In fact, it can explain why our literary films are very, very developed, and even enjoy a certain reputation in the world.

But otherwise it doesn't seem to be so much of an honor, and the most important point is the cost, plus we are very good at thinking about this aspect, so it becomes a relatively easy thing to hand over to us.

The special effects thing is actually very expensive, in fact, it doesn't mean that we can't make this thing, in what I've learned, it's the opposite, it's that this thing on our side is actually very good.

Including the special effects, this aspect is also very good, and even can reach other countries, such as yi

du。

But the premise is that there is one thing, which everyone knows, that is, there must be money, and without money everything is in vain.

If you don't have money, you will definitely not do anything, and the degree of burning money of this kind of thing is comparable to that of ya

G TV plays an advertisement, what does it mean, basically it is billed by the second.

Billing by the second means that as long as it is a shot of about one minute, it can basically be hundreds of millions.

It's a first-class special effect, and if you say a little bit further, you can still feel the visual impact, but to be honest, there is really no way to make people feel that kind of passion.

A little further back, it is a third-rate special effect, and the most important point of third-rate special effects is that people really can't stand it.

If you can't stand it, you can basically see that it's definitely a special effect, and it's a special effect that seems to be made by many people.

To be honest, this should have something to do with powerful software, but most of this software costs money.

So sometimes in fact, this spending money is not necessarily a bad thing, if zho

If country G can achieve such a symmetry of copyright information, maybe it will make our thing go to the next level.

In fact, to give an example, if you use this PS in a place, that is, not us, it is a crime if it is a pirated PS.

But in our case, pirated PS can be used almost anytime and anywhere, and no one cares, although it seems to be more convenient.

But to be honest, we must have a very clear understanding of who the ultimate victim of this behavior is, and in the end it is ourselves.

If you use it only once, it may not have such a big effect, but if you use it all the time, it will always show up at some point in the future that it will not be beneficial to you.

What we have been given a convenience will always be something that makes it more difficult for us later on.

Because after we get used to this kind of free stuff, once there is a paid thing, it will be very unsupportive, and this is also the case in China.

Even if our vendor makes a very good similar software, but because of the charge for this thing, we may choose not to know about this thing at all.

Once this thing is hit, I mean piracy crackdown, in the end we have no way to use it, we still are not familiar with the choice to use our own, it will take a long time to get acquainted, then this time will definitely be very delayed work.

If you say, continue to use them, it may cost a lot of money.

And there is another point, because of this situation, our side is likely to have no way to make its own manufacturers rise, and may be pressed by the other party all the time.

So in any case, I think it's us who suffers, and the saying that we always have to pay it back when we come out to mix has always existed.

But I don't actually want to talk about it, I actually just want to talk about the issue of special effects, and then go back and continue to talk about this issue of literary films and science and technology.

Our literary films are mainly because of our thoughts, plus some of our personal experiences, in fact, the literary films made are very, very good, and we will also combine some international styles.

So that other countries will be able to accept our style and accept our film.

Our teacher once told us about a movie that was not released in China.

But in one country, it had a very big reaction, and I forgot the name of the movie, but I had written it down in a notepad, and I should have opened it to see it.

It has generated a very large box office in other countries, but this is also an irony, because sometimes it is difficult to identify the level of value of this kind of film, since you don't know the value of this thing, it means that in fact, many movie theaters may not want to buy this thing.

It may seem a bit sad, but according to our teacher, it is still more in line with the market value.

No one wants to take a risk, or rather, no one wants to take a high risk, especially accepting something that doesn't seem like it's going to make them money.

But the teacher played us a concentrated clip, which was some of the more famous stars, and when they were young, in today's words, Xiao Xianrou.

I didn't feel that these stars were so tender before, but after watching this movie, it simply made me feel excited.

This legendary collagen still has a very big effect, this is a person's young capital, which is the same for both boys and girls.

In fact, after watching a clip of this movie, the whole person has an urge to see him all, and I don't know why some movie theaters at that time were reluctant to release this thing, but I think this selling point is actually quite high.

Although it is not a pure commercial film, it is also a very, very top literary film, and in my heart I think the standard of literary films has a small standard.

This criterion is to be touching without embarrassing, and I think it's that simple, and there's nothing too complicated.

If it makes people feel very embarrassed, this embarrassment comes from the lack of clarity of logic, and if such a situation occurs, then he is not a qualified literary film.

Because literary films are originally based on normal situations, or even have a prototype of things.

This literary film is not embarrassing at all, there is always a feeling as if such a place has really appeared, and such a story has really appeared.

