"Chu Liuxiang - Singing to the heart of enmity, the heroes of the rivers and lakes are afraid that there are not many"

"Wen Jun has a white jade beauty, carved with wonderful hands, extremely graceful, and yearning for it. Tonight, when the moon comes, come and get it. Jun Su Yada, will not make me go back and forth in vain. A pale blue note, carrying the faint fragrance of tulips that have not been stained with dust for thousands of years from ancient times to the present, gently stretches in the depths of our memory. What we will never forget is that unruly face, which has always been here, in the intensity that our lives can bear.

Chu Liuxiang. This is the first person in Gu Long's pen to come close to mythology, as Gu Long himself said: elegant, calm, instantaneous explosive force, similar to James Bond. No, Chu Liuxiang's meaning is much more than that.

The Chu Liuxiang series in the growth period include "Fragrance in the Sea of Blood", "Great Desert", "Thrush", "Ghost Love", and "Bat Legend"; The ripening period has "The Legend of Peach Blossoms"; plus "Legend of the New Moon" and "Midnight Orchid" during the recession, a total of eight films.

Reading Chu Liuxiang is like watching a detective, peeling off the cocoon layer by step, let us fully appreciate the handsome demeanor. Here, the martial arts in the ancient dragon martial arts become a symbolic symbol, representing a person's identity or nature, not just a tool used to fight and fight. In these weird stories, Chu Liuxiang uses his brains more than his hands, the soldiers come to flood the water, and his wit is so quick that it is impossible not to admire him.

The significance of "Chu Liuxiang Series" lies first in Gu Long's exploration of martial arts creation. In fact, Jin Yong has also done things to learn from foreigners' stories, but Gu Long has gone more thoroughly: he not only wants to use those blueprints for his own use, but also tries to introduce modern concepts, so that the genre of martial arts, which is a traditional thing, can be more acceptable to modern people.

Let's start with the people around him.

The biggest achievement of this series is that for the first time, the heroes of traditional martial arts who are loners on the rivers and lakes have real friends with each other: not anything else, but "friends" who can be righteous for no reason, no reason, just for these two words!

Tiehua is a panda with thick lines, shouting and screaming at every turn, a little pretentious and self-satisfied, and is Chu Liuxiang's best partner and "green leaves". Ji Bingyan's image is not prominent enough, and it is not even as bright as the Central Plains, that is because Gu Long himself is relatively vague about this role - his advantages are calm, meticulous, and thoughtful, but Chu Liuxiang himself has all of them - Gu Long simply doesn't know what to do with him. Fortunately, Xiang Shuai only has two hands and two feet, and Ji Bingyan still has a place to use it.

In every legend, there are extremely lovely women who have entered the ideal realm of ancient dragon fantasy: the spring breeze once, each going their own way.

Absolute friends and absolute women, Chu Liuxiang is indispensable.

Now let's talk about Chu Liuxiang.

This is an unprecedented image in the martial arts world, representing another kind of "chivalry" that is completely different from Jin Liang's "chivalrous master" - "chivalrous romance". The latter pursues the relaxation of nature and the manifestation of self. Of course, even if they are called "chivalrous", they will also draw their swords to help each other when they see injustice, and they will also do their part for justice and righteousness, but the reason is not that they are "chivalrous", but that this matter let them know that they encountered it, and it is so natural and as simple as that.

Chu Liuxiang has never killed a person, how miraculous life is created in heaven and earth, he doesn't think he can take it away. He never saw himself as an out-of-law enforcer.

Chu Liuxiang walked from the sea of blood to Bat Island, he was already an unsurpassable god, and his image was deified. The mature Gu Long's pen turned, and a "Legend of Peach Blossoms" made Chu Xiangshuai have the feelings of ordinary people and even married life.

"The Legend of Peach Blossoms" is the best written book in this series, smooth and natural, but there may not be many people who like it. Because nature is often simple, and smoothness is often lost to lightness. is also about unforgettable love, and there are far more people who like "Borrowing the Corpse to Return the Soul" than "The Legend of Peach Blossoms". I don't know if everyone likes more twists and turns and bizarre stories, or if they don't want Chu Liuxiang to be a normal person.

