In the face of the strangeness that swelled like dough, the base of the turret lasted less than a minute before it was completely engulfed, and the impact and light from the various shelling attempts to tear the strangeness from the inside, but by the time it reached the outermost layer, it was already the end of the canopy. An endless stream of female corpses climbed onto the massive aggregate to become its new surface, and the wriggling pieces of flesh sat on their stomachs like the strange creatures of the occult, "slimes", ruminating on the spot.

Takakawa remained at the core of the pedestal, and the sturdy special material outer wall was still resisting the erosion of the female corpse, but by this time, this erosion had taken on a distinctly similar characteristic to Saya. If there is some kind of fundamental connection between the female corpse and Saya, then it is really not surprising, on the contrary, this is a reasonable explanation. Takakawa knows very well that he was sniped on the Super Titanic not for no reason, and almost everyone with a little knowledge, after naming this big ship, never thought that it would return intact - the ship sank, and the personnel died in battle, these results are normal, or in other words, only when the authorities are so developed, is "everything according to plan".

The Super Titanic was attacked shortly after it set sail, and although the enemy's quick attack was a bit unreasonable, it was also expected. As far as Takakawa knew, none of the passengers and crew on this ship were unrelated, and as long as it was expected, it was impossible to be caught off guard in any case. Compared with his own side, the enemy's side has obviously done a lot of intelligence work.

Takakawa felt that attacking his female corpse was a deliberately designed strangeness - its birth may not have been controlled by people, but it must be the enemy's conspiracy to appear here. Its ability, the way it appears. and the subsequent battle, at the time of the attack, it was impossible to deeply understand the deliberateness, but afterwards it can make people clearly realize that these are not accidental, but inevitable.

Whether it's a prosthetic body, or a brain or a hard body. Quick sweep and chain judgment, weapons loaded with S organs, and even consciousness walking, and even Takakawa's own psychology, thinking, and behavior are all clearly targeted.

But if all of this is the work of visible enemies, such as Shinrikyo doomsday and mysterious organizations such as the Nazis, this is not necessarily the case. Takakawa can feel it. There is a hidden will that will make these enemies inevitably produce these thoughts and actions. It seems that everything comes from the thoughts and actions of the self, the result of the implementation of inspiration, experience and analysis, however, there must be something that prompts them to be inspired in this direction, to derive experience, to analyze the results. And push them to think so. The mastermind behind this is naturally the culprit of the apocalypse.

That's the "virus".

Put it this way. It seems that the whole apocalyptic fantasy realm is a bit conspiratorial, and a little humanized the "virus", but what happened to him is the result of the "virus", which Gao Chuan has no doubt at all. But at the same time, it is not that he is being deliberately targeted by the "virus". Although Takakawa from the mouths of many. You can hear the conclusion that "Gao Chuan is special", but his self-perception is still a member of the "doomsday syndrome patient", and he comes out of this identity. None of the analyses he did could convince him that he was special.

I may play a unique role in the "script", but it does not mean that other people are just public characters, everyone who appears in front of them has some kind of uniqueness in the "script", and their own uniqueness is not so prominent in the uniqueness of each role. Because each character is unique, and conversely, that is, each character is not so unique in fact - therefore, in all the actions of the "virus", and the effects of each of its actions, the "doomsday syndrome" is actually equal.

People with doomsday syndrome are equal, and their identities may be some kind of powerful system center, maybe they are characters with a special historical mission, maybe they are mysterious experts in the apocalyptic vision, they may be regarded as believers in Doomsday Shinrikyo and the Nazis, maybe they are just mortals with little power, maybe they are not human, they are something else, and they are presented to people in the image of strange and physical beings. However, despite these identities, the essence is still "patient".

Because it is a "patient", there is such a change.

Because he is a "patient", he is suffering and suffering.

Because he is a "patient", what he sees and feels is the end of the world, and this end is a hint that he is dying in the disease.

In the face of the "virus", the "patient" is equal, eroded by it, penetrated by it through physiological, psychological and personality, watched by it, targeted by it, and distorted by it.

That's why there is a feeling that "no matter what you do, you're just going to make the end go further". Because, it seems that he has done something, but in fact, he has not actually reversed the result of the "disease", and has not changed the fact that he is a "patient". The doomsday illusion is too large and complex, and the split personalities of the doomsday syndrome people construct the world with their own spirits, moving in this world and influencing each other, but because of this, they have forgotten and have difficulty accessing the world outside the doomsday illusion. For them, this is the most real world, because they are alive and active here, and they can't survive, they can't move, they can't influence, they can't influence anything other than here, because—

Their original bodies have long since turned into an extremely stable "LCL" liquid that is difficult to be affected by their own consciousness, and in a sense, they have little left except for their own split personality and spirit.

Such a cruel fate makes it difficult for them to recognize the essence of "being a patient".

Yes, if the "virus" exists, and if the "hospital reality" is the "reality" that everyone lived in before they became patients with doomsday syndrome, then this conclusion can explain a lot of incredible. By grasping the identity of "patient", you can find the essential context behind the various strange phenomena in the apocalyptic fantasy, and then you will not get lost in the bizarre and mysterious events.

However, not being lost does not mean that you can overcome.