In fact, it can explain why our literary films are very, very developed, and even enjoy a certain reputation in the world.

But otherwise it doesn't seem to be so much of an honor, and the most important point is the cost, plus we are very good at thinking about this aspect, so it becomes a relatively easy thing to hand over to us.

The special effects thing is actually very expensive, in fact, it doesn't mean that we can't make this thing, in what I've learned, it's the opposite, it's that this thing on our side is actually very good.

Including the special effects, this aspect is also very good, and even can reach other countries, such as yi

du。

But the premise is that there is one thing, which everyone knows, that is, there must be money, and without money everything is in vain.

If you don't have money, you will definitely not do anything, and the degree of burning money of this kind of thing is comparable to that of ya

G TV plays an advertisement, what does it mean, basically it is billed by the second.

Billing by the second means that as long as it is a shot of about one minute, it can basically be hundreds of millions.

It's a first-class special effect, and if you say a little bit further, you can still feel the visual impact, but to be honest, there is really no way to make people feel that kind of passion.

A little further back, it is a third-rate special effect, and the most important point of third-rate special effects is that people really can't stand it.

If you can't stand it, you can basically see that it's definitely a special effect, and it's a special effect that seems to be made by many people.

To be honest, this should have something to do with powerful software, but most of this software costs money.

So sometimes in fact, this spending money is not necessarily a bad thing, if zho

If country G can achieve such a symmetry of copyright information, maybe it will make our thing go to the next level.

In fact, to give an example, if you use this PS in a place, that is, not us, it is a crime if it is a pirated PS.

But in our case, pirated PS can be used almost anytime and anywhere, and no one cares, although it seems to be more convenient.

But to be honest, we must have a very clear understanding of who the ultimate victim of this behavior is, and in the end it is ourselves.

If you use it only once, it may not have such a big effect, but if you use it all the time, it will always show up at some point in the future that it will not be beneficial to you.

What we have been given a convenience will always be something that makes it more difficult for us later on.

Because after we get used to this kind of free stuff, once there is a paid thing, it will be very unsupportive, and this is also the case in China.

Even if our vendor makes a very good similar software, but because of the charge for this thing, we may choose not to know about this thing at all.

Once this thing is hit, I mean piracy crackdown, in the end we have no way to use it, we still are not familiar with the choice to use our own, it will take a long time to get acquainted, then this time will definitely be very delayed work.

If you say, continue to use them, it may cost a lot of money.

And there is another point, because of this situation, our side is likely to have no way to make its own manufacturers rise, and may be pressed by the other party all the time.

So in any case, I think it's us who suffers, and the saying that we always have to pay it back when we come out to mix has always existed.

But I don't actually want to talk about it, I actually just want to talk about the issue of special effects, and then go back and continue to talk about this issue of literary films and science and technology.

Our literary films are mainly because of our thoughts, plus some of our personal experiences, in fact, the literary films made are very, very good, and we will also combine some international styles.

So that other countries will be able to accept our style and accept our film.

Our teacher once told us about a movie that was not released in China.

But in one country, it had a very big reaction, and I forgot the name of the movie, but I had written it down in a notepad, and I should have opened it to see it.

It has generated a very large box office in other countries, but this is also an irony, because sometimes it is difficult to identify the level of value of this kind of film, since you don't know the value of this thing, it means that in fact, many movie theaters may not want to buy this thing.

It may seem a bit sad, but according to our teacher, it is still more in line with the market value.

No one wants to take a risk, or rather, no one wants to take a high risk, especially accepting something that doesn't seem like it's going to make them money.

But the teacher played us a concentrated clip, which was some of the more famous stars, and when they were young, in today's words, Xiao Xianrou.

I didn't feel that these stars were so tender before, but after watching this movie, it simply made me feel excited.

This legendary collagen still has a very big effect, this is a person's young capital, which is the same for both boys and girls.

In fact, after watching a clip of this movie, the whole person has an urge to see him all, and I don't know why some movie theaters at that time were reluctant to release this thing, but I think this selling point is actually quite high.

Although it is not a pure commercial film, it is also a very, very top literary film, and in my heart I think the standard of literary films has a small standard.

This criterion is to be touching without embarrassing, and I think it's that simple, and there's nothing too complicated.

If it makes people feel very embarrassed, this embarrassment comes from the lack of clarity of logic, and if such a situation occurs, then he is not a qualified literary film.

Because literary films are originally based on normal situations, or even have a prototype of things.

This literary film is not embarrassing at all, there is always a feeling as if such a place has really appeared, and such a story has really appeared.