In "Legend of the New Moon", Chu Liuxiang began to be helpless. In the face of Xinyue and Shi Tianwang, in the face of things sliding step by step into a situation that he couldn't control and couldn't control, Chu Liuxiang couldn't do anything - he chose to escape.

Yes, Mr. Du succeeded after all, and the sacrifice was so great, and he finally killed Shi Tianwang. But please don't forget that Chu Liuxiang said coldly: "Yes, we succeeded." "The distinction between right and wrong is no longer obvious, and in order to achieve a goal, the only means are unscrupulous. And Chu Liuxiang was not defeated by Shi Tianwang, he was defeated in the unchangeable human nature and rivers and lakes.

"Midnight Orchid" is full of ghosts, Chu Liuxiang basically did not appear positively, he has completed the process of his own people-gods-people-ghosts, and the mysterious Gu Long has not been able to save his decline and decline after all.

When the heart of enmity and hatred is surging, the book should be read with pleasure. In the past, there are probably not many heroes in the rivers and lakes. Count the romantic characters, when to see which dynasty?

"Xiao Shiyi Lang - How much hatred does the prodigal son have in ancient times, pay to the drunken guests in the rivers and lakes"

In late spring and March, the sheep and grass grow; It's freezing cold, ask who feeds wolves? The heart of the sheep is pitiful, and the heart of the wolf is lonely. The heart of heaven is unpredictable, and the world is like frost...... I don't know if many years later, will it be "red dust as deep as the sea, Xiao Lang is a passerby from now on", the years gradually blurred the eyes as bright as the stars, the sad vicissitudes of the song, the prodigal son feelings that once pulled our heartstrings. However, in the depths of dusty memory, there will be a gap: it is hurt, pain, and madness.

Forever Xiao Shiyi Lang!

He is a blue wolf from the wilderness, lonely rivers and lakes carrying wine. is also a thief, Chu Liuxiang not only has a much better reputation, but also has a very good popularity. On the other hand, Xiao Shiyi Lang doesn't know how many black pots he has carried, and he will never be understood. There is a sentence in the book that may explain his state of mind: he always felt like a whip was chasing him from behind, so that he could never rest. People are in the rivers and lakes, or they are like this. As soon as you stop, it means failure, a humiliating defeat. So you just have to keep going.

Xiao Shiyi Lang is one of the most sound male protagonists in Gu Long's writing: he knows what he wants, and he doesn't give up easily.

When Xiao Shiyi Lang met Shen Bijun, he met like a golden wind and jade dew, and there were countless victories in the world. However, Luo Shifu has a husband, and Xiao Shiyi Lang can't easily tell even if he has a thousand styles. is also a poignant love, Xiao Shiyilang's handling is obviously much more mature than Li Xunhuan: his pursuit is that she can be happy. Xiao Shiyi Lang didn't force anything, but he also firmly let Shen Bijun know: if she wanted, then he would wait for her there. Gu Long's depiction of love has never been as delicate as friendship, but there is a very wonderful plot in "Xiao Shiyi Lang": when both of them fall off the cliff, they live a simple and primitive life, but they are like a fairy life. Only when they are far away from the world can they truly belong to each other.

Shen Bijun may be the woman Xiao Shiyi Lang wants, but he is by no means a confidant. In fact, people who love each other don't really understand each other, because it's understandable that they deliberately ignore them. Therefore, Shen Bijun will misunderstand Xiao Shiyi Lang again and again, it's not that she doesn't believe in his personality, it's just that love will make everything fragile. Even faith is vulnerable. Xiao Shiyilang's only acquaintance is Feng Siniang. I'm afraid that Gu Long doesn't believe that there can be a simple friendship between men and women, which dooms Feng Siniang's tragedy: love him, but never get a response.

