Testimonials

It's over, and it's really emotional to finish writing this flood of Chongming.

I started writing this book only because I had a dream. The first flood I came into contact with seems to be "Rebirth Mixed Yuan Dao", at that time I saw this type of flood famine, the author was shocked by heaven, and then I understood more before I understood that the ancestor of the flood famine was the "Buddha is the way" of the gods, and then went to observe and appreciate it, but after reading the Buddha book, I found the difference between the two, and the biggest difference is which is Hongjun and Pangu which is the boss, and then the more the contact with the flood famine, the more Chongming understands, there are two modes of the flood flow.

Now the torrent is basically inseparable from these two routines, according to the concept of Buddhism, what impresses me the most seems to be "Qingxu", Hongjun preaches in chaos, and the chaos demon gods are all listening to the sermon in Zixiao Palace, Pangu, Taiyi, Nuwa is also a disciple of Hongjun, after the completion of the chaos tribulation, Pangu opened the sky at the order of Hongjun, the demon emperor is a Taiyi, there is no emperor and a bird, but among Hongjun's many disciples, there is no Taoist mixed yuan, and there is no red cloud on the rotten street to give up his seat, and Nuwa received Zhun Ti before the world opened up the Tao mixed yuan, and Sanqing was a congenital saint after Pangu opened the sky, and he was born as a mixed element, and then the Lich Battle, the early flood was almost like this.

And there are more similar to the concept of mixed yuan dao, and now it is basically this world view, Pangu opened the sky and Hongjun sanctified the preaching, and some books added the battle for hegemony of the three clans and the battle between the Tao and the demon before this time, it seems to be "Hong Huang Xuansong Dao" At the beginning, a Demon Ancestor Rahu was made, and then this character was added to the Honghuang, even the God Emperor of Chongming was no exception, (Chongming is not a research party, if anyone can prove that the first Demon Ancestor Rahu in the Honghuang was not Xuansong Dao, please point it out, Chongming immediately corrected his wrong views) Then it was Zixiao Palace's preaching, followed by Zhun Ti Wai Street, Hongyun gave way, Kunpeng suffered an unwarranted disaster, lost his holy position, hated Hongyun to death, and then it was the Lich Battle, Dijun became Taiyi's eldest brother, and the earth incarnated (I don't know which Honghuang first appeared in this stalk, it seems to be the sentence in the Mixed Yuan Dao"Once the green lotus arrives, the land will not return to the witch" is too influential, so it was adopted by the author of the flood wilderness, if you are mistaken, don't shoot bricks o>_

There are more and more plots of the flood famine, and the characters and deeds are becoming more and more full, and there is less and less room for innovation, and then there are few innovations, which leads to the flood famine basically falling into the verge of death. But then Chongming saw the "Flood Wilderness Yuan Rune", a very innovative flood wilderness, the immortal road and the Shinto dispute are set very well, at least in Chongming's opinion, it is better than many flood wilderness, Chongming also referred to this when writing this book, I don't want to say that those gods in ancient times are demons, but the bookworm told me that his results in this book are very bad, and the results are worse than this book.

The results of the Yuan Fulu are the current situation of the flood famine, because of the template filled in by some authors before, which has led many readers to stereotype the concept of the flood famine, and the innovation is not very popular, and the results are very impressive. It's not innovative, because the plot is familiar, and the early results are slightly better, but because the plot stalk is overwritten, it doesn't take long for readers to feel that there is nothing new, so they don't read it, and then the results hit the street again. Not to mention that the current flood has become a backwater, but it is not much worse.

So Chongming wanted to change a little, which was also the original intention of the creation of this book. However, before writing the book, it is necessary to figure out the biggest problem of Hongjun and Pangu in order to set the tone of the book.

In order to determine this problem, Chongming found a lot of myths, history and legends, but after some understanding of ancient religious myths, folk myths, official myths, and ancient gods and demons myths and worldviews, he found that Hongjun and Pangu, the two great gods of the wilderness, were not in the flow in ancient times.

Hongjun is a character in the Romance of the Gods, and other ancient and mythological history are not involved, and even in the gods, it cannot be said that he is the boss, after all, there is a Haotian faintly pressed on it, Haotian said, Hongjun Laozi and the three of them broke their legs, the doorkeeper of the doorman, and the disciple who protected the disciple.

In the official feudal mythology, the boss of the immortal gods is basically the god of Haotian, and among the gods and demons, except for a very few, the Jade Emperor is the largest. Because Pangu is the deeds of opening the sky recorded in the "Three Five-Year Calendar" of the Three Kingdoms and the Eastern Wu Period, it is a little far away from the Ming and Qing dynasties, so it is often used as a background by the gods and demons, but because the court officials at that time did not recognize Pangu Kaitian, as the creation god Pangu Kaitian died, in the eyes of many people, Pangu's strength is really poor. Therefore, Pangu can only become the vest of some immortals in the background, like Pangu in "The Romance of the Opening" is just a Bodhisattva sitting down by Sakyamuni, and the opening up is only to open up the Nanzhan Continent, and in "The Three Treasures of the Eunuch Western Chronicles", Pangu is just a son of the old mother of Lishan. And in Fengshen and Journey to the West, Pangu really became a soy sauce player, and even the matter of opening the sky was done by Taishang Laojun.

Having said so much, it is not to show off how much he knows about ancient mythology, but to say that Hong Huang, like those ancient gods and demons, is to follow the author's intentions, to frustrate some characters in myths and legends, and then compile a story that belongs to the author.

This is the desolation in Chongming's heart, and it is precisely for this reason that this book ends here, although there are still people who persuade Chongming to continue writing, and he can write about things outside of chaos, such as what can happen if the protagonist goes to the Hengtian Universe.

But Chongming believes that the essence of the flood is the Chinese mythological characters, without Yuan Shi, Lao Tzu, Jieyin, Zhen Yuanzi and them, there will be no taste of the flood to write about other strange worlds, so the book is over.

The new book "Recasting the Universe" has been released, I hope everyone can collect it and see it, and it would be better to vote for some recommendations.