In fact, it can explain why our literary films are very, very developed, and even enjoy a certain reputation in the world.

But otherwise it doesn't seem to be so much of an honor, and the most important point is the cost, plus we are very good at thinking about this aspect, so it becomes a relatively easy thing to hand over to us.

The special effects thing is actually very expensive, in fact, it doesn't mean that we can't make this thing, in what I've learned, it's the opposite, it's that this thing on our side is actually very good.

Including the special effects, this aspect is also very good, and even can reach other countries, such as yi

du。

But the premise is that there is one thing, which everyone knows, that is, there must be money, and without money everything is in vain.

If you don't have money, you will definitely not do anything, and the degree of burning money of this kind of thing is comparable to that of ya

G TV plays an advertisement, what does it mean, basically it is billed by the second.

Billing by the second means that as long as it is a shot of about one minute, it can basically be hundreds of millions.

It's a first-class special effect, and if you say a little bit further, you can still feel the visual impact, but to be honest, there is really no way to make people feel that kind of passion.

A little further back, it is a third-rate special effect, and the most important point of third-rate special effects is that people really can't stand it.

If you can't stand it, you can basically see that it's definitely a special effect, and it's a special effect that seems to be made by many people.

To be honest, this should have something to do with powerful software, but most of this software costs money.

So sometimes in fact, this spending money is not necessarily a bad thing, if zho

If country G can achieve such a symmetry of copyright information, maybe it will make our thing go to the next level.

In fact, to give an example, if you use this PS in a place, that is, not us, it is a crime if it is a pirated PS.

But in our case, pirated PS can be used almost anytime and anywhere, and no one cares, although it seems to be more convenient.

But to be honest, we must have a very clear understanding of who the ultimate victim of this behavior is, and in the end it is ourselves.

If you use it only once, it may not have such a big effect, but if you use it all the time, it will always show up at some point in the future that it will not be beneficial to you.

What we have been given a convenience will always be something that makes it more difficult for us later on.

Because after we get used to this kind of free stuff, once there is a paid thing, it will be very unsupportive, and this is also the case in China.

Even if our vendor makes a very good similar software, but because of the charge for this thing, we may choose not to know about this thing at all.

Once this thing is hit, I mean piracy crackdown, in the end we have no way to use it, we still are not familiar with the choice to use our own, it will take a long time to get acquainted, then this time will definitely be very delayed work.

If you say, continue to use them, it may cost a lot of money.

And there is another point, because of this situation, our side is likely to have no way to make its own manufacturers rise, and may be pressed by the other party all the time.

So in any case, I think it's us who suffers, and the saying that we always have to pay it back when we come out to mix has always existed.

But I don't actually want to talk about it, I actually just want to talk about the issue of special effects, and then go back and continue to talk about this issue of literary films and science and technology.

Our literary films are mainly because of our thoughts, plus some of our personal experiences, in fact, the literary films made are very, very good, and we will also combine some international styles.

So that other countries will be able to accept our style and accept our film.

Our teacher once told us about a movie that was not released in China.

But in one country, it had a very big reaction, and I forgot the name of the movie, but I had written it down in a notepad, and I should have opened it to see it.

It has generated a very large box office in other countries, but this is also an irony, because sometimes it is difficult to identify the level of value of this kind of film, since you don't know the value of this thing, it means that in fact, many movie theaters may not want to buy this thing.

It may seem a bit sad, but according to our teacher, it is still more in line with the market value.

No one wants to take a risk, or rather, no one wants to take a high risk, especially accepting something that doesn't seem like it's going to make them money.

But the teacher played us a concentrated clip, which was some of the more famous stars, and when they were young, in today's words, Xiao Xianrou.

I didn't feel that these stars were so tender before, but after watching this movie, it simply made me feel excited.

This legendary collagen still has a very big effect, this is a person's young capital, which is the same for both boys and girls.

In fact, after watching a clip of this movie, the whole person has an urge to see him all, and I don't know why some movie theaters at that time were reluctant to release this thing, but I think this selling point is actually quite high.

Although it is not a pure commercial film, it is also a very, very top literary film, and in my heart I think the standard of literary films has a small standard.

This criterion is to be touching without embarrassing, and I think it's that simple, and there's nothing too complicated.

If it makes people feel very embarrassed, this embarrassment comes from the lack of clarity of logic, and if such a situation occurs, then he is not a qualified literary film.

Because literary films are originally based on normal situations, or even have a prototype of things.

This literary film is not embarrassing at all, there is always a feeling as if such a place has really appeared, and such a story has really appeared.