Feng Siniang is the kind of special woman: where she plants her heart, she will never leave. For so many years, she has watched Xiao Shiyi Lang grow up, step by step into what she loves more, but she can't love it clearly. There is no greater sorrow for a woman than this: you are right in front of him, but he does not know or does not want to know that you love him. Feng Siniang unconditionally believed in and supported him, silently gave everything for him, and only waited for him to be tired or injured and then look back at her comfort. Almost all male readers like Feng Siniang, but if you really meet such a woman in reality - empathetic, generous and hearty, firm and not needless entanglement, maybe you will still choose to live up to her affection.

Dollhill is a very creative idea, there is really only a thin line between a genius and a madman, and the Marquis deserves it. The little boy's viciousness is no less than Lin Xian'er, but her viciousness is actually due to her deep affection, and this kind of affection is really emotional: it is the most difficult to accept the grace of beauty.

The strong argument of friends who hold "Xiao Shiyi Lang" as the first ancient dragon is: This work is very subversive, chivalrous and non-thief, and thought-provoking. If this book is really Gu Long's first, then this basis is the most pale: any martial arts writer who can get on the stage will more or less touch on this aspect, and whether it is profound or not depends on the skill of each person - the most famous of which is Jin Yong's "Smiling Proud Jianghu". The profundity of "Smiling Proud Jianghu" also lies in the textual problem of its political allegory, "Xiao Shiyi Lang" is simply a problem of human nature: hypocrisy, selfishness, greed, and always think that others are just like yourself.

The heart of heaven is unpredictable, and the world is like frost. In this world, any kind of relationship is full of holes. But there are still dreams, and there are still things to chase, and the hurt in my heart can't match the desire in my eyes.

I was born for all this, and I will ask for nothing else. Pain and memories haunt me, but they also guard me - heh, people are in the rivers and lakes, and I can't help myself...... If you are in the rivers and lakes but you are chic and free, it is only because you don't care......

"The Peerless Double Pride (1) - Written by Fish and Dragons Diving into the Water"

In the early days, Gu Long still took the path of traditional martial arts, and the culmination of this kind of large-scale traditional martial arts is "The Peerless Double Pride".

For this book, it is obvious to all, so I will not repeat it. As far as I know, there are at least seven versions of it, including Gezai, but none of the best versions of Liang Wu have been able to perform its essence.

This book can perhaps be seen as a work of continuity: it not only provides a wonderful summary of the traditional routines that preceded it, but also encapsulates all the elements that move the heart of the later Gu Long works. Absolute humanity, absolute self, absolute friendship and loyalty, absolute wisdom and feminine ...... These are all propositions that Gu Long repeated again and again.

"The Peerless Double Pride" may be Gu Long's most famous work in addition to "Chu Liuxiang", Zhuang Zhou's comment on Gu Long in "Qi Character Theory" is to cite "The Peerless Double Pride" as an example. It's a pity that this person has an ugly knowledge of martial arts, and he doesn't agree with Gu Long, but also pushes "The Peerless Double Pride" to the pinnacle of Gu Long.

Those who are more familiar with Gu Long know that "The Peerless Double Pride" matured early, and more importantly, Gu Long's real superiority over other martial arts writers is not fully elaborated in this work, so even if it is very exciting, it is not Gu Long's pinnacle work.

When experts talk about "White Jade Tiger", they always say that it almost returns to the level of "The Peerless Twins". Friends who like "The Peerless Twins" will definitely not agree with this statement - "The Peerless Twins" is indeed much more exciting and beautiful than "White Jade Tiger". But in terms of artistic achievements alone, this sentence does not insult "The Peerless Twins".

The most exciting thing in "The Peerless Twins" is probably the plot and dialogue.

Gu Long's ability to control long stories is well demonstrated in this book, and he tells us that he could have gotten closer to "Smiling Proud Jianghu" and the like, but he didn't - if so, he would have lived in the shadow of Jin Yong for the rest of his life. What is commendable is that with such a huge structure and a myriad of problems, Gu Long has almost taken care of it thoroughly, and there are few loopholes.

