I saw the white swan said with a serious face, Wang Da Rich, whether you believe it or not, I am not an ordinary ordinary person, I am also the daughter of a big family in the city, just to escape

Avoid an unsatisfactory marriage before running here, so you can't do it hastily to marry me, although you don't have to be too public, noisy and stormy, but you also have to choose a good day and auspicious day,

If you dare to come to me nonsense before this, believe it or not, I will immediately die in front of you, and accompany your wife to be a companion.

When the rich man heard the white swan mention his dead wife, the white hair and sweat broke out all over his body, and where was he still interested in flirting, he even claimed that he would do it, but he was secretly glad in his heart

, Such a young and beautiful girl married into the door without letting outsiders know, this is great, this is the same as the gold house Zangjiao, she will go out to mess around in the future, she will not

Got it, hehe, why is my life so good, and I easily robbed such a wife for nothing, but this woman has been under the same roof with the stone for so many days, is it really just

Nothing happened, the ghost believed it, unless the stone was a waste, not a man, but how could a man let go of such a beautiful woman.

The more the rich man thought about it, the happier he became, the more confused he became, and he really wanted to open this mysterious mystery as soon as possible, but he understood that this twisted melon was not sweet, and he couldn't eat hot tofu in a hurry, so he waited patiently

Let's just watch her, don't let her run away, sooner or later she will not be under her control, thinking of this, the rich man pounced on him, and Meile made a sound.

The white swan had no intention of escaping, because she knew that if she ran away, the rich man would definitely find trouble with the stone, and if she wanted to live a good life with the stone, she had to solve it fundamentally

A rich man, so the white swan quietly thought about the strategy of dealing with the rich man, and at this moment an ancient painting on the wall deeply attracted her, only to see six big characters written on it

。

The white swan saw a personable young man standing on the shore in the painting, his expression was stagnant, and a pair of autumn water looked at Luo Shen on the waves in the distance, infatuated and yearning. With a high bun,

The clothes and belts that were lifted by the wind gave Luo Shen on the water waves a sense of fluttering from the heavenly realm. She wanted to go and stay, and between her expectations, she revealed admiration. After the first sight, the whole painting

In the volume, the painter arranges for Luo Shen to meet with the young man again and again, and after a long time, the lingering Luo Shen finally drove the six dragons and cloud chariots and gradually disappeared in the clouds, leaving this inexhaustible year

The young man was on the shore, thinking about it all day long, and finally he couldn't bear to leave. Among them, I can't cry and laugh, and the affection that I want to stop before is the most moving. Seeing this, the white swan couldn't help it

Tears were shed, and she felt in the dark, which was exactly the fate of her and the stone.

In the lower left corner of the ancient painting, there is a piece of cardboard engraved with dense small characters, and the white swan looks at it carefully, only to see that it reads, Gu Kaizhi, the word Changkang, and the small character tiger head. It was the Eastern Jin Dynasty

He is a painter of the generation, especially good at figure painting. In about 364, he painted a statue of Vimala for the sarcophagus temple in Nanjing, which caused a sensation. In 366, he joined the army as the Great Sima, and in 392, he joined the army as Yin Zhongkan, 405

He was promoted to a free-rider attendant. Gu Kaizhi is versatile, poetic, good at calligraphy, and is known as "talent, painting, and obsession" by the people of the time, and his painting style is unique, known as "Gu Jiaxiang", a character

Thin and handsome, the so-called "show bones and clear image", smooth lines, called "spring silkworm spinning". He is the author of three painting theory books: "Painting Theory", "Wei Jin Shengliu Painting Praise" and "Painting Yuntai Mountain".

He put forward the theory of "writing God in form" and "all in Adu". Gu Kaizhi studied painting under the Wei Association, the best at drawing characters, and Xie An, a famous scholar in the Eastern Jin Dynasty, thought that Gu Kaizhi was a person

The painting is unprecedented. Later generations commented on his paintings: the intention is to save the pen first, the painting is full of intentions, the handwriting is thorough, tight and continuous; Its brushwork is like spring silkworm spinning, light and smooth, strong and refreshing, called

"Iron Line Drawing"; The modeling layout is complete, the thinking is subtle, and the spirit is unpredictable. and the Southern Dynasty Song Lu Tanwei, Liang Zhang Seng Xuan, and called the "Three Masters of the Six Dynasties". And "like the beauty of people."

, Zhang has its flesh, Lu has its bones, takes care of its spirit, there is no way to do it, and Gu is the most". Together with Lu Tanwei, it is called "Gu Lu", which is called the "dense body" school of painting, in order to distinguish it from the Liang Zhang monk of the Southern Dynasty

, Tang Wu Daozi's "sparse" school. The paintings include famous works such as "Autumn River Clear Peak", "Lushan Mountain", "Xueji Looking at the Five Old Peaks", among which "Xueji Looking at the Five Old Peaks" is admired

It is a pioneering work for landscape painting.

Looking down again, there is also a brief introduction: Gu Kaizhi's "Luo Shen Futu" is said to be a long scroll drawn in the form of continuous pictures based on Cao Zhi's literary work of the same name. The scroll appears through repetition

The image of Cao Zhi and Concubine Mi (Luo Shen) depicts the emotional dynamics between them, vividly expressing Cao Zhi's love for Luo Shen and his melancholy feeling that he cannot get his wish because of the "way of man and god".

。 The expression of love with "beauty vanilla" to show the author's political pursuit is the tradition of Chinese literary and artistic creation since Qu Yuan's "Lisao", and Cao Zhi's "Luo Shen Fu" is political

The transmission of emotions after the defeat of the struggle. "Luo Shen Futu" draws the beautiful figure of Luo Shen Ling Bo with micro steps, revealing her ambivalence of "going back and returning", and painting strange beasts has a strong intensity

Mythological atmosphere and romanticism.

Only then did the white swan understand that the person on the painting was the third son born to Cao Cao and Empress Wu Xuanbian, a famous writer of Cao Wei during the Three Kingdoms period, and a representative of Jian'an literature, Cao Zhi, its

His representative works include "Luo Shen Fu", "White Horse Chapter", "Seven Mourning Poems" and so on. Later generations called him, Cao Cao, and Cao Pi together as the "Three Caos" because of his literary attainments. His poems are strong and powerful

Cao Zhi's prose also has the characteristics of "love and elegance, body and literary quality", coupled with the richness and diversity of its varieties, so that he is

Remarkable achievements have also been made in this regard. Xie Lingyun, a writer in the Southern Song Dynasty, has the evaluation that "there is only one stone in the world, and Cao Zijian monopolizes eight buckets". Zhong Rong, the author of "Poems", also praised Cao Zhi"

The backbone is extremely high, the words are colorful, the feelings are both elegant and resentful, the body is literary, overflowing with the present and the ancient, and outstanding. Wang Shizhen tasted the poets who can be called "immortal talents" in the two thousand years since the Han and Wei dynasties, Cao Zhi,

Li Bai and Su Shi are three-person ears. Cao Zhi was very intelligent since he was a child, and when he was only in his early teens, he was able to recite the Book of Songs, the Analects, and the pre-Qin and Han Dynasty dictionaries, and he was also widely involved in the hundreds of schools of thought. He thinks quickly, talks sharply, and often responds to questions when he meets Cao Cao, blurting out a chapter. Cao Cao once read the article written by Cao Zhi and asked him in surprise: "You asked someone to write it for you?"

...