The powerful light wave circled and circled, impacting the strongest magic weapon floating pot space in history, even if there were the blessings of the Martial God - Wind Dominating the World, Sword Demon Dugu Seeking Defeat - Ear Root, Sword Saint - Moon Pass, Chaos Hongmeng Almighty - Lone Hongyan Under the Moon, and Meteor Lord - Chasing Change in it, it still couldn't take a step forward, and could only resist the shock wave of light wave after circle.

Wang Feng, the owner of the floating pot space, saw that there was no inch, his mind was scattered, and Meiyi, who was seriously injured in the ideological world, and Mu Long, who was healing his injuries, received Wang Feng's request.

The demon head in the song world and the free-spirited god and the destroyer who travels all over the world, the music emperor in the musical fantasy world, the god of war in the world of Xiao Luo Shilu - Xi Zhimo, the mad god - the mad moon and the god Ya - Yeli and his wife, the eternal god - the eternal promise of the gods, the treasure god - Mr. Jin, the god of wisdom - kindness and beautiful water, the fairy - like water;

Huawu, Xinwu, Yiwu, Yinwu, Jingwu, the founder of the five five martial arts - Han Shuting Fairy, the sword god - Lan Xue, Zen Buddhism - Weichen Jushi, Tianwaitian - Gusu Three Sages, the master of Douluo Field - Dream Three Shao;

and the two princesses who were in the floating pot space at the beginning, such as the main light of the second princess, the dragon shadow illusion, the tiger big cat, Zhang Fanhu, Yu Xiyan, the heavenly daughter of the Qinglong Palace-Xia Wenxuan, the elf of the moon-light smile and light yarn, etc.

It wasn't until another male deity appeared that the floating pot space passed through the light wave world in one breath. Only then did everyone know that the future was about to face a catastrophe that was ten thousand times more dangerous than the war of the gods.

At this time, everyone didn't know that the Pantheon of the Dao was beginning to shrink, and no one knew the origin of the Pantheon of the Dao and how big it was, and who was dominating the Pantheon? Henggu moved without moving

One of the guardians of the Demon Hero, Luo Guanzhong

Luo Guanzhong (1330-1400), a famous book, was a native of Taiyuan, Shanxi, a native of Huhaisan, and a popular novelist in the late Yuan and early Ming dynasties. He is the author of "Romance of the Three Kingdoms", one of the four famous novels of ancient China.

His place of origin is said to be Taiyuan (now Taiyuan, Shanxi), Dongyuan (now Dongping, Shandong), and Qiantang (now Hangzhou, Zhejiang), which cannot be confirmed.

However, in recent years, Luo Guanzhong's family genealogy and personal seals have been found in Hewan Village, Qi County, Shanxi Province. Therefore, it can be basically determined that his hometown is Qi County, Taiyuan Prefecture.

It is generally believed. "Water Margin" was also sorted out and revised by Luo Guanzhong. Another theory is that he wrote the second half of "Water Margin". The second half of "Water Margin" is thirty in the hundred-episode version, including Zhao'an. Expedition to Liao and Expedition to Fangla. In the 120th edition, it also includes Zheng Tian Hu and Zheng Wang Qing.

The second half of "Water Margin" is sometimes called "Zheng Sikou". It is more in line with Luo Guanzhong's idea of "loyalty".

"Romance of the Three Kingdoms", the full name of which is "The Popular Romance of the Three Kingdoms", is an ancient Chinese long historical chapter back novel. The author is generally considered to be Luo Guanzhong in the late Yuan and early Ming Dynasty. It is the only novel based on historical facts among the four famous novels.

Based on history and Confucianism, the romance emphasizes "loyalty and righteousness", and focuses on the war, telling the history of the Yellow Turban Rebellion in the late Han Dynasty to the establishment of the Wei, Shu and Wu Kingdoms, and the unification of the Western Jin Dynasty for more than 100 years, portraying many heroes.

The narrative of the book "is based on the official history, the collection of novels, the testimony of the rhetoric, and the good and good. 」

The combination of virtual and real, the song is wonderful. Li Yuyou, a writer and opera writer in the late Ming and early Qing dynasties, said: "The strangeness of the book of romance is enough to make a bachelor read it quickly, and those who don't learn it can read it quickly; heroes and heroes can read it quickly, and ordinary people can read it quickly." The story of the Three Kingdoms has been popular among Chinese folklore for a long time.

The Sui Dynasty's "Great Cause Collection" records that Emperor Yang of the Sui Dynasty watched Cao Cao's miscellaneous, and in the early Tang Dynasty, Liu Zhiji's "Stone" has the story of "Dead Zhuge can go to Zhongda".

In the Song and Yuan dynasties, it was put on the stage, and Meng Yuanlao's "Tokyo Menghualu" recorded Huo Siji's "saying three points". Jin and Yuan performed more than 30 kinds of Three Kingdoms plays. During the reign of Yuan Yingzong, the "Quanxiang Three Kingdoms Zhiping Words" published by Xin'an Yu appeared. At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, Luo Guanzhong synthesized folklore, opera, and scripts, combined with the historical materials of Chen Shou's "Romance of the Three Kingdoms" and Pei Songzhi's note, and created "Popular Romance of the Three Kingdoms" according to his understanding of social life.