Three years ago, when I was squandering my life in a boring junior college, I once said to the girl who rented this book in the same dormitory: "In the fifth grade of primary school, I watched "The Peerless Twins" and thought it was very fun and exciting, and when I watched it again in junior high school, I could only marvel at how smart Gu Long was, and in high school, I could feel Jiang Xiaoyu's sadness and Gu Long's helplessness when I flipped through it. This female Lan was smart, and after seeing it, she was surprised: "I finally understand why you said that Gu Long is smart." Indeed, the cleverness and wit that Gu Long shows here is a little terrifying: his careless strokes are crucial later on, and every step he takes seems to come naturally. From beginning to end, in fact, we were all led by the nose by Gu Long: where he let the plot develop, we sighed in that direction: it turns out that this is the case. Gu Long seems to have thought about how to design every link and how to arrange every detail at the beginning of his writing. And we don't even have room to disagree - the tight plot is overwhelming, and your mind just rises and sinks into the next wave of weirdness. I don't think I have discovered the mystery of Shen Qinghong's eyes for eleven years, on the one hand, it is of course my lack of logical thinking and carelessness, and on the other hand, it also proves that Gu Long is irresistible.

To put it mildly, Gu Long, with his rich associations and wonderful wit, clogs all our imaginations. And we can only follow his train of thought and follow the storyline all the way down, go to the end of the mountain and wait for Gu Long to give us a willow and a bright flower.

I like "The Peerless Twins" and its wonderful dialogues, which are really fun and cute, and witty and funny. Throughout the book, there are flashes of such humorous and light-hearted words. Gu Long's intentions in such a small place show that his wisdom is unparalleled.

However, from another point of view, the success of "The Peerless Twins" also stems from the anger of a newborn calf who is not afraid of tigers, and this enthusiasm makes up for the immaturity of Gu Long's skills and the jerkiness of his penmanship. may be due to the fact that he wrote pure literary and artistic works in his early years, Gu Long wrote about the scenery, and sketched the scenery pleasantly with three or two strokes, but in addition, Gu Long's technique was never mature enough, and he just used his own cleverness to cover up the unoldness of his writing.

The popularity of "The Peerless Twins" is actually a bit of an inescapable fate in it: everyone just wants a good-looking plot, good-looking dialogue, and good-looking characters and nothing else. And for some people, it is also because this is the most orthodox way of writing, and it belongs to the kind of unified Jianghu model. For Gu Long, this is actually a kind of sadness.

If you have to find fault in "The Peerless Twins", then it has at least three problems: 1 The eyes of the Fruit Offering God Monarch and Shen Qinghong's dart silver mystery. 2 The mystery of Xiao Yu'er's age: In the second half, Yan Nantian, the princess of the flower shift, is "in the past twenty years", but I calculate that Xiao Yu'er was at most seventeen or eighteen years old at the time. 3 The mystery of stinky medicine: The stinky medicine that caused Li Dazui's mouth began to be clearly given by Tu Jiaojiao, how could it become Wan Chunliu's masterpiece?

"The Peerless Double Pride (2)" - The Wild Goose in the Cloud, the Fish in the Water"

Except for "Famous Sword and Romance", Gu Long has no work with so many wonderful female characters like "The Peerless Twins": Tie Xinlan, Su Ying, Zhang Jing, Murong Jiu, Xiao Mimi, Invite Moon and Pity Star - they are Chunlan Qiuju, each good at special shows, and they are all beautiful.

Before the age of twenty, I watched "The Peerless Twins" and didn't like Tie Xinlan very much, and I felt that she was too fickle towards Qin Duchu. When I was a little older, I realized that emotional matters cannot be measured by common sense. Tie Xinlan was originally determined to pay attention to following Xiao Yu'er, no matter whether he was good or bad for her, he would definitely not change. But Hua Wuji, who has shared countless tribulations with her, is not only extremely good, but also has nothing to say about her. A girl's heart is already susceptible and affectionate, not to mention that after a long period of contact between people, it is inevitable to have feelings, especially in hardship and tribulation. Just because she is facing two equally lovely men, Tie Xinlan has suffered a lot of grievances and pain from herself, even if she has wavered and hesitated in front of her feelings, I really can't blame her ruthlessly.

