What appeared in front of him was a rather compact room, but very luxurious.

You can see mahogany furniture and leather seats, and delicate glass wine vessels in the coffee table, and a smell of capitalist corruption comes to your face.

Turning his head to look out at the light source, there was a square window, and the light source was actually sunlight slanting into the window.

Outside the window, there is a neat farmland, and the fragrance of turquoise wheat mixed with the slight opening window penetrates through the slightly open window, mixing with the faint smell of perfume wafting from the room, which is very comfortable.

The most important thing is that the scenery outside the window is moving, especially the trees and vegetation closest to the window, which are receding at a very fast speed, and the slight bumps and the noise of 'Ku Cha' from under his feet all indicate that An Yizhi is now on a train, and it is a very luxurious train.

So the darkness just now is likely to be a train traveling through a tunnel, and the system plays a seamless transition in this way.

It is still the usual search for clues, and in temporary dungeons, clues are usually set up at the place where the player first appears.

An Yizhi walked around the room, which further deepened his impression of the luxury of the box, and he even found a door behind the sofa that could be opened, and inside he could see two single beds on the left and right, as well as a large wardrobe on the opposite side of the bed.

Although having a bed is not a sign of luxury, but this is on the train, and Ann's impression of the train is only the cramped sleeper crammed into cans. This kind of completely self-contained room has only been seen on the movies.

He found a small wine cabinet near the head of the bed, which contained a large number of various drinks.

Because our protagonist really doesn't know anything about English, and the system doesn't provide a translation for the labels on the wine, he only knows what kind of wine these are......

However, the absence of a translator meant that it didn't matter, so he rummaged around the carriage casually, and didn't find anything noteworthy, so An Yizhi returned to the leather sofa and sat down, and began to grope for his body.

He was wearing a well-made suit, which was worth a lot of money at the touch of the hand, and it fit his body very well, proving that the dress was not an industrial product on the assembly line, but a hand-sewn custom-made product.

Rummaging through his pockets, he found a slender slip of paper with a bunch of data such as bust, waist, arm length, etc., and the words 'One Finger. Ann's words.

This means that this dress is indeed a made-to-order product, and it also shows that the location of An Yizhi must be in Europe and the United States, not in the Qing Dynasty, which was completed in 1930.

Continuing to rummage, he found a pipe, a bag of finely cut tobacco and a matching long match to light the cigarette, a .38 revolver for the amulet, and an envelope.

Needless to say, the pipe and the tobacco, Ann glanced at it and didn't find anything suspicious, so he took it as a pretend, this thing has almost become the standard for detectives since Sherlock Holmes became popular, and he will think of him when he sees a pipe.

There are a total of six bullets in the pistol, and there is no more ammunition, which may mean that this copy is not very dangerous, and the pistol is more often just a deterrent, but it should not be taken lightly, in case this is really a copy of the Cthulhu background......

- If it's true, it's useless to give more bullets!

The focus is still on the envelope.

The envelope was sealed with a red wax seal, but when An Yizhi found it, it was already open, and he pulled out two pieces of paper from it, one was supposed to be a ticket, although it was different from ordinary tickets, and the printing was very delicate and luxurious. Considering the luxury of the carriages, this also makes sense.

It's just that the text on the ticket is not translated by the system, and An Yizhi didn't recognize it after looking at it for a long time.

He opened the folded letter paper, and this time there was a system translation.

The beginning is basically a bunch of nonsense, such as saying hello and the like, and there is no value in reading at all.

It wasn't until the text on the letter paper reached the middle of the pitch that it began to get down to business, mentioning that there was a reference to commissioning.

It's just that before An Yiyi could continue to look down, there was a knock on the door outside the carriage.

He quickly folded the letter and stuffed it into the inside pocket of his suit along with the envelope and ticket, straightened his collar and said:

"Please come in."

Holding his hands on his chest, it seems natural that his right hand has already touched the pistol in the holster, ready to respond to danger at any time.

An Yizhi's actions were actually nervous in the eyes of others, but after so many temporary copies were pitted by the system, the guy who was not careful had already cooled down.

The door of the carriage clicked open, and a middle-aged man in a red uniform, who was supposed to be a conductor, walked in, he first bowed down to greet An Yiyi, as if he said hello, and then walked towards the room with a single bed with a large suitcase.

Such a luxurious box actually plays carpooling?

Then he saw the person who had walked into the room with the conductor, a woman to be exact, or more precisely, a girl and an acquaintance.

