You Chu Xian is unparalleled in literary talent, and you also use thousands of paintings to match the pictures on the immortal classics, it is indeed original, it is indeed amazing, no one can compare to you, since you are so powerful, go and accompany this group of old painters who only admit death, stubborn and stubborn to repair the picture of the hundred immortals, when the time comes, you will cry.

Sure enough, when Xiao Yu proposed to make Chu Xian an alternate for the First Auxiliary Pavilion, Yang Zhenqing actually agreed, but there was a premise, that is, the Hundred Immortal Diagram had to be repaired first, in Yang Zhenqing's words, this is a very important matter, and it should not be distracted, and when Chu Xian's repair is completed, he can directly enter the ranks of the alternate officials of the First Auxiliary Pavilion.

Xiao Yu couldn't do anything.

For these old painting saints, he is also very clear, that is oil and salt do not enter, obsessed with painting, it is simply unbelievable, and it is the kind of master who exerts a little pressure, just like you are looking for death and life, no one dares to provoke on weekdays, you have to hide when you encounter it on the road, you can't afford to provoke, who would have thought that this time Yang Zhenqing would think of such a bad move.

Thinking of the annoyance, Xiao Yu couldn't help but burst into a foul mouth in his heart.

Yang Zhenqing's move is too damaging.

After getting off the court meeting, Chu Xian was pulled by a few painting saints who were already anxious, and went straight to the imperial city. In all fairness, if it weren't for this juncture, Chu Xian would have been unable to ask for the opportunity to repair the treasure map of the Hundred Immortals, to know that this immortal map is not something that anyone can see if they want to, let alone look at it up close, and they can also have the opportunity to repair it.

For those who study painting, this is the highest honor and dream.

When Chu Xian first learned to paint, he naturally had this kind of dream, who would have thought that one day, he would have the opportunity to see the Hundred Immortals with his own eyes. Speaking of which, Chu Xian is still a little excited now, the Hundred Immortals is the pinnacle of painting, everyone who learns to paint knows it, Chu Xian has admired it for a long time, although this time it was calculated by Yang Zhenqing and others, but Chu Xian was not annoyed, just like the previous compilation of the Immortal Classics, Chu Xian was actually happy to do so, because Chu Xian really liked and worked hard, so that he could compile the "Immortal Classics" in a short time.

This time is the same, as a person who learns painting, Chu Xian's pursuit of painting is also extremely high, especially in the past six months, he has practiced his painting skills hard, and he has been promoted to the realm of phantom gods.

Because he likes it very much, that's why he looks forward to it.

I'm afraid that neither Yang Zhenqing, Xiao Yu, or even Cui Huanzhi will think of this. What kind of idea did Yang Zhenqing play, Chu Xian also figured it out along the way, the other party knew that he might become a candidate for the first auxiliary pavilion and become the help of Xiao Yu's middle book, so he tried his best, and if he wanted to use these painting saints to drag himself, it was best to drag it out for a year or two, and wait for their upper game to see.

But Chu Xian wanted to say, Master Yang, you are wrong.

Since you can use these painting saints, then you can do the same, as long as you find out their temperament, this matter is not difficult. Even Chu Xian could immediately ask a few painting saints to dispel the idea of repairing the Hundred Immortal Diagram, so that he could get out immediately.

But Chu Xian felt that it would be a pity.

At least you have to go and see the Hundred Immortals Diagram first, even if it can't be repaired, it's not too late to talk about it then.

The Hundred Immortals belong to the treasure of the Holy Dynasty, and have been treasured in the imperial city, the imperial city of Jingzhou is the residence of the royal family, and from the outside, it can be described as magnificent, extremely luxurious, but in Chu Xian's view, this imperial city is a prison, trapped in the royal family, and the children and grandchildren cannot go out.

I don't know if it's lucky or unlucky.

There are many small Qiankun realms in the imperial city, so it is actually even more huge, under normal circumstances, even immortal officials are not allowed to set foot in the imperial city at will, but those painting saints are exceptions.

They have to take care of the many treasures that have been handed down from the Holy Dynasty for more than 5,000 years, so they can enter and exit at will, and at this moment, they pull Chu Xian and go directly through the west gate of the imperial city and enter it.

In the imperial city, the forbidden army patrols, it is very strict, you can see the palace in a forest, like a fairyland, look at each other from a distance, and you can see pavilions and pavilions, rockeries and lakes, and there are more graceful palace maids shuttling among them.

Chu Xian came for the first time, and he was surprised by what he saw, and those painting saints were not surprised, they didn't care at all, but pulled Chu Xian straight to a pavilion.

Outside this pavilion, there are many formations, and there are no less than twenty trapped formations and killing formations, if you are not familiar with this place and know how to enter, if others come, even Dao Immortals will not be able to break in.

"This building is the Treasure Pavilion, which contains 1.8 million treasures, of course, this is not the most, this is only the west building, and the east building, there are 2.4 million treasures over there. A painting saint opened his mouth and said, it was an explanation to Chu Xian, and there was a sense of pride in his words.

