From September 15 to June 16, three quarters, the eighth episode of the son-in-law was written. I finished 7,000 words of 719 last night, and this morning I finished writing the preface to the traditional Chinese publication in Taiwan...... But let's get back to the book first.

Whether it is writing a book or doing things, I have emphasized the concept of "intention" several times, and the intention is the final goal, which determines the final height of a book. The eighth episode of the son-in-law, involving things about war, some readers who are used to reading war texts often say, how war texts are written, how the army is arranged, and say that you can't write war texts, here is a unified answer.

Online literature is often classified as a genre essay, because there are many genre essays, and genre essays are usually like this: a person does things in the company, comes out to write an essay, writes about his experience in the company, and intrigues to solve problems, and the reader reads it, as if he has experienced a life that he has not experienced. This is the purpose of genre essays, then, a good fantasy essay allows people to experience the fantasy world, and a good war essay allows people to experience a war, know the knowledge he once didn't know, and know how to arrange troops or something.

But what is the use of arranging troops when you understand how to arrange them? For example, if you are a brick, you know how the clerk works, maybe it is a little useful, you know how to swing the ballista, what is the use?

Of course, the pastime itself is a usefulness, and it makes people feel that I know a lot of things that I didn't know before, and it's also a usefulness. But not all books in the world have to serve this purpose.

Lu Yao wrote "Ordinary World", showing the brilliance of people when overcoming suffering, and we can't help but learn from such a protagonist. Lu Xun wrote Ah Q, which shows the shortcomings that many Chinese people have, and in this form, let us avoid and overcome such shortcomings in the future. Antoine's "The Little Prince" tells people about the preciousness of the first insistence. Jonathan's "Gulliver's Travels" is about attacking corruption and war.

Bala Bala Bala, you will feel like you are back in class, in fact, this is just an introduction to literature.

What is the book for? At least I'm not trying to teach the reader how the ancient formations were.

It's normal for people to have different emphases when they read books, and I'm just saying this to express myself, and that's why I chose my way of writing. Even if I have referred to some formations before writing, and I have gone through them in my head, when I write, I still don't deliberately explain it, because it doesn't make sense. There are a lot of war texts at the beginning, and there are some of them that I like, but from the beginning to the end, I haven't had any fun with the layout of any book, and if it's for readers who are here to feel that "I know how to fight", I have to put this book down, because I really don't write about it.

For the description of the war, it is explained here.

The eighth episode is an episode that connects the previous and the next, and the whole plot is going a little fast, and there may be about three episodes in the whole book, hoping that each episode will be nine months at most, not too much.

I've said that every book I've written so far is a practice for the reason that I can clearly see where the perfect high point is, I can clearly see my shortcomings, I can see where to take the next step, how to get to the end goal. Because of this, the practice will continue.

At the beginning of the book, I used a relatively complicated tone, relatively complex and even close to bloated expressions to write something as meticulously as possible, which has its purpose. In the last two episodes of "Alienation", I understood and mastered the role of succession and transition on emotional expression, mastered the role of many small emotions and hints, and at the beginning of my son-in-law, I began to dig deeper into emotional expression. It's like an emotion, for example, I can write up to eight points at first, but when I reach the depth of ten, to reach it, I may need to describe it more than twice, and I need to use different techniques to express it repeatedly, and only after repeated excavation can I really understand these things.

Therefore, at the beginning of the son-in-law, after reading it, some people say that it is bland, but it is not, and the foreshadowing, hints, and things that make people want to stop are buried in each chapter may be more than many people buried in a dozen chapters.

This kind of training that doesn't care about the amount of words used and stubbornly wants to achieve the depth of expression is basically over when the son-in-law ends the seventh episode.

In the eighth episode, in the face of a new round of training goals, some attempts were made, and it was not until this episode was completed that the goals were really determined. In many of my previous statements, in order to grasp fleeting inspiration and pursue the most vivid effect, I have a habit of capturing words and sentences purely from first impressions instead of following formal grammar, and then I need to do a certain amount of condensation. As for the mood, after the seventh episode, it seems that there is no need to pursue twelve points of excavation, and there are some places where you can start to leave an aftertaste.

This round of writing practice may continue until the end of the book.

Of course, this is my adjustment in self-writing, which may not have much to do with readers, and I just take the opportunity of the summary to make a systematic combing, and the plot will not get out of control because of the practice of writing, which can rest assured, and it is likely that everyone will not feel too much difference.

Many people don't understand why I'm writing slowly, and recently I've occasionally seen questions like "why does a chapter like this take so long", and most of the old readers don't ask anymore, and for new readers, something new can be said.

A traditional novel, written to the most, hundreds of thousands of words and millions of words, a bunch of clues from the beginning to the end of the induction, is only a few hundred thousand words. Writing millions of words in online novels seems to be tricky at first, but if you still pursue the harmony of the beginning and the end, the clues are naturally retracted, and now, it is several times to more than ten times the workload of traditional novels.

At the beginning of this novel, put down a line and write a plot that I can put at will, as long as I leave a random impression in my mind, and one day in the future, I can put it away. However, after millions of words, every time I put a line, I have to clearly see how it is collected, how it is interspersed with other clues, and every time I write a plot, the end of the story has to go through it in my head.

Online novels seem to take advantage of it at first, but if you really take the standard of "well-written" of a novel, in the end, no one can take advantage of it. It is dozens of times more difficult for an online novel to have a good ending than to write a good beginning.

I see this as the final step of the online novel, if it can really reach the sublimation at another end and put every line in place, then there will only be the last three details of the final revision of a complete novel, even in the traditional sense - but these typos are indifferent, so I can basically explain it here.

Writing a plot, going through the ending in your head several times, the idea must go through, you can't leave it to chance, there are no shortcuts here. There are still three episodes left in the book, and Carvin may still be the norm, but what can I do without writing it well? I've been in it for five years now.

Even if the update is unstable, of course, when you are bored, you will still ask for a monthly pass, of course, the current starting point is different from before, the author can send red envelopes to receive a monthly pass, I won't be more involved in this matter, the monthly pass is just a game, of course I also hope that my own more, will have more face, but if it is a reader who does not have much money in hand, you might as well vote for the monthly pass, and take the starting point coin to subscribe to my book, which is full of hospitality.

Episode 8 sorts it out, that's all these things.

Welcome to the ninth episode of Son-in-law: "The Vast Land"

(Qin lost his deer.) - "Historical Records") (To be continued.) )