Night, Mid-Levels Villa.

Guan Zhilin only wore a nightdress and leaned on Kang Jianfei's arms, yawning and accompanying Kang Jianfei to read the script Xu Ke brought.

At present, Xu Ke only wrote the script of the first part of the "Shushan" trilogy, and it took Kang Jianfei four hours to read the script carefully, and then fell on the bedside table and scolded: "What a bullshit script!" ”

Guan Zhilin, who was about to fall asleep, was awakened and asked, "Is the script bad?" ”

"It's not terrible, it's just terrible." Kang Jianfei said with emotion.

Guan Zhilin said with a smile: "The script is too bad, so I won't invest in him." ”

Kang Jianfei shook his head and said: "Investment can be given, but the script must be rewritten." ”

"What are you doing? 150 million is a lot of money. Guan Zhilin thought to herself how good it would be to give me so much money, but she wanted to make a movie for that Xu Ke.

In fact, Xu Ke's script is not as bad as Kang Jianfei said, but when Xu Ke wrote the script, his mind was full of special effects and those famous mountains and rivers. In order to maximize the performance of the scenes, special effects and beautiful scenery, he ignored the rhythm of the plot, so Kang Jianfei felt that the plot was pale and weak.

In Kang Jianfei's view, in a good movie, special effects and everything are in the service of the plot, rather than adding the plot to the special effects scene.

Moreover, the starting point of Xu Ke's first story is about 500 years ago, and looking at the suspense he left at the end, it seems that the second part is written about Li Yingqiong 500 years later, such a plot design is extremely unpleasant.

Kang Jianfei only knew a little about the story of "The Legend of the Swordsman of Shushan", and it was not appropriate for him to change the script, so he planned to leave it to the DreamWorks screenwriting team to create collectively. As for Xu Ke, let's be an honest director, all the movies written by this guy are a little weird.

As for the direction of the whole story, Kang Jianfei decided to draw on the "Lord of the Rings" trilogy. It's not that the specific plot imitates "The Lord of the Rings". Rather, it is about the structure of the bridge, the presupposition of the conflict, the outbreak of the climax, etc., using the successful use of commercial elements in "The Lord of the Rings" as a reference.

All kinds of plots and character relationships were created by the screenwriters of DreamWorks, and Kang Jianfei came to straighten out the plot and add details, and then co-created the director's script with Xu Ke.

Only after getting the director's script out, Kang Jianfei dared to let Xu Ke direct, after all, the total investment of 150 million is not a joke.

"Okay, don't think about the script," Guan Zhilin turned over and lay on Kang Jianfei's body, her half-exposed breasts squeezed into two meatloaf, and pouted. "Dear to my family."

"Leprechaun!" Kang Jianfei laughed and scolded, and began to taste the tempting and sweet little mouth, and his big hand also grabbed Guan Zhilin's buttocks and ravaged it. Through a thin layer of fabric, the delicate buttocks are still smooth and soft, which makes Kang Jianfei love to play with it.

After a few minutes of wet kissing. Guan Zhilin's pretty face was red, and there was still a lot of saliva on her lips. I don't know who left it.

Kang Jianfei gently patted her on the shoulder. Guan Zhilin immediately understood, shrunk down and knelt between Kang Jian's flying legs, buried her head in her mouth and sucked obediently on the huge thing.

Kang Jianfei reached out and stroked the hair on the top of Guan Zhilin's head, and praised: "Awesome, Jiahui, your little mouth is getting more and more powerful." ”

Guan Zhilin raised her head with a blushing face and said flatteringly: "It's Fei Ge who is well adjusted/trained." ”

Kang Jianfei was full of pride. This sentence was taught by Guan Zhilin before, but he didn't expect Guan Meiren to remember it. Able to tune a big beauty. Teaching so obediently is really a sense of accomplishment, and it would be better if Guan Zhilin could be less jealous.

For several days in a row. Guan Zhilin was like a hen guarding her cubs, occupying Kang Jianfei tightly, making Kang a little depressed while making him happy.

Fortunately, Lin Qingxia, Zhao Yazhi, Lin Fengjiao, Pan Yingzi and other women are all mature women, and there has been no vinegar sea war under empathy, but they are quite dissatisfied with him on the phone.

Guan Zhilin lay on the bed like a puppy, highlighting the beautiful and seductive body curves, she glanced back at Kang Jianfei coquettishly, and then put her pretty face on the pillow and waited for the man's conquest.

Kang Jianfei stroked her beautiful buttocks, which were as round as a full moon, for a moment, before she stepped forward according to Guan Meiren's thin waist, and then grabbed Guan Zhilin's hair and galloped like a reins on a horse.

Guan Zhilin was grabbed by her hair, her head was already raised involuntarily, and the slight pain in her scalp was completely covered by the pleasure of her body.

When she flew up to the clouds twice in a row, Guan Zhilin's legs softened, her whole delicate body was attached to the bed, and her brain unconsciously continued to cater to the man's favor.