This is indeed something that should be proud, the Holy Dynasty has been up and down for 5,000 years, and I don't know how many national treasures have been handed down, and those that can be passed down have been included in the two heirloom treasure pavilions of these things.

Later, Chu Xian knew that several of the hand-me-down works he had compiled before had actually entered the cabinet, and Chu Xian himself was a little embarrassed to mention this, after all, it was indeed an honor for his works to be in the same cabinet with the works of many sages.

The owners of the two heirloom treasure pavilions in the east and west all have official positions, and their official positions are not low, they all have four grades, and even three grades.

However, although the official position is high, the power is not large, and it is only limited to this treasure pavilion, and naturally it is impossible to enter the first auxiliary pavilion.

Yang Zhenqing's side tried his best to lean Chu Xian in this direction, just to get Chu Xian out of the power center, of course, this matter involves the upper game, and Chu Xian can only rely on Xiao Yuzhongshu now.

"Chu Wensheng, although the two pavilions are in the imperial city, people in the royal family generally don't come, and they can't enter at will, but I am still very familiar with the people in the royal family, and on weekdays, I often play chess and drink tea. When Chu Xian asked about the situation of the royal family, the painting saint spoke.

Chu Xian nodded, and did not inquire further about the matter of the royal family.

The affairs of the royal family are taboo in the officialdom of the Holy Dynasty, and if you don't know, try not to know.

In the Treasure Pavilion, there are indeed many heirloom treasures, and each one of them here is a national treasure, and Chu Xian was also in awe when he saw it.

After all, every treasure here has countless stories behind it, and it has been infused with the efforts of countless sages. Chu Xian is extremely in awe of these sages, treasures represent history, history is faith, immortals also have faith, Chu Xian wrote very clearly in the "Immortal Classic", towering trees, no roots.

For the Tiantang Holy Dynasty, the history of more than 5,000 years is the root.

Not only Chu Xian, but also several painting saints who had been talking on the road, when they arrived at this treasure pavilion, they either kept quiet, even if they spoke, they were cautious, for fear of disturbing these treasures.

That's the reverence we should have.

Finally, Chu Xian saw the legendary Hundred Immortals Diagram, which was suspended in a formation, obviously protected in all directions.

The picture is thirty-six feet long, and it is said that it is a hundred immortal figures, but in fact, there are more than 100 immortals on it, and the characters that can be seen are far more than 100.

After all, there are gods, demons, witches, and even ghosts.

To put it simply, it's like a map of the heavens and all worlds.

Among them, the Dao Immortal of the Holy Dynasty is naturally the protagonist.

It is lifelike, and it is also a work of the illusion god, which means that you can directly enter the world in the painting, but in this matter, several painting saints hurriedly shook their heads.

"Although it is a painting of the realm of the illusion god, but this painting is absolutely not allowed to enter, one is afraid of ruining the painting, and the other is also afraid of making a mistake, after all, the content of this is a hundred immortals, fighting with many strong enemies, the murderous spirit in the painting is strong, even the Taoist immortals can not bear it, after the painting was completed, the Holy Ancestor of Taizong strictly forbade anyone to enter this painting, not only there is a strict order, but also a ban on the painting. ”

After a painting saint finished speaking, Chu Xian nodded.

Indeed, the reason why the painting of the illusion god is difficult to paint is mainly because the painting scroll is already lifelike and self-contained, in short, it is like the image of an immortal in the painting, in fact, it has the power of the corresponding immortal.

If you look at it this way, just the three immortal ancestors on this painting are definitely the kind of existence that is impossible to imitate and repair, once these parts are damaged, the world is so big, no one can repair it successfully.

Because no one can paint the Immortal Ancestor in the realm of the Illusory God anymore.

At best, it is a 'spiritual' realm, but how can a spiritual realm be compared to an illusionary realm?

On this painting, in addition to the Immortal Ancestor, there are hundreds of immortals, all of whom are famous figures in the history of the Holy Dynasty.

There are also powerful ones, such as the god emperor.

In the painting, the God Emperor led the gods to fight with the three immortal ancestors, the strength of the God Emperor, five thousand years ago, there were millions of believers, and the strength was definitely the first in the world at that time.

Something simply impossible.

Another example is the Great Sage of the Demon Clan in the painting, the Great Sage of the Monkey Demon Holding an Iron Rod, the momentum on the painting makes people feel the terrifying oppressive force at a glance.

Who can draw it?

"Chu Wensheng, I think you can also see it, this picture of a hundred immortals, all drawn with the brushwork of the phantom god, the painting of the three realms, 'entry', 'smart', 'phantom god', each realm can actually be regarded as a kind of brushwork, to be honest, I don't have the ability to paint this kind of painting with the phantom god, any of the characters on it, if I paint with the method of the phantom god, I am afraid that it will be immediately counterattacked, and even the pen can't go down, so I admire the wonderful pen real person who drew this fairy picture back then. ”

A painter is inspired by feelings, and the worship in his eyes is undoubtedly revealed.

Chu Xian was also amazed at this time, this picture is really worthy of the first in the world, it can be said that any detail can withstand scrutiny, and even every character on it seems to be alive, as if it will jump out of the painting in the next moment.

。 Nine Heavenly God Emperors