The comeback 602 into the state of acting is indeed a very mysterious thing, it looks as if all the actors are the same performance, but the effect presented is hugely different.

Strictly speaking, Hugo started from "smelling the fragrance and knowing the woman", and his performance style is in the same vein, without that kind of earth-shaking huge difference, in essence, he analyzes the character and presents himself into the role. But there are nuances to each work.

The performance experience of the role of "vulgar" Vincent is actually somewhat similar to "Sleepless in Seattle" and "Schindler's List", which is also through the construction and shaping of the character to complete the performance, but due to the limitations of the role itself, Vincent needs to rely more on the support of the character in the performance process, which also makes Hugo pay more attention to the habitual actions and underlying psychology that people have precipitated in the process of growing up to complete the performance. This is not an easy task. Hugo can clearly feel that when a person's personality is perfected, he will react differently to different situations, when he is happy and when he is low, when he glares at his eyes and when he shakes his fist, these are all different details, and they are naturally formed reflexes according to the storyline.

This feeling is very wonderful, and it is different from when he played Sam Baldwin and Amon Goss, Hugo actually dominated the story role in the performance process of the previous two roles, which also made Hugo too deep into the play, Amon Gos was even more strict, and the director Hugo had no way to put into the shooting of another work for up to three months.

But playing Vincent today, it is Hugo himself who dominates, because in Quentin's script, the role of Vincent is very limited, and Hugo must rely on his own understanding of the story to supplement and improve the role, so now Hugo is interpreting Vincent according to his own style.

Therefore, when a scene is filmed, Hugo still has the heart to joke with Quentin, and this is the difference. is not the difference between the theme and the comedy, but the difference in the actor's own sense of substitution and comprehension of the role. Perhaps, this performance is not a breakthrough in acting, but it does give Hugo a further understanding of the carving of acting.

The facts also proved the correctness of Hugo's whole idea, and the scene was officially completed after the start-up scene was not NG once, but only after changing the camera orientation and re-shooting twice. And the next shooting Hugo is also getting better.

In the next scene, Jules and Vincent discuss an incident, a man did a foot massage for their boss Marsha's woman, Miya, but was thrown from the fourth floor by Marsha, and now she is completely speechless, Jules thinks that this punishment is too harsh, but Vincent thinks that foot massage is actually equivalent to stealing the kidneys. The bed is up, so this punishment is not strict, so the two of them started a discussion about foot reflexology.

"It's too far off, maybe you massage in a different way than I do," Jules even paused in the hallway to make his point with Vincent, "but stroking a woman's soles and sticking your tongue into that bottomless hole are two different things, not an alliance at all, not even the same movement." A foot reflexology doesn't mean much shit at all. ”

Vincent, who had put his hands in his trouser pockets, raised his eyebrows and looked at Jules, took his left hand out and smoothed his hair, and then put his left hand back in. In the bag, he said confidently, "Have you ever massaged someone's feet?"

"Don't joke with me." Jules sneered and said disdainfully, "I'm a massage master!"

"Experienced?" Vincent squinted his eyes and looked at Jules slightly, the thin lip flap pressed down slightly, although he didn't smash his mouth, but the critical eyes obviously questioned Jules's words.

"Shit, of course! Highly skilled, I'm not kidding you!" Jules said confidently.

Vincent took a small half step forward and approached Jules, "Will you massage a man?" This sentence made Jules stunned, and then he was silent for a second, and only said one sentence, "you!"

Jules turned around depressedly and continued to move on, followed by Vincent, but with a bright smile on his face, deliberately showing the seven teeth in the upper row, as if he was making a toothpaste advertisement, "Do you often do it?"

"you!" Jules said without looking back.

But Vincent chased after him, "You know, I'm a little tired and want to get a foot massage. ”

"Yo yo yo, man, if you make trouble again, I'm going to turn my face." Jules said it seriously, causing Vincent to laugh.

"Card" Quentin's voice sounded again, his smile on his face clearly wrote his satisfaction, Vincent's sentence just now "Do you often do it" is Hugo's genius, the original script line is "I believe that men are willing to help men massage ......" can actually make laughing fruit, but Hugo's sentence is simpler, the counterattack is short and powerful, so that Jules's counterattack space is further narrowed, and the whole laugh is more joyful, especially with the latter sentence "I'm a little tired......", people really can't help laughing.

