The fourth volume is too long, and in my WPS, when I wrote the fourth volume, I crashed many times because of the number of words. Pen Fun Pavilion www.biquge.info (Well, it broke down again when I wrote this testimonial.) ）

The theme of this volume is the Four Gates, that is, the return of the Xuanying Winter God. For her return, it really took a lot of space. There are also a lot of messy threads, many of which will be explained one by one during the fifth volume of the Otherworldly War.

First of all, for the exit of the protagonist, I declare that it has nothing to do with Xun Yi's "strike" a few days ago.

Ji Lingde, Zhao Ying, and Boyang who appear in this volume can be said to be my favorite characters. As for Princess Xi's so-called holy son, can she be born...... Don't forget the female body of the princess of the West, this is a tragedy.

As for the ending of this volume, in fact, I have always felt that this can be seen as a finale of the book. This is also the original idea, which can be interrupted by the quick ending of the book - Xun Yi and Tu Kai died together.

If you play it as a game, if Xun Yi doesn't have enough favorability towards Xu Mei. Then it will not be possible to touch the plot of "Xu Mei sacrifices her life to defend the road". It was Xun Yi who went to block Tukai by himself, and finally died with Tukai, and the game entered a bad ending.

When I first wrote this volume, I actually envisioned many scenarios. For example, if Boyang hadn't saved Xun Yi and Boyang had survived, what kind of world would it be......? With him as the protagonist, at least the Eastern Emperor will not appear, and the new world will not appear, and in the end, everything will be destroyed in the hands of the Demon God of Destruction, right?

Also, what if Boyang didn't wait for Xun Yi and Meng Han after ten years? Regarding this aspect, the relevant settings may be mentioned in "Ying Robbery Sword Cultivation".

For this book, many people complained that it was not a fairy at all. In fact, I was more embarrassed when I posted it in Xianxia, and a lot of things happened. In the end, the mistake is the mistake, and it is left here. This book, in fact, can be regarded as an oriental fantasy. For friends who like classical Xianxia, I recommend the books of several author friends.

Paper Girl, "Reborn in the World of Mythology", starting from Liaozhai, is based on legends and myths, and the ancient style is obvious. Of course, his old book "Pure Yang Avenue" is also very good.

Five hundred, five hundred in the Central Plains, "Qingxuan Dao Master", this is a rare Gu Immortal boutique in this year's Xianxia, and friends who have not seen it can try to read it. Well, it's quite an ancient dragon.

Taishang, Taishang Zhenjun's "Dao Pi Jiuxiao" is a new book that has just begun to be written, and it has the style of "Taihao". However, Tahoe is a decent person, and "Nine Heavens" is a demon person, but both have settings such as immortal and demon killing, and the history of a demonic person's struggle and struggle should not be missed by Tahoe's readers.

In June, the "Feng Xian" of the June Guanzhu, luck, gods and the like, can be said to be the symbol of classical Xianxia. However, there is no Jiang Ziya, there is no Romance of the Gods, everything is a brand new character.

Of course, the last is the battle robe's "Crowning the New Han Dynasty", and the new book by the author of "Daoguo", which is on the historical side. The first time he traveled through the Three Kingdoms, helped Liu Bei reinvigorate the Han Dynasty, and then appeared in the second rebirth after a hundred years in the Overhead Era. Looking at the country that he helped to fight, there is a special flavor. Moreover, there is also the existence of the protagonist hanging and beating the suspected traverser. Personally, I prefer this kind of protagonist to deal with pretending to be a traverser. (To be continued.) )