if slightly embarrassed by his impulsiveness, tugged at his flattened coat again, "If you will......" and turned and walked back.

Hugo got out of the car, followed everyone in the direction of Steven, and then asked his inner question, "Steven, was my performance just now good or bad?"

"I'd love to applaud you, but I don't want to applaud you, so ...... Stick to the way you perform, I want you to be on the right path. Steven hesitated for a moment, considered it, and then walked to the other side with the script, arranging the next scene.

Hugo was finally relieved at this time, his performance just now was an absolute success!

In Hugo's view, he just wanted to use the cold silence of A'mon to the bone to 'provoke' people's fears, killing people is nothing to A'mon', these Jews are moving targets in the eyes of A'mon, without any pity. But on the other hand, Ah 'Meng' hopes to disguise himself with politeness, wisdom, gentlemanliness, and gentleness, hoping to rely on these qualities to gain a place in the so-called upper class, not to make himself look like a grassroots from the countryside, and at the same time to use arrogance to cover up his inner inferiority complex, which is also an important reason why Ah 'Meng' is willing to trust Schindler, and even in the future, Schindler was able to repeatedly persuade Ah 'Meng', there are also psychological factors in this regard.

So there was Hugo's performance when he first appeared in A'mon' just now, elegant 'smoking' cigarettes, gentleman's handkerchiefs, gentle eyes, and decent language, all of which were so perfect. But when someone tried to challenge his authority, especially if he was a Jew, the ruthlessness in A'mon's bones became apparent.

These intricate feelings are the result of Hugo's long-term research, carefully figuring out this kind of 'sexuality', combining the people he met in his past life, and then sorting out a set of behaviors, which permeate his behavior little by little in life, making it a habit and a kind of 'sexuality'.

It can be seen from Hugo's performance that in fact, there was no special acting flashpoint in this scene just now, but Hugo's performance shocked everyone present, so much so that Ben and the others became sensitive because of the previous anti-Semites, and completely exploded, and then lost their minds and rushed up.

It can be said that there is no doubt that Hugo has grasped the essence of the horn of "Meng"!

More importantly, through the brewing and performance of the character "color" of guò 'Meng', Hugo's understanding of the performance seems to have taken a step further, and Hugo hazy felt the influence of his own emotions on the interpretation of the diagonal "color" in "Sleepless in Seattle", and then when she 'communicated' with Celine and Hepburn, she put forward a new point of view, and the overlap of personal experience and the angular 'color' G calendar cannot be 100% realized. So what about in the horn of Amon this time?

Hugo used the huge information obtained from all sides to construct the horn 'color' of 'Meng' by himself, and then supplemented the horn 'color' of 'Meng' according to the oral description of all the insiders, and finally formed a complete horn 'color'. In fact, in this process, Guo used his understanding of acting skills in the past, studying the horn 'color' itself, substituting his own understanding but not limited to his own understanding, in short, it is to stand on the perspective and completely construct the horn 'color'.

But why does Catherine say that the overlap between personal experience and horn experience is unnecessary in one sense?

Hugo felt that he had taken a step forward in the exploration of acting, and then found that in fact, it was still just the tip of the iceberg. But I have to admit that this process is really exciting, and it is really 'great' to recreate a real or simulated character and then make the audience empathize with it

But compared to the joy brought by acting, staying in the crew of "Schindler's Name" is a huge torment for Hugo!

With Hugo entering the state at the first time, the filming of the entire crew went smoothly, but as the plot progressed, Steven's situation became worse and worse, and the fourteen-hour shooting every day made everyone in the crew feel tense, and in order to reproduce the real paintings of the Nazi persecution of Jews, the whole crew was shrouded in a terrible feeling of pessimism and anger

In the afternoon, when he was filming a scene, Steven suddenly took a scene and turned away. Whether it's the assistant director or the producer, including Steven's wife, Te Kapshaw (Kate. capshaw) to persuade had no effect. Later, the scene was completed under the supervision of the assistant director.

In fact, not only Steven, many extras in this scene are on the verge of collapse. This scene is about the fact that after entering the Prashov concentration camp, A'Mon' received an order to "exterminate" a group of Jews again, so A'Mon decided to conduct a simple medical examination of the Jews in the camp, and those who were healthy enough to continue working would stay, while the others would be driven to the gas chambers, locked up in the name of Mu, and then all executed.

During the filming of this scene, most people had to take it off. Naked clothes were examined, and then the Nazi doctors determined whether the visitor should continue to go on, and when they saw some old people, the doctors would even ask the old people to run to determine whether the old people were healthy.

Steven just saw that when the old man played by Regina was asked to run, he couldn't help it and left the set directly, and his feelings were never calmed down.

For Steven, he was "lucky" because he could leave the scene and calm his feelings; But for Yuguo, it was a torture, and he was the supervisor of this health check, and he even went into the 'playground', where this group of uprooted Jews were judged: who was healthy and who was sick, this kind of easy decision on the life of others, in the action of 'Mon', was so simple and neat. But Hugo, he is not a 'Meng'! Even if he plays it like a play, he is not a 'Meng' after all.

When he saw that Regina was forced to run, Hugo also had an impulse to run away, looking at the kind man who usually laughed and laughed with him, but now he was like being called by an animal, and his dignity was worthless in the face of the threat to his life, which made Hugo only feel a tingling pain in his heart, and he was out of the play in an instant, and he switched back to Hugo's state from the state of 'Mon'.

But Hugo couldn't escape, because he had to stay and "command the ......"

The scene was interrupted once because of Steven's departure, and then three times because Hugo was never able to get into the state. In fact, except for the early stage of the filming of "Smelling the Fragrance and Knowing the 'Woman'", he has never been able to get into the state very well, Hugo's concentration in the play has always been without any problems, but today, Hugo has never been able to do it.

This made Hugo very frustrated, his heart was like a torment in a pan of oil, constantly injured in the spear and shield, full of devastation, but this is his job, and he must persevere, "I, I can't do it......" This is the first time Hugo has the idea of giving up, unprecedented, "Do I have to be here in this scene?" Can't you replace it with another lens?" Hugo looked helplessly at the assistant director who had been left behind.

The assistant director of the crew is not a professional at all, but a survivor of the Auswig concentration camp, and he is quite unbearable to see Hugo's pain at this time, but the kind and gentle Hugo in real life has to play the most feared demon in the movie, and this kind of torment is no less than Steven's ruthless decision to restore these scenes realistically. But he couldn't make a decision at this time, because Steven still didn't appear, and his knowledge of the movie was really limited, so he couldn't respond to Hugo's request.

"Hugo, hurry up, how many more will you let me drag my body in this weather? Please, you're not a kid who doesn't know how to take care of the elderly, are you?" At this moment, Regina's voice drew Hugo's attention.

Regina's thin body, wrapped in his coat, was still shivering in the cold. In fact, filming is similar to a slap in the face, and the most respectful table is to do it in one step, save those politeness, struggles, and entanglements, and simply finish the whole scene shooting, and minimize the damage, which is the wisest and most professional way.

Hugo looked at Regina in front of him, and he realized that his pity, sympathy, and suffering were not important at all at this moment, because Regina, who had re-experienced a qiē himself, was a hundred times more painful than him. He has no qualifications to escape

Take a deep breath, then a deep breath. Hugo stood up again, gritted his teeth and said to the assistant director, "I'm ready!"