After blasting the two family members out, Su Erhu walked around the prison twice with a knife, and finally stopped in front of the cell where a pair of sisters were held, and looked inside with a calm face - the two sisters were terrified when they saw him, especially the sister, who was not as bold as her own sister, buried her head in her sister's arms, and didn't dare to look at Su Erhu at all.

Su Erhu hesitated for a moment, took out a key from his waist, found one of them to open the chain, dragged the sister out, locked the door again, and pulled her to the depths of the cell. Tears fell from the girl's eyes, and she cried desperately, and her legs kicked the ground. It's just that she is a weak woman, how can she resist Su Erhu, a thick and strong man?

……

Over there, Su Shaoyou has already left the car Yin Nan Yingying and Sun Kang Yingxue's inspirational stories of studying. Although the alias is chic, it is only occasionally used in poetry, because the "book" in the study room is the most elegant and generous.

Is there a more elegant word in the world than 'book'?

I don't know when the study started? Whether it is the place where Confucius lectures, the room where Sima Qian wrote, or the Zhuge Lu in Nanyang and the thatched cottage in Chengdu, both Confucianism and the fragrance of books are indispensable. However, the popularity of private study rooms was due to papermaking and printing. Before printing books on paper, bamboo slips and wooden slips took up a lot of space, and moving books and collecting books would be full of sweat, how could ordinary people put so many books? The true sense of the study is personal.

The study often has a number, that is, the so-called fast number.

It is rumored that Sima Guang has the name of "Reading Hall", which is simple but too plain. Later, there will be Hongmai's "Rong Zhai" and Lu You's "Old School Nunnery". In the Yuan Dynasty, the practice of naming the study has been registered. Outside the middle and horizontal couches, the name of the miscellaneous law book is painted. Morning and evening rice, fish soup, famous wine, fine tea. Yijian Ding guards the customs and refuses to come and go with laypeople. ”

Here, where can it cost money other than those food and the hiring of a 'healthy man'?

I'm afraid ten taels of silver will be enough.

The key is to have taste and a high level.

It is not realistic to build a house in the mountains and rivers, but it can create the fun of a mountain house.

For example, Xiang Zhixuan is just an old south attic, and the house is only one zhang square, which can only accommodate one person. It is already a century-old house, the soil is leaking, the water is flowing, and the environment can be described as very bad. So much so that Gui Youguang moved the desk every time and looked around, but found that there was no place to place the desk at all.

The house faces north, so it can't be exposed to the sun, and even during the day, after noon the house is very dark.

How can such harsh conditions be made elegant by the light?

Quite simply, four windows were opened in front of the courtyard and a fence was built around the yard to block the sunlight from the south. In the courtyard, he is not deliberate, and he is very casual with orchids, laurels, bamboos and other plants. Books fill the shelves, sometimes reading aloud, sometimes sitting quietly and alone, savoring the world.

On the night of March and Five, the bright moon is half a wall, the laurel shadow is mottled, the wind moves and the shadow moves, and Shanshan is lovely.

However, with a little renovation, such an elegant environment can be created.

But those who have average taste, poor level, and vassal elegance, even if they can pile up more precious furniture and cherish ornaments, no matter how luxurious the furnishings are, they also give people a vulgar feeling.

For example, Su Yimo's study.

The study is very large, it is two rooms that are opened, the ground is paved with terrazzo green bricks, it is quite clean and tidy, sitting in the north and facing south, leaning against the north wall is a beech wood three-screen enclosure Luohan bed, the whole body presents a dark purple and dark red jagged color, the waist is girdled and the legs are pengya, the big digging horseshoe, and the circle is powerful. The materials are huge, and the three baffles are all single boards. The bed is equipped with rattan drawers, and the style is simple and concise.

In this era, there were four types of bedding in the furniture, namely couches, arhat beds, shelf beds, and step beds. The latter two are only used as bedding for sleeping; In addition to sleeping, the first two also have the function of sitting. The ancients slept in two kinds, big sleep and nap, big sleep is the formal sleep at night, nap refers to a nap and other naps, couch and arhat bed are used for napping, can be used to entertain guests, and shelf bed and step bed are used for big sleep, can not be used to entertain guests.

Put it in the study, one is tired from reading a book, you can take a break, and if there are guests, you can also talk on the couch.

It is six feet long, three feet wide, and slightly smaller than the width, although it is said to be an arhat bed, it is also very large, just a little narrower, but in terms of length alone, it is longer than many double beds in later generations.

On the right hand side of the three-screen robe bed, there is a small flat head case with a yellow rosewood chuck drawer, which is as high as the Arhat couch, and there is a wooden box on it, and the lid of the box is open, and I don't know what is inside.

On the left hand side of the Luohan bed, there is a yellow rosewood phoenix pattern hanger, which is five feet high, with complex and delicate patterns on it, and excellent carving. At this time, there was a black big hat hanging on it, which should be Su Yimo's.

On the north wall behind the Luohan couch, a large three-foot square window was opened, and above it was a window with a pane of fine wood. On the left and right of the window, there is a couplet, the color of the paper of the couplet is already a little yellow, and it is obviously not a short age.

Sticking to the west wall, there is a huge yellow rosewood balustrade grid, three floors above and below, which is more than six feet high. The first floor at the bottom is neatly placed with a lot of thread-bound books, all of which are books with hard-shelled cardboard boxes on the outside, and the furniture in the room looks very old, but this book is very new, and it seems that it has not been turned over before.

The same is true on the middle layer, but on the top layer there are several large wooden boxes, on which there is a large "paste" written on it, and I think it is a book sticker.

In front of the railing grid of this yellow rosewood character, there is a rosewood legging Luo pot painting table, on which are placed pen, ink, paper, inkstone, pen wash, pen holder, a blue and white glazed pot-bellied porcelain jar, which has a lot of scrolls inserted horizontally and vertically.

Behind the table was a yellow rosewood four-headed chair with a curved line on the back. On the walls on both sides of the yellow rosewood railing lattice behind the chair, a painting is hung on each side, and I don't know if it is a famous pen and ink. And on the north side of the painting on the left, that is, the northwest corner of the whole house, there is a yellow rosewood hollow back frame on the wall, which is also divided into three percent, which is the same height as the yellow rosewood character railing grid, but the left and right sides are much narrower, and the upper and lower layers are also slowed down by various line-bound books. There are two drawers side by side on the top floor.

There are tables and chairs, bookshelves and books, and a place to rest, and it stands to reason that a study with these things should be enough, but it is not.

There are two large windows on the east wall, which are the same as the one on the north wall, and they are also windows inlaid with wood lattice, and under the window window to the north, there is a yellow rosewood crested cabinet, and there is a yellow rosewood throne mirror on the top of the cabinet, and a copper mirror with a diameter of about one foot on the top is very bright.

In the northeast corner, there is a tall basin stand made of rosewood, and on top of it is a copper basin with water in it. There are a few clean towels on the shelf, and I think if I am tired or sleepy, I will wipe my face and refresh.

There is also a painting hanging in the middle of the two windows.

Under the window on the south side of the east wall, there is a three-legged incense table in yellow rosewood, about three feet high, on which is placed a delicate three-legged copper incense burner. The whole body is made of copper, but it is only five inches in diameter, five inches high, and it is covered with a lid, and I don't know what spices are burned inside, and there is a faint aroma lingering in the room.

It's kind of like tea.

About three feet away from this window, there is a yellow rosewood two-roll horn tooth piano table, on which is a guqin, and behind the piano table is a yellow rosewood tunic Luo pot square stool.

In the middle of the house, there is a small piece of land vacant, and there is no place for anything.

A large number of precious woods such as rosewood are used in this study, and the furniture is exquisite and atmospheric, the color is moist and dark yellow and black, and it is clear that it is already an old furniture with years, and the price is not expensive at a glance, and it is far more than the furniture of the same material that has just been created. Looking at it like this, I am afraid that the furniture in it is not less than a hundred years old, and I am afraid that it has been handed down from the reign of the previous emperors, and even the previous dynasty Mengyuan is not necessarily. These pieces of furniture alone cannot be beaten without a thousand taels of silver.

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