She is a girl who is strong on the outside and inside, but she is always in a very passive and weak position throughout the book, always giving people a feeling of weakness and incompetence, maybe Gu Longcheng wants to let Xiao Yu'er and Hua Wuqian have a chance to play.

The most subtle and introverted flowers are flawless, and the feelings are the most profound and direct. He loves Tie Xinlan to the core, and he will never let her suffer the slightest grievance, half reluctantly. He had a lot of things on his mind, but when he saw Tie Xinlan, he still just smiled faintly and asked, "How are you?" How much affection is contained in this faint greeting! Just because he understood Tie Xinlan's intentions, he couldn't bear to drag her feelings into contradictions, so he would rather suffer himself. Love is not an exchange, if you really love someone, no matter what she does to him, he will not regret it - this is exactly the portrayal of Hua Wuji.

When I didn't like Tie Xinlan, I strongly denied that Xiao Yuer liked Tie Xinlan. Of course, this is self-deception, Xiao Yuer not only likes her, but also likes her a little deeply. At the beginning, he took the initiative to entangle this "godlike boy". Even the two of them have experienced life and death together, when Tie Xinlan looked at Xiao Yu'er differently, Xiao Yu'er warned herself that this was sugar-coated poison and couldn't help but flutter. Even if Ironheart Lando looked at Hua Wufeng a few times, he was going to be angry. However, he couldn't open his heart to her after all. This may be due to the insecurity of the small fish. Xiao Yu'er, who grew up in the Valley of the Wicked, has learned to hide his thoughts since he was a child and will not tell anyone about his heart, so he needs a woman who can touch his soul. Xiao Yu'er's personality is actually more or less inferior, especially in the face of the flawless flower that is high above. His heart was definitely not as relaxed as a smile.

It was this lack of security and extreme self-esteem that made him hurt Tie Xinlan and hurt himself at the same time. He loved Tie Xinlan, but he couldn't give her happiness, so he simply gave up, although this letting go made him so miserable that he even smiled.

Fortunately, there is also Su Ying. She's one girl I really like: smart, beautiful, and straightforward. She knew what she wanted, and she worked hard for it. "As long as I like him, it doesn't matter if he likes me or not," she said. Besides, even if he doesn't like me now, I have a way to make him like me! "Reading this, I should be a big white for Miss Su. Such a brave and determined girl, it is difficult for Xiao Yuer not to fall in love with her.

Her brilliance lies in the fact that she knows everything, but knows how to play dumb when the time is right. There are too few women who can see through everything and are willing to share everything, Su Yingdang is the second cutest heroine in Gu Long's pen.

When she mistakenly thought that Xiao Yu'er was dead, she did not hesitate to jump down the valley: "I don't want to die for him, I just feel that there is no point in living." "A few words, infinite affection. Facing her rival Tie Xinlan, her performance is also remarkable: "I won't give up on him for you, just because if I give up on him, it may make it more difficult for you." "Hit the nail on the head without giving in - all those who love should learn from Miss Su how to love someone.

Only Su Ying is the one who can really get in touch with Xiao Yu'er's heart. With a wife like this, Xiao Yuer should be able to maintain the freest heart and the most indulgent soul.

Compared with Su Ying and Tie Xinlan, Tie Pinggu is much more pitiful, just because she fell in love with someone who is not worthy of love. If her love for Jiang Yulang is unforgettable, it is not necessarily. A girl like her, who has a poor background and suffers from a miserable situation, meets someone who is good to her, and does everything for her, coupled with the sweet words that smart people like Su Ying can't refuse, Tie Pinggu has no chance of winning. She is a very traditional woman, more resigned to fate, all the time, she has endured loneliness for too long, too many suppressed emotions, so once it happens, it is out of control. Su Ying Tie Xinlan can be proud of the man she loves, but the man she loves brings her only humiliation and misfortune. As an ordinary woman, this is too sad. Gu Long gave her a seemingly warm and happy ending, but Tie Pinggu and Hu Yaoshi are really far-fetched, this is the second most embarrassing husband and wife combination in Gu Long's pen.

