Chapter Twenty-Four: The Three Gods of the Red World
The old Yitian department store.
Standing on the roof of this abandoned building, the Qin people looked around.
This former Ita department store is an abandoned building that is equivalent to the heart of Misaki City.
It seems that it was because of the cutting corners in the casting of materials and construction construction, which led to the instability of the structure, and even the death of people as a result.
After the leaders of the development company bowed and apologized, the building was abandoned, and the building, which was supposed to be the former commercial center of the business district of Osaki City, was abandoned.
Qin Ren stood on tiptoe, standing at the top of the old Yitian department store and looking around.
There are tall buildings everywhere.
However, that's not what he cares about.
He sensed his surroundings, trying to find the aura of Marjunlyn Duo's presence.
But he didn't feel it.
If Marjunlin Duo, the eulogy singer, hadn't taken the initiative to hide her breath, she would not have been around.
Of course, the Qin people came here for a purpose.
Fariaghni, the Red World Demon King who has collected all kinds of treasures, probably put down the "glass altar" in this building.
Glass altar.
In the scorching Xana worldview, one of the three gods of the Red World, and Arastol are the same gods of the Red World, and his real name is "The Serpent of Sacrifice".
Arastol.
Whistling of Awakening Shahar.
Ritual Serpent: Fuxi.
In ancient times, the ritual serpent used the name Fuxi.
As for who Fu Xi is, the Qin people, who are from the Celestial Empire, naturally do not know about it.
Hawkers,Anyway, it's the same as other works.,Pull out a god name from the myth of any country and put it on the character.,Accustomed to the operation.。
Heavenly Calamity - The name Arastol is also known to the Qin people who are "knowledgeable (related to desert areas)".
If that's right, it's a Seraphic angel in Christian legend who rules wrath.
The name is Alastor.
The fact that Arastol's night hat is a feather can also indirectly corroborate the prototype, after all, if there are feathers, if it is not a bird or a demon, then it can only be found in the angel.
However, it seems that in Greek mythology, there was also a vengeful spirit who hunted down criminals, called this name.
In terms of capabilities, presumably both are prototypes? Is it a concoction of the namesake of two myths?
Juezhi Yinxiao Shahar, Qin people are not familiar with it, the original animation seems to be a mention, right?
But from the name, the Qin people can think of a god with a similar name in Palestinian mythology.
But that doesn't matter.
This glass altar is the object of the sacrificial serpent.
A treasure made to monitor the "Great Lock".
The Great Locks is the name of the city that the Serpent of Rites planned to build for the sake of the Red Apostles.
Circle one hundred and twenty-nine cities and four plains with the law of freedom.
Everything that exists within the range is sealed with the presence of nearby hunter-gatherer offerings, and is tightly tightened and reinforced to prevent it from falling apart, becoming a self-circulating independent enclosure.
In this way, the Red World Apostle does not need to look for sparse humans in the world, nor does he need to spend the effort of gnawing, he can exert his power as he wants.
At the same time, the resulting distortions are also balanced on the internal scale.
To put it simply, it means enclosure to be self-reliant and fence to engage in a small ecosystem.
This Phantasm is like a monitor.
After the Serpent of Ritual was sealed, it changed hands several times and fell into the hands of Faragni, a treasure hunter.
You can't see the Fire Mist Warriors and Disciples, but you can observe the flow of the Existential Force and the location of the torch.
Although Qin Ren has watched the animation, but after all, the time is long, and the details of this old episode, Qin people can't remember it clearly.
It's just that according to the idea that "if Faryagani wants to devour the city, you need to observe the entire city, so it should be easier to find it near the center", after Xana defeated Faryagani, she searched for several days to find it.
Rubbing his wrists, Qin Ren put his hands in his trouser pockets and followed the stairs on the top floor from top to bottom to prepare to go down.
As the torch flickered inside his body, from all parts of his body, the sand of mirrors transformed by the power of existence poured out.
The dense quicksand followed his will, turning into his eyes, flying towards all levels.
Finally, on the first floor, which used to sell toys, is now a hill of broken toys and miscellaneous items that are not wanted by various merchants.
The Sand of Mirrors swirled unhindered among the debris that filled the entire floor, and in the middle of the garbage mountain, following the unique aura, found an open area.
An open area without any garbage and toys accumulating.
In the center, there is a huge, sand table like a real estate project.
His feet were wrapped around the power of existence, and the sand of the mirror swirled around his body, and the Qin people jumped lightly and jumped directly into this place.
I took a closer look at the sand table.
That's right, it's a scene from Misaki City.
The huge sand table that emits a deep blue light towards the surroundings is a miniature view of the entire city of Mizaki.
Squinting his eyes slightly, the Qin people continued to transform the power of existence into the sand of the mirror, wrapping this huge sand table.
Mapping –
The smooth mirror sand instantly turned white.
Fallagni's existential power trait.
Originally, it was wrapped in a sand table, but the sand of the mirror, which was quite difficult to penetrate, seeped in a little.
However, that's about it.
"Should it be said that he is worthy of being the god of the Red World who holds the power of 'creation'? It's really hard to make something that wants to erode and penetrate. ”
After calculating that it would take several days of sleepless infiltration and erosion, the Qin people gave up the idea of invading the interior of the Noble Phantasm.
However, he could also feel that this huge sand table was not the body of the treasure.
It's something projected after the Treasure Phantasm is launched, which is similar to the Freedom Method and like a Treasure Phantasm.
The main body should not be very large.
The Qin people carefully sensed the power that spread throughout the sand table like leaf veins, and observed the position of the torch in various places of the miniature:
"No action?"
The Qin people didn't immediately see the torch suddenly appear somewhere, probably because the other party was resting or in a hurry or something, so he didn't act for the time being.
Since this is the case, the Qin people don't want to stand stupidly.
His mirror sand continued to seep into the treasure, trying to record the freedom that had constructed the glass altar.
In addition, if there is the power of the existence of the ritual snake in this treasure, then you can record it by the way.
Isn't it beautiful to have already recorded the "destructive" nature of Arastol's fire robbery, and then to record the "creation" quality of the sacrificial serpent?
After all, the sand of the mirror as the power fragment of the Duke of the mirror has a copy and imitation, and the compatibility with the created trait is still quite high.
However, just as he tried to infiltrate and observe the position of the torch, a breath approached the abandoned department store.
Qin Ren immediately stopped his movements and turned his head outward:
"Marjunline?"