A person with a terminal illness must overcome the terminal illness physically and psychologically. How difficult is it? As long as you are willing to think about it, everyone can give their own answer - if it is not difficult, it will not be called a "terminal disease".

If a "doomsday syndrome patient" can overcome the lesions brought about by the "virus", then he or she is here and now. It shouldn't be in this world.

On the other hand, since the end of the world is still coming like a rolling wheel, with the appearance of an irresistible era, it means that everyone here, everything, every weirdness and mystery, and everything that is not human is under the erosion and control of the "virus".

Perhaps the mystery is changeable. Maybe weirdness is unimaginable, maybe it's that humans and non-humans have different ideas, concepts, and ways of being in this apocalyptic fantasy that are so bizarre and dazzling that one feels exhausted enough just to deal with them. However, Takakawa never got lost in it. He participates in every mysterious event that appears around him, from which he explores the development of the disease and the existence of the "virus".

Whenever I am in a desperate situation, I feel a kind of pertinence in the dark. The more he felt the impact of the "lesion", and the more he loved to feel it. The "virus" is here.

When it looks at it itself, it looks at it too. It is hidden in every breath of air in this world, in every detail of thought, in every way of acting, in the doomsday, the weirdness and the mystery. Although it is described as "hidden", it does not deliberately hide itself. It exists in such a way that no one, including ourselves, can see it, precisely because it is everywhere - just as we look at the air and say that it is "transparent". Obviously, I breathe air all the time, and I take it for granted.

Unlike the young Takakawa's thoughts, and unlike Dorothy's ideas and colors, even if it exists as an "intermediate product of the plan", it is destined to become a transitional product of "Super Takakawa" from the birth, and the prosthetic Takakawa also has his own thinking, his own insight and cognition.

Takakawa calmly watched all this, thinking about what he could see and understand, and although he had his own cognition, he decided to assist Dorothy and Tie Sei to verify their ideas, which had nothing to do with his origins, just that he was such a person.

He does not deny the young Gao Chuan, nor does he deny Dorothy and the color, and at the same time, he does not deny himself, and there is no stubborn denial of these ideas and cognitive contradictions. Because of this, he doesn't think that he is wrong, but he also does not think that others are wrong because he is not wrong - in this respect, he feels that he and the young Takakawa are actually very similar, no, it should not be similar, but because they are the same person in the first place.

If you can, of course, you can carry out your own plan, just like the young Takakawa is doing. But what if you're just doing your own thing, what about Dorothy and the color tie? They also have their own ideas and are desperate to change everything and have made great efforts. Takakawa couldn't do it, just to prove that he was right, and to ignore the possibility that they might also be right. He also felt that the young Takakawa must have thought the same way, because he was assisting Dorothy and tying colors, so he could do his own thing with confidence and willfulness.

Takakawa, who is faithful to his sensibility, and Takakawa, who is willing to give his own rationally for the sake of others, are all Takakawa. When the two Takagawas are added together, it is the complete Takagawa.

Gao Chuan thought so, calmly, deeply, with nostalgia, full of longing, with a heart that could not be given up. Even if it has fallen into the belly of the female corpse, even if the female corpse is approaching and eroding the high-strength base material step by step, even through the monitor, through their own feelings, they can see and sense how the female corpse melts the outer wall little by little, turns it into soft flesh and blood, and gives birth to a new female body, they stretch out their hands and feet, and in the process of squeezing each other, they break into the core little by little - although the core part slows down the erosion, but it cannot stop the erosion.

I was trapped and couldn't resist, and everything I could do so far was targeted. Sooner or later, the core will be breached, and he will soon fall into these female corpses. It's unimaginable but it must be a cruel end, and it's so suffocating and frightening to approach yourself little by little.

Even so, Gao Chuan only felt the fresh and boiling emotions in his heart, while thinking silently.

Thinking seems to be the only thing he can do right now.

So, with a rational calm, he immersed himself in this only thing that could be done.

Then, he saw that he was glowing. Although I don't look at it in a mirror, I can see my body, hands and feet, and every piece of skin and hair is real, forming a conscious image called Prosthetic Takakawa. However, when he saw that he was glowing, these real image features that clearly marked the "prosthetic body Takakawa" were gradually disappearing.

It's as if in heat and light, the wax figures are melting.

Gao Chuan didn't feel panicked, and he didn't do anything, he didn't feel that he needed to do anything, because, maybe this was a phenomenon caused by his own thinking-although it was a little strange and strange, but, compared to no change, it was probably a good change to just erode the female corpse so naturally.

Before the core was broken through by the female corpse, he completely lost his identity. If the distortion of the female corpse can still be called its own characteristics, then Gao Chuan feels that his image at this time is a "human form" in the true sense of the word—no gender, no characteristics, no personality that makes him unique, but it carries the elements of any humanoid thing.

The female corpse's hand burrowed through the side wall of the core, and the material around that hand turned into soft, living flesh. And then more hands came in from the flesh. Pieces of flesh and blood, like mold, appeared on the side wall, and then on the top of the head and under the feet, there were also many hands stretched out, groping, and grabbing Takakawa.

A plump body, naked and full of mature charm, surged through the flesh and blood, clinging to each other.

The humanoid Takagawa disappeared into the frantic embrace of the female bodies. (To be continued.) )