This subtle change may seem inconspicuous, but as a director, it is very profound.

"Hugo, you're really in good shape." Quentin gave a thumbs up with satisfaction, now Hugo's Vincent is much better than Quentin's idea, and he can't say why, but Hugo's entire character of Vincent seems to be more three-dimensional, and although the changes in his inner activities and expressions are very subtle, so subtle that no one else will pay attention to it except for the director, but it completes the entire plot, which makes Quentin really eye-opening.

In fact, Quentin has also read the news article of the "New York Times" before, and he also admitted that the space left for actors in his works is indeed limited, he is the kind of director who relies on his own style to win, which is also one of the reasons why Quentin expressed great gratitude to Hugo for being willing to play "vulgar", he knows that with Hugo's current momentum, there are a lot of excellent scripts to choose from, not a small director who shoots the second work of his directorial career.

But now, Quentin deeply feels the strong motivation of the actor Hugo.

Quentin had heard of an actor who could not only do his job and present the character perfectly, but he could also interpret the character, complete and supplement the plot from the character's standpoint, and sometimes even inspire the screenwriter to modify the script on an impromptu basis to make the story more mellow and full. The supplement they make to the plot is not to challenge the authority of the director, but to complete it with their own understanding and performance, like spring rain, moisturizing things and completing the work silently.

This kind of actor can be said to be the dream of all directors, because they are conscientious and talented at the same time, and can take the whole work to the next level.

And Hugo is such an actor, Quentin can clearly feel that when Hugo and Samuel are playing opposite each other, Samuel's performance rhythm is faintly guided by Hugo, and the details given by Hugo to the plot burst out with infinite sparks, which makes Quentin almost want to roar with joy.

Hugo didn't know that Quentin had so many rich ideas, as far as Hugo himself was concerned, he enjoyed the process of this performance, and at this time he deeply felt that the process of carving a character was so charming, which was a completely different feeling from the performance of Amon Goss, Hugo can now go completely according to his own feelings, and a director like Quentin also has his benefits, Quentin is now taking a blank piece of paper to Hugo, which just has a simple square frame, The rest of the space is left to Hugo to play freely, and this kind of freewheeling but limited by rules allows Hugo to fully experience a new level of performance.

Although it is a pity, the space for the role of Vincent is still a little narrower, but Hugo is very satisfied, because he knows that he has made the right choice, through the role of Guò Vincent, Hugo has further glimpsed the scenery of the palace of acting, which is also following the progress of "Sleepless in Seattle" and "Schindler's List" after the progress of two consecutive works, Hugo has made progress in acting from another angle. It's a really wonderful feeling. For Samora, this performance process is like magic, full of countless magic, one second Hugo is still a sunny gentleman talking and laughing beside him, and the next second he becomes a sullen hooligan, this is the charm of the performance. In the past, as a moviegoer, Samora still felt that "acting is not like that...... when watching it in the cinema", it is estimated that most of the audience once had such an idea, it seems that acting should not be such a difficult thing, especially playing an ordinary role in "Mr. and Mrs. Kramer" or "Vulgar", or a role without any difficulty in the popcorn movie in "Transformers", but this is not the case.

You can only feel it when you really stand on the set, or even stand in front of the camera, sometimes it's very difficult to just say "hello" in front of the camera, you think you're perfect, but when you go behind the monitor to look at it, you will find that your expression is so tangled or so contrived, not to mention using your own performance to present the character, even if it's acting yourself, it's not so simple.

This also made Samora more and more surprised, watching Hugo prepare to perform the role, he couldn't help but sigh: this world is really full of strange lights, it seems that his assistant life will indeed be full of countless fun.

But for Uma, watching Hugo sway freely in front of the camera made her more and more nervous, it turned out that Hugo was so looked, so dedicated and professional when he was working on the set...... So charming, not only did she start worrying about her performance in front of the camera - she was never a talented actress, but she also began to worry about whether her rivalry with Hugo would really be safe and sound?

(To be continued [Provided].) If you like this work, you are welcome to come to Genesis to vote for the first recommendation vote and monthly pass, your support is my biggest motivation. ）

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