The interior of the villa has nine curves and eighteen bends, and you can't see the end at a glance.

Honda is now at the entrance of the villa, moving props with other staff.

Judging from the gate at the entrance of the villa, the entire villa seems to be surrounded by a bamboo fence. The buildings are somewhat in disrepair and show signs of dilapidation.

The crew is not going to overnovate the place, but to keep it in its original appearance.

Honda hadn't read the full script, but he probably knew that the Otama Onsen Villa itself as the background was a bit eerie, and the character of "Mrs. Shimada" as the owner of the inn was a gloomy old woman who was different from Mrs. Shimada, and she would be a tricky character, and the murderer of the case was someone else.

After the things were moved, I learned from Honda's consciousness that the crew and actors had not yet arrived, and now only some staff members were stationed at the hotel to do the scene first.

Honda got busy. As an errand boy, you will be called wherever you need to.

The leader of the props team seems to be an acquaintance of his, who brought him into the crew to earn a part-time job.

While Honda was busy coming in and out, I also took a general tour of the inn.

There is only one open-air hot spring, and there are three smaller hot springs. The large hot spring is separated in the middle, and men and women are separated. The small hot springs are located in the hotel suites. There are also Odori bunk rooms in the inn.

I'm a little unaccustomed to such a cluttered hostel. However, after reading the information before, I already knew that this place was not well managed, and it seemed to be expected that it would be such a messy pattern and chaotic positioning.

The Chase Shop became a collective dormitory for the crew, and the three suites and the open-air hot spring were the filming locations.

The director and cameraman run around, choosing the angle of the shot.

Honda buried himself in work and passed by them several times, and he could only find time to say hello. No one cares about this little handyman Honda.

I didn't see yin in the hotel. The ghost doesn't seem to have appeared yet.

After late at night, the whole crew was able to rest. Inside the Chase shop, someone snored so loudly that Honda couldn't sleep. He just rolled over frequently, and finally covered his ears with a pillow, and didn't look ready to go for a walk.

I've been with Honda for so long, and I can probably tell that this person is not the kind of young man who dies. He just came to work in the crew, he had no extra ideas, and he was not ready to do superfluous things, he was a little introverted, and even a little wooden.

It seems that such a person is not the object of the ghost to find.

I feel a headache.

I really can't see anything from the information that Nangong Yao has found. In the past few hours of observation, I have been observing that everyone around me is working, and I can't tell whether it is good or bad.

I thought that in real time, Nantian should be trapped in the mountains at this time, staying with a ghost, and I was a little anxious.

This feeling of not landing is really uncomfortable.

I floated outside the house and looked at the moon in the sky.

It's a full moon.

It's different from the crescent moon I saw.

When I thought about it, Honda's consciousness didn't have anything related to shrines or torii gates.

Is it that Honda doesn't know, or does everyone here not know that there is an abandoned shrine in the mountains?

I flew up to the roof, looked up, looked around, and didn't see the red torii.

Isn't that shrine here?

But the inn I saw was here, and the hot spring pool looked like the big hot spring.

I looked at it all night with my eyes open, but I couldn't find what I was looking for.

By dawn, everyone in the crew got up. Washing and eating, they all solve it by themselves. The hostel is no longer open. The daughter-in-law of the Shimada family helped with some work, and the family ate with the director. Honda didn't eat so well, only a few rice balls. After eating, these staff members began to get busy again, setting up the shooting venue and putting some interior decorations. Some of the badly damaged tatami mats, paper doors, and windows were replaced. Some corners are wiped clean, others are covered with cobwebs.

I was a little dazzled.

Honda, a temporary worker, is also studying, and most of the time he is working as a porter, and the technical work is not his turn. But he has a heart to learn, and often asks some crew members for advice, and gets a word or two of guidance or simple explanations.

It's the end of another day, and it's been a day that I didn't get anything out of it.

It wasn't until the fourth day that the crew was stationed here that the scene was set up and the actors came.

The male and female lead Kazuma Furukawa and Mitsuki Sakai both arrived and greeted the director and Mrs. Shimada. The supporting roles are basically all there.

I heard people mention the southern heavens. Nantian hasn't arrived yet.

When the crew talks about Nantian, they all say that they are foreign idol stars, stars stuffed in by the producer, and so on. Nantian is not very popular here. Most people don't know him and don't think highly of him.

Filming began as soon as the male and female lead actors arrived. The director had filmed a little bit of the content of the scene before, and now he has officially started filming the plot.

Honda couldn't squeeze into the filming set, and after the official start of filming, he was idle. When the filming is over, he will be called to move things when he encounters changing scenes and rearranging scenes. Other times, he became a handyman, and the job of cooking for the staff fell on him several times.

On the seventh day of arriving here, while Honda was washing vegetables in the big kitchen, the staff with him went out temporarily.

This is the first time Honda has placed an order.

In the past, even when I went to the toilet, there were people queuing outside.

My nerves, which had been loose, tensed all at once.

If something happens, it's time for this, right?

But now there is no yin around him, and there is a bright and blazing sun outside.

Honda patiently washes the vegetables.

The tap water was icy cold, and some hands were frozen.

He poured the cleaned vegetables into the basin next to him and drained the water.

The chopping work was originally done by the chef of the crew.

Honda shouted twice outside, but no one responded. He went out and looked, and there was no one in the hallway. In the distance, you can hear a little human voice, as if someone is chatting next door.

Honda went to the next room and saw a few staff members resting, but the chef was nowhere to be seen.

"Let's go to the bathroom." One person said.

"Come and rest, too. Just wash the dishes, other things are not our job. ”

"It's okay to wash the vegetables, but it's too difficult to cut the vegetables."

"Haha! That cucumber you cut yesterday is so thick. ”

A few people laughed.

Honda couldn't get his mouth shut, made an excuse, and went out.

He walked to the filming site, wanting to see the shooting.

is now filming the scenes of the male and female protagonists, filmed in a suite. The suite was not big, a bunch of cameras were crowded inside, three floors inside and three floors outside, and Honda stood on tiptoe and could only see people's heads.

He stepped back and went back the way he came.

Occasionally, when he could meet someone, he would bow his head and say hello.

As he passed by a room, Honda heard movement coming from inside the room.

It was supposed to be the room where the Shimada family lived.

Honda paused and casually turned his head.

There was a hole in the paper door, and from the hole, a flash of white disappeared.

Honda's footsteps came to a complete halt.

He stared at the hole.

A few seconds later, just as he was about to turn his head, a bright green vertical pupil appeared in the hole.

"Ahh

My brain was racing, and I immediately thought of those vertical pupils, and my body passed through the paper door and into the room.

The window of the room was open, and a splash of white jumped out of the window.

I chased after me, only to hear the sound of the door opening behind me.

Outside the window is the woods, there is no fence, there is no road, and there is no end in sight.

Behind it is the voice of Honda and the son of the Shimada family talking.

"Maybe a wild cat came in. There are a lot of wild cats in this mountain. Really, the windows aren't closed. ”

Honda stopped, and I couldn't go any further, into the mountains.

The son of the Shimada family stepped forward and closed the window.

I turned my head and saw Honda's pale face. He was looking down at the paper door.

The hole is high at the Honda shoulder position.

The room was empty, the beds had been put away, the suitcases were placed against the walls, and there were paintings on the walls of the room. The only furniture is a few chairs and a small table, also placed against the wall.

A question ran into Honda's mind.

The cat...... Will it float?

Otherwise, how could he see the cat's eyes in that position?

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