Several female images in "The Peerless Twins" are full of symbolism: Peach Blossom is a girl who is young and ignorant of the same position, and once rode a bamboo horse to make green plums together, and I remember that I was young at the time, so I passed by inadvertently. Tie Xinlan is your first love, she loves fiercely and hates crazy, but you don't know how to cherish it, seeing her don't hug her pipa, even if you don't care about her, it is still an eternal pain in your heart. Do you still remember how much you longed for Zhang Jing and Murong Jiu when you were a miserable young man? They have noble backgrounds and good manners, and you can't help but provoke them, but even if they move their hearts, they are still high and out of reach. You watch them stop in the sky or sink into the mud, but it has nothing to do with you. When you grow up, you have your own confidantes, Hai Hongzhu and Duan San, who are gentle and understanding, and they will push you into the water when they are annoyed. But you know in your heart that you don't want to give them a chance and give yourself a chance, you can't live the life of a foolish husband and a foolish wife. Finally, you've had enough, you've retracted, you met Su Ying, who is quite a good match, not ugly, not annoying, sometimes it's cute, what should I do? Get married and live a life also.

Hehe, you will say, this is life.

"The Peerless Twins (3) - I Am a Fish"

The reason why Xiao Yu'er is a small fish is because he is indeed a small fish that has slipped through the net, and a person has suffered so many killings and deaths since he was born. was forced to face so many conspiracies and traps, and still lived like a slippery little fish, which was not a small fish in the river.

It can't be said that this type of actor is unprecedented, because Wei Xiaobao and Yang Xiaoxie are also there. But Jiang Xiaoyu is absolutely unprecedented. Wei Xiaobao is completely different from Jiang Xiaoyu in nature, the biggest difference is that Wei Xiaobao has no thoughts, so he lives everywhere. Jin Yong put himself in a detached position when creating this character, and there is a certain alienation between the author and the character, we will be envious and funny when we read it, but we will not empathize. In this regard, Yang Xiaoxie is similar to Wei Xiaobao. Jiang Xiaoyu will be confused if he has thoughts, so he will also be miserable. When Gu Long writes about him, he pours out too much personal emotion, so we tend to be excited and boiling when we read it. In short, we are watching Wei Xiaobao's life, but we are feeling Jiang Xiaoyu's life.

Xiao Yu'er's pain comes from the denial of herself. Xiao Yu'er, who grew up in the Valley of the Wicked, acted eccentricly, but he did not lose money, on the one hand, although Wan Chunliu taught meritorious, but it cannot simply be said that Wan Chunliu and his life experience had such a great impact on Xiao Yu'er. I think the main thing is that he is in the Valley of the Wicked, haha, they really don't have anything bad to teach him by word and deed, at most they teach him to act unscrupulously and teach him more realistic concepts. From this point of view, their training of Xiao Yu'er is very successful: a large part of Xiao Yu'er's intelligence comes from his insight into reality and human nature.

Tie Xinlan has a sentence that talks about the essence of Xiao Yu'er, she said that Xiao Yu'er grew up in the Valley of the Wicked, and always thought that he should be a villain, and that brand could not be erased, so he always pretended to be a villain. But in fact, not only is he not bad, but he also has a benevolent heart full of love for humanity. This contradiction and his questioning of his own principles led him to grow in pain.

In our eyes, the image is very pale, which is a misunderstanding. The well-mannered, gentle and considerate, and never angry Hua is flawless, neither vicious nor treacherous, and seems to have no scheming at all. But his whole person is like the vast and unfathomable sea. It is this most perfect, happiest, and most enviable flawless son who has lost himself and lives his life completely for others. Before the decisive battle with Xiao Yu'er, he had already made up his mind to die, but he didn't even have a goodbye object, how sad. "Everyone came to me and begged me not to kill Xiao Yu'er, why didn't anyone beg Xiao Yu'er not to kill me? Am I supposed to die? "Yes, Hua Wuqian has too many reasons to ask so sadly and angrily - why, why did everyone think that he would be stronger and ask him to bear the consequences?

Jiang Yulang is definitely an unprecedented figure, that viciousness and cunning, made by a teenager, is really terrifying. There are chapters where he appears in "The Peerless Twins", don't watch it before or after a meal - you can't eat before a meal, and you will spit out everything you eat after a meal. "If you are going to die anyway, why do you want me to die with you? If you are really good to me, you should sacrifice yourself to save me. "To say such things to an infatuated and loyal girl, Jiang Yulang is extremely shameless.

However, the plot of the intrigue between him and Xiao Yuer is very exciting.

Xiao Yu'er picked him up from the ground and said sharply, "Where is Hua Wuji?" Do you say it or not? Jiang Yulang said leisurely: "If you want to see him, you should respect me and ask me for advice." Xiao Yu'er smashed his fist out again, and shouted, "Little bastard, I beg you to fart." Jiang Yulang sneered: "Okay, you fight, but the fist can't ask words, if you were me, would you say it after two punches?" Didn't you fight harder after I said it? "I hit you? When did I hit you? He patted the dust on Jiang Yulang's body, helped him sit up and said with a smile: "Brother Jiang has been absent for a long time, how are you doing lately?" Jiang Yulang laughed and said, "It's okay, it's just that I was bitten by a mad dog a few times." Xiao Yu'er laughed and said: "Mad dogs have always bitten mad dogs, Brother Jiang is neither crazy nor necessarily a dog, how can a mad dog bite you?" Jiang Yulang also laughed and said: "In this way, the younger brother is wrong. Xiao Yu'er laughed and said: "Brother Jiang must be missing his little brother, and even his eyes are red from crying, so his eyesight is a little blurred." Jiang Yulang said: "Yes, the little brother is always wondering, what is going on with Brother Yu recently, will he suddenly get goat fever and sit on the board sore?" As soon as he thought of this, the little brother was really worried, haha, worried. Xiao Yu'er also smiled: "Little brother should be a person like Brother Jiang, he must be free of illness and pain, who knows that when I look at it today, Brother Jiang seems to have sheep leprosy and is crazy, otherwise why is he trembling on the ground?" ”

In terms of improvisation and deep scheming, there is indeed no one else who is better than these two sixteen or seventeen-year-old boys. No wonder Xuanyuan Sanguang wants to sigh: If these two people were born a few years early, how could there be ten wicked people on the rivers and lakes!

With these three people, it is enough to support a play, not to mention the heroic Yan Nantian, the indifferent and arrogant Princess Shifting Flowers, the ten villains with their own characteristics, and the twelve stars who are born with strange appearances...... Gu Long's only character who has written it wrong is Jiang Beihe: this is originally a character with a lot of room to play, if Gu Long didn't look at everything from the perspective of a small fish, Jiang Beihe's image of a hypocrite might be more classic. As a result, the tiger did not become an anti-dog, and Jiang Beihe's hypocrite had to pretend to be.

There are a lot of bad women in Gu Long's pen, but compared with Madame Bai, no matter how bad a woman is, she has to bow down: how can there be such a perverted and vicious woman! It's really instructive to see that it feels like swallowing a fly. The reason why I mention her is because I have never hated a woman so much, and every time I see her, I feel violent.

Bai Xingxing is a very special character, if this person doesn't speak, he must be demolishing someone else's platform, I'm afraid that if he doesn't say something that sows discord and is scathing, not only will his throat itch, but he will also feel sad all over. What's even more strange is that he is bent on harming others and fooling others, and he doesn't care whether he can profit from it or not. Harming others is not good for oneself: Bai Xingxing, this name is really apt.

Regarding the characters in "The Peerless Twins", I have only one question: At the end, is it necessary for Gu Long to let a large group of worldly masters run out? There are only a few strokes in this group, but the outline is extremely expressive, but it is a good story without them, and with them, it does not help much for the progress of the plot. Could it be that Gu Long also has the same problem as Hong Kong New Year films: let everyone come out and show their faces at the finale and say "Wishing you prosperity" to us?