After a long time, there was only the wheezing sound of men and women in the bedroom, and it took Guan Zhilin a long time to recover, curled up in Kang Jianfei's arms weakly, and said with her eyes slightly closed: "Brother Fei, you almost killed someone." ”

Kang Jianfei stroked her bare back and forth with his big hand, and suddenly patted Guan Zhilin's buttocks hard, and said, "I have a small stomach and a big appetite, and I dare to eat alone every day." ”

Guan Zhilin's silver teeth bit on Kang Jianfei's arm, and said angrily: "I'm going to eat alone, and I get angry when I see you with other women." ”

"See if I don't kill you!" Kang Jian Feihu was mighty, and pressed Guan Zhilin, who had lost her face, under him again.

In just a few minutes, Guan Zhilin begged for mercy: "Brother Fei, I won't eat alone, you can go around me." When she said this, Guan Zhilin was like a sloth, her limbs were wrapped around Kang Jianfei's body, and she seemed to be ready to be killed by Kang Jianfei.

……

……

Guan Zhilin's career as a follower lasted only five days, and when Kang Jianfei officially started the filming process of "Love Saint", she finally returned to her previous habits - shopping, beauty, playing ball, partying, and occasionally taking on one or two movies.

The box office of "Can't Stop Love" has exceeded 6 million, and the attendance rate has not dropped significantly, and there should be no problem with the final box office exceeding 10 million.

As for "Fatal Express" cooperated by DreamWorks and Golden Harvest, it has successfully landed in Taiwan and Japan, and with the box office appeal of Kang Jianfei, Cheng Long and Lin Qingxia, it quickly set off a box office frenzy in both places.

Entering March, the 3rd Hong Kong Film Awards is about to be held, and on the other side of the ocean, "The Terminator" is still writing its legend.

The sci-fi film, which cost only $8 million to shoot, was initially expected by the industry to grossing 30 million. But the performance of "Terminator" surprised many people, and after the box office reached 30 million, its upward momentum is still unstoppable.

Although the transmission of information from all parts of the world was slow at this time, when "The Terminator" was released a month later, the Hong Kong media finally began to report the news of its popularity in the United States.

"Ambitious Hong Kong filmmakers will try to enter Hollywood, and both Shaw Brothers and Golden Harvest have tried. The difference is that Shaw Brothers' attempt to enter Hollywood ended in failure, while Golden Harvest successfully launched Bruce Lee, and a few years ago hit the top 10 of the North American box office list with a "Cannonball Speed".

After DreamWorks gained a firm foothold in Asia, Kang Jianfei also set its sights on the European and American markets. The two "Royal Sisters" were a test of the waters, and then Kang Jianfei's "Home Alone" himself was a great success in Europe and North America. Now the production company of "Terminator" is called Oriental Film Company, this company knows that it is owned by Kang Jianfei at a glance at the name, and its entrepreneurial work has won nearly $40 million at the box office in less than a month after its release, which shows that Mr. Kang's investment vision is accurate......"

The South China Morning Post, an English-language newspaper, also praised Kang Jianfei for a rare time, and it seems that the author of this article has a lot of respect for Kang's business vision.

However, compared with the release of "Terminator" in North America, the Hong Kong media paid more attention to Anita Mui's new record "Bad Girl".

After more than half a month of publicity, "Bad Girls" sold 20,000 copies as soon as it was released, and the record sales reached 70,000 copies in the first week. In other words, "Bad Girl" sells tens of thousands of sales every day in Hong Kong, which is simply a demonic existence in the Hong Kong music scene.

In fact, this is not outrageous, in another time and space, "Bad Girls" is an eight-platinum album, and the cumulative sales in Hong Kong are as high as more than 700,000 copies.

At this time, the Japanese idol female stars are all gentle, cute and demure as the mainstream, not to mention the relatively conservative Hong Kong.

But when Anita Mui's "Bad Girl" became popular, young girls in Hong Kong cut their short hair one by one, and their dresses became colorful and full of personality, and Anita Mui seemed to have become the idol of young people in Hong Kong.

At the same time as the record was a big hit, public opinion began to criticize Anita Mui's outrageousness, and some media even clamored to ban the record "Bad Girl", which was especially supported by many parents.

Don't think that if the press is free in Hong Kong, you can do whatever you want.

Ten years ago, Hong Kong comics advocated erotic/erotic violence, and after being criticized by public opinion, the Hong Kong government introduced a policy that caused many Hong Kong comic publications to suspend publication. Huang Yulang and Shangguan Xiaobao launched a comic cleaning campaign and took the initiative to reduce violent plots to survive the difficult period.

In the first two years, Century Pictures' "Youth on Fire" did well at the box office, but it was banned halfway because of "bad consciousness and bold performance", because it was criticized by public opinion for teaching bad friends.

After the media began to criticize Anita Mui's "Bad Girl", Deng Yimin, a popular record, was very frightened, and hurriedly began to organize public relations and invited other newspapers to say good things for Anita Mui.

Until the Academy Awards, the media in Hong Kong were still arguing about whether "Bad Girls" should be banned or not. What's funny is that in the midst of the media controversy, the sales of "Bad Girls" exploded again, and these media outlets helped Popular Records make a free advertisement.

When the sales of "Bad Girl" reached 130,000 in half a month, the trend of the Hong Kong media finally began to change, and it was more lamenting that "Bad Girl" broke another record for Hong Kong records. (To be continued......)