The main versions of the Romance of the Three Kingdoms are:

1, Ming Dynasty Jiajing's "Popular Romance of the Three Kingdoms"

2. The Ming Dynasty Chronicles "New Engraving Criticism of the Three Kingdoms by the Prison Hologram"

3. Li Zhuowu's commentary on the Ming Dynasty "Mr. Li Zhuowu's Criticism of the Three Kingdoms"

4. Qing Dynasty Li Liweng's commentary on "Li Liweng's Review of the Three Kingdoms"

5, Qing Dynasty Mao Zonggang commented on the revision of the "Four Strange Books of the First Kind"

The earliest surviving edition was engraved in the Jiajing year of the Ming Dynasty, commonly known as the "Jiajing Edition", with a total of 24 volumes. There is also a copy of "The Popular Romance of the Three Kingdoms" engraved by Hongzhi, the text is simple and the content is relatively plain.

During the Kangxi period of the Qing Dynasty, Mao Lun and Mao Zonggang father and son identified historical events, added and deleted texts, and revised them into the 120 copies of "Romance of the Three Kingdoms" that are popular today, commonly known as "Mao Ben".

The more famous proofreading books in modern times include Wu Xiaolin's "Romance of the Three Kingdoms" and Shen Bojun's "Proofreading of the Romance of the Three Kingdoms". Among them, Shen Bojun's "Proofreading of the Romance of the Three Kingdoms" corrected a large number of "technical errors" in the original as seven or eight hundred, which was highly praised by academic peers at home and abroad, and was welcomed by the majority of readers.

It is generally believed that the author of "Romance of the Three Kingdoms" is Luo Guanzhong, and there are also some claims that "Romance of the Three Kingdoms" was co-authored by Luo Guanzhong and his teacher Shi Nai'an, but there is no clear proof of it.

"Romance of the Three Kingdoms" describes the history of nearly 100 years from the end of the Eastern Han Dynasty to the early years of the Western Jin Dynasty, reflecting the political and military struggles of the Three Kingdoms era and the infiltration and transformation of various social contradictions.

In terms of attitudes towards the Three Kingdoms, respecting Liu and opposing Cao and Wu was the main trend of the people, and Liu Bei's group as the center of the description implied the people's hope for the revival of the Han dynasty and the orthodoxy of the imperial family, although these old views are no longer tolerated today.

When the Qing dynasty Mao's father and son corrected the Romance of the Three Kingdoms, they deleted and corrected the untruthful ridicule and strange power in the version handed down in the Ming Dynasty.

Lu Xun said in "The Historical Changes of Chinese Novels": "Because the affairs of the Three Kingdoms are not as chaotic as the Five Dynasties, and not as simple as the Chu and Han dynasties, they are not simple or complicated, and they are suitable for writing novels. Moreover, the heroes of the Three Kingdoms are very moving, so people like to use them as the base material of the novel. 」

The book also depicts nearly 200 characters, the most successful of which are Zhuge Liang, Cao Cao, Guan Yu, Liu Bei and others. Zhuge Liang is the embodiment of the "virtuous appearance" in the author's mind, he has the high wind and bright festival of "doing his best, and then he dies", and has the ambition to help the people through the world to recreate a peaceful and prosperous world, and the author also endowed him with the strange ability to call for wind and rain and be clever.

Cao Cao was portrayed as a traitor who "would rather teach me to bear the world than teach the world to bear me", who was both brilliant and treacherous, brutal and treacherous, and a political careerist and conspirator. Guan Yu is "mighty and resolute" and "righteous as a mountain", but it is mainly based on personal grievances. Liu Bei was portrayed as a typical benevolent monarch who loved the people, was a corporal of courtesy and virtuous, and knew people and was good at his duties.

The wars in it are varied, and readers often feel the scenes of swords and blood. Among them, the depictions of wars such as the Battle of Guandu and the Battle of Chibi are considered to be ups and downs, ups and downs, which makes people thrilling to read, and describes the plots that are not in the history books in great detail.

However, the first 33 chapters wrote the 24 years from Taoyuan to Cao Cao's unification of the north, and the 71 and a half chapters wrote the 27 years from Liu Bei's Sangu Thatched House to Zhuge Liang's death in Wuzhangyuan, and the next 46 years only took 15 and a half times to end hastily.

Due to the scope and influence of "Romance of the Three Kingdoms" among the people, it can be said that it is unique among ancient Chinese historical novels, which has caused the general public, and even some experts and scholars, to lack correct common sense of the overview, events, and characters of the historical period described in the novel from the end of the Eastern Han Dynasty to the Three Kingdoms period, that is, the historical period described in the novel. There has been a lot of controversy among the people about this kind of phenomenon. (To be continued......)