"Hello Mr. An, thank you for your willingness to accept my commission."

In an unscientific temporary copy, an artificial man composed of gears and a rotating shaft, Anasta. Baker smiled and held out his hand to Ann......

–‐‐——–‐‐——

An Yizhi didn't expect that the temporary copy that should have been destroyed by the system after the player cleared the level was used as a continuation of the background setting. (See chapters 543~566 for details)

And it seems that the situation of Anasta and Mizushima Yumeko is also different, the latter doesn't remember who Yasuchi is at all, and only the character model of 'Mizushima Yumeko' is reused. And Anasta completely remembered Ann Yizhi.

In this way, the background of this temporary copy is the follow-up to that treasure hunt copy, no wonder even the era setting is the same 1930.

Anasta is still a cute girl with bright eyes and a sweet smile in her memory, still wearing that heavy Bavarian-style dress.

If it weren't for the truth, no one would have associated her with the cold machinery.

An Yizhi once again ignored what a kiss hand salute was, but shook the power twice with a big grin, and I have to say that the maker of Anasta, the master mechanic, Mr. Edward, has superb craftsmanship and a warm touch, just like a real finger.

- How much black tea did this girl drink to maintain her body temperature before getting into the car......

The conductor helped Anasta put down his luggage and retired in a playful manner, while An Yizhi tapped Anasta who was seated and tapped on the side about what happened after he and Tu Hongyu left the dungeon.

In the impression of the two players, they were teleported away by the system, which is very magical.

In Anasta's memory, they solve Mr. Edward's puzzle and capture the murderer and hand him over to the police who arrive. Although the connection was not very close after that, it was not severed either.

The dungeon setting is roughly like this, and An Yizhi didn't care too much, and just chatted a few words and got to the point.

"Miss Anasta, what the hell is the commission?"

Anasta covered her mouth and smiled, this girl's smile was as sweet as ever, obviously not the kind of particularly moving beauty, but the more she looked at it, the more beautiful she felt.

"It's about my father's legacy."

"Master Edward?"

Anasta nodded and continued:

"Since the villa incident, I have inherited my father's property, you know my situation, I don't particularly care about worldly money."

I really don't care, Anasta is an existence similar to an alchemy puppet, as long as the alchemy core in her body doesn't strike, she can live forever.

Money is not a necessity for her to survive, but a constraint that will cause a lot of trouble.

"But I don't care, there are some people who do, so I've been traveling abroad for a long time."

Mr. Edward's inheritance was very large, and Anasta, who inherited all this, became a sweetheart, and it is said that she became the goal of all the gentlemen in the country, and their purpose was, of course, money.

However, Anasta is not a white rabbit who doesn't know anything, and naturally knows what the purpose of those people approaching her is.

"I once received an invitation from a friend of my father's life, and he wanted me to bring a piece of my father's work to an exhibition he was organizing."

Anasta brushed her hair and continued:

"It was an exhibition with a lot of valuable art."

Eighty percent of the exhibition went wrong.

Sure enough, as Ann had guessed, Anasta said:

"Towards the end of the exhibition, there was a theft incident, and many exhibits were stolen, including the one I brought with me my father."

Anasta sighed:

"I didn't want to go because I was asked to bring something my father loved, and it meant as much to me."

An pinched his chin with one finger and said:

"You want me to help you get it back?"

But this is not quite the right location, catching a thief shouldn't be on the train, is the train just a cutscene to the real plot trigger point?

Ann was speculating wildly in his heart, and Anasta didn't answer his question, but asked:

"Do you know Robin, the thief?"

it! Wait a minute, what does Robin mean?

Of course, Ann knew Robin, who was one of the most famous thieves, and most importantly, he was just like Sherlock Holmes in the writer's pen, and a copy that was highly similar to the real world actually ran out......

It doesn't seem to be bad, anyway, there is an unscientific artificial person like Anasta, and it is not unacceptable to really have Robin, the strange thief.

Anasta looked at Ann's expression, and then said:

"He was the one who shot at the time, and he stole the exhibits from the show, so he made this trip."

"What does it matter?"

"This train was chartered by the person who invited me to the exhibition before, and he was also stolen with something very important, and he also wanted to catch Robin and get it back, so he held an alternative exhibition, and the venue was on the train."

Ann pointed and thought about it, and then realized:

"This is your challenge to Robin?"

"That's right, we challenged Robin in a provocative tone in the newspaper not long ago, and this is the battlefield."

She pointed to the floor where she was sitting:

"This Orient Express."

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