Comeback 511 ignition **Tracy has had a hard time lately, very badly! She didn't even have time to think about the strength of "Schindler's List", because she was already too busy with the troubles around her.

There was a huge conflict within the crew of "Farewell to Love", and the team led by Mike Nichols was very dissatisfied with Tracy, even if it is not an exaggeration to describe it as angry. Mike and others believe that Tracy first angered the "Schindler's List" team because of a 'private' grievance, and then was actually exposed to the scandal of swiping the box office, which is simply pushing "Farewell to Love" into the pit!

Although "Farewell to Love" is not satisfactory at the box office, no one will ignore the film's superior reputation among film critics, and the good character accumulated by director James Ivori is very reputable within the Academy of Motion Picture Arts and Sciences, as the organizer of the Oscars, the Academy of Motion Picture Arts and Sciences is a group of old pedants who hold power, and their pursuit of film art can even be said to be stereotyped. Therefore, even if "Farewell to Love" cannot make a breakthrough at the box office, as long as this momentum is maintained, there is still hope for the film to be nominated at the Golden Globe Awards, Oscars and other award ceremonies, and even win awards.

Many people have always wondered how charming the Oscar statuette is, which makes so many people flock to it. As we all know, the authoritative 'sex' of the Oscars ranks all over the world, and winning a golden man is known as the highest honor in the film industry, which is a fact and the heritage accumulated by the Oscars over the years.

But in fact, the authoritative 'sex' of the Oscar statuette is more of a comprehensive 'sex' prestige, for example, for directors, the Directors Guild of America awards are the most authoritative, because the Oscar jury - that is, the Academy of Motion Picture Arts and Sciences - includes all aspects of the film production process, from directing to makeup; But the Directors Guild of America is all professional directors. In other words, the Oscars for Best Director are a group of professional and non-professional people watching the excitement, but the union awards are professional and harsh.

Therefore, many directors pay more attention to the Directors Guild of America Award, because this is the highest recognition of professional 'sex'. The same is true for all other types of work.

However, this is not to say that the Oscar is not authoritative, the authority of the Oscar is a kind of comprehensive 'nature', and it represents the comprehensive strength of each type of work and the most important thing - comprehensive influence. This is also an important reason why Martin Scorsese has been pursuing the Oscar for Best Director for nearly 40 years.

In addition to authority, in fact, the most important thing about the Oscars is their influence. This is also the reason why major film companies have spared no expense to create literary films, and there will even be special 'doors' to prepare for the Oscars in the future, in addition to enriching the film company's hall of honor, the chain economic benefits behind the influence of the Oscars are the most important.

As an example, when renting a videotape, there are multiple movies to choose from, but if someone says, "This is an Oscar-winning work," it's natural to draw attention, and even if you don't care about the Oscars, you'll wonder what kind of film won the Oscar, or what kind of stereotypical and unlikable movie won the Oscar...... This is known as the Oscar economy. Ten years later, in 2004, the American Projection Association had a very interesting statistic that more than half of the Oscar-nominated films were awarded at the box office after the Oscar nominations were announced, similar to 2002's "No." Lun's Love (I), 2003's "Moment to Moment (the. hours)" The so-called "surplus" box office received by the Oscar nomination is $100 million in North America, $100 million overseas, and $100 million in videotapes or DVDs and television rights, for a total of $300 million. What's more, there are some high-class works that are shot entirely for the sake of winning awards, and without the Oscars, the economic effects of the whole film cannot be effective.

And once the movie won the Oscar, its value immediately increased by a hundred times! The American Projection Association made a rough calculation in 2004 that nominations were worth about $30 million and awards were worth $20 million, but that's just the North American box office. In other words, after a film is nominated for an Oscar, it can increase theater revenue by about 30 million, and after winning the award, this number can be increased by another 20 million.

As for the value of overseas box office, video and TV rights, and other peripherals, it is not included.

Of course, the specific number depends on many factors, the most important of which is the commercial value of the film itself and the timing of its release, the heavier the commercial element of the film itself, the farther the premiere time is from the Oscars, the smaller the role of the Oscars' influence.

"Gladiator" is a very commercial production, which premiered in the United States in May 2000, and by the time it was nominated for an Oscar in February of the following year, it had already earned 99.4 percent of theatrical revenue, an increase of 0.2 percent after nominations, and only another 0.4 percent after winning the award. The reason is actually very simple, because the audience who wants to go into the cinema to watch this work has basically already seen it.

Shakespeare's Love History in 1998, which was released in December of that year and more than doubled at the box office by the time it was nominated in February of the following year. After winning the award at the end of March, the box office increased by nearly 80 percent. In the end, more than 60% of the box office of "Shakespeare in Love" was won after the Oscar nomination.

It can be seen that literary films with a narrow audience and strong artistic 'sexuality' are most obviously affected by the increase in the Oscars, and the 2002 "No. "Lun Love" had a box office of $19 million before it was nominated for an Oscar, and after being nominated, it nearly doubled to $36 million.

This is just the direct impact of the Oscars on the box office of the movie, and then after the movie video was released, the radiation "radiation" produced was even more far-reaching. To put it simply, there are countless cases of a work that is not favored at the box office, but thanks to an Oscar nomination or even an award, it not only recovers its costs but also makes a profit.

"Farewell to Love" is obviously a genre work that meets the influence of the Oscars, although the box office is not strong enough, but as long as it can make a difference at the Oscars as soon as possible, the North American box office does not need to worry, and the video tape market is even more promising, and achieving profitability is just around the corner.

But now, Tracy's actions have led to very tragic consequences, Columbia Pictures is not only forced to take the film offline, but now the film is shrouded in malicious hype and negative news about the box office, which is a fatal blow to a literary work, a careless, "farewell to love" will officially say goodbye to this year's Oscars, then it will be a real disaster!

Therefore, now not only the crew team of "Farewell to Love" has a lot of complaints about Tracy, but Columbia Pictures is very dissatisfied with Tracy.

You must know that a producer walks in the film circle, and a large network is the most important thing compared to the production ability of 'outstanding'. You don't see that Hollywood has very bad bad movies every year, but the producers and directors who shoot these bad movies can still repeatedly receive invitations to new works, and this is the network at work.

It's like when Paul and Joenge invited Hugo to the premiere of "The Final Analysis", even though Hugo was shrouded in the 'cloud' of the Golden Raspberry Awards, Paul didn't care at all. That's where networking comes in. There are also audition opportunities for "Smelling the Fragrance and Knowing the 'Woman'" and "The Heroic Wind of the Righteous Sea", which were also negotiated by Joseph relying on his own connections and abilities. In Hollywood, connections are always the most important thing to exist. And now, Tracy has offended Mike Nichols and Steven Spielberg, two top bigwigs, at the same time, which is bad enough, and it has also made Columbia Pictures unhappy with Tracy, and most importantly, it has triggered the Jewish community's focused attention on Tracy. That's not good.

You must know that Jews occupy half of the top management of the six major film companies, and their strong influence on Hollywood's decision-making trend is obvious to all. And once the box office is implemented, even without pressure from the Jewish community, it is estimated that other film companies will be cautious.

At the beginning, Tracy just hoped that she could achieve a career climb, and then used her status as a maker to pressure Hugo, making it more and more difficult for Hugo to find a new job, if not banned, it was almost the same. But now, Tracy is facing pressure from Mike, Steven, Columbia Pictures, and the entire Jewish community, and Tracy is now standing on the edge of a cliff, ready to be crushed.

Therefore, Tracy really didn't have time to care about the appalling results of "Schindler's List", and she had to protect herself first. Recently, Tracy can be described as a wolf, although she has not said anything about the street mouse, but it is an indisputable fact that the work is blocked everywhere, which is also the biggest crisis she has encountered since entering the industry, and even the proposal of "when a man falls in love with a 'woman'" has been temporarily shelved.

However, Tracy has no way back now, she only has one way to go to Huashan, and only by going to the end can she have the possibility of survival, and retreating will not play any role. What's more, Tracy firmly believes that even if she falls to pieces, she will not let Hugo feel better, at least she will make Hugo wolf bèi unbearable, and it is better for both of them to die together. Tracy held a 'jade' determination to burn the stones, admiring the last gorgeous chapter of Hugo's rise by relying on "Schindler's List".

"Hugo, enjoy, this is your last glory!" Tracy looked at Hugo who was being interviewed on a talk show on the TV, and looked at Hugo who was smiling proudly in the 'spring' wind, Tracy gritted her teeth tightly, almost crushing her teeth, and clenched her hands tightly, even if her nails pierced into the 'flesh' and bright red blood beads came out, she didn't realize it.

Compared with Tracy's embarrassment, Hugo has indeed been popular in his career recently, and the contrast between ice and fire is really obvious!

(To be continued.) If you like this work, you are welcome to come to Kazakhstan to read it and vote for the work for a monthly ticket. Your support is the biggest motivation